piano
Taking young talent into Europe: what the Reisopera and Ajax have in common
Still competing at the top and successfully entering Europe with 60 per cent less budget. Impossible, cries many. Only with a new stadium, argues another. And with extra investments in the winter break. But it can be done, according to a few.
John Adams' other Gospel of Mary @HollandFestival: masterpiece just too long
Mary is arrested at a demonstration and thrown into a cell next to a heroin addict, while her sister Martha has just started a shelter for the homeless. And Lazarus, yes, Jesus brings him back to life here too, with downright breathtaking cl...
Dance and music merge in Gesamtkunstwerk SHIROKURO
Holland Festival ,,I like to use the word 'Gesamtkunstwerk'. Light, space, matter, body, sound: it all belongs together. Each aspect forms an essential part of the whole."
Choreographer Nicole Beutler prepares with pianist Tomoko Mukaiyama and
Marion von Tilzer wins Women's Composition Prize MCN with Rote Schuhe
Amsterdam, 8 October 2012 During the well-attended Classical Music Day at the Muziekgebouw aan 't IJ the prize winners of the competition for women composers were announced this afternoon. The day was organised for the 11th time by Music centre Netherlands (MCN), which will cease to exist on 1 January. Thanks to an anonymous bequest, explicitly intended for women composers, three prizes could be awarded.
Less is more? No, less is FAR too much, by Michael Nyman's Potemkin. #hf12
Two days later... Sometimes you don't quite know what to write: even reviewers have writer's block from time to time. Fortunately, Jenny Diski of London Review of Books published a blog just Friday about the functionality of not being able to write (yet). Apparently, more time was needed. Anyway, at some point you have to tie the knot. ...
Micha Hamel's Requiem is beautifully spatial but lacks substantive urgency #hf12
In his Requiem for tenor, narrator and ensemble, Micha Hamel makes the most of the space of Amsterdam's De Duif church. Musicians play on the altar, from the balconies, mingle among the audience and push out a piano. - But what does Hamel really want to say? In front of a sold-out house, Micha Hamel's Requiem premiered last night. He ...
With Antony Hegarty and the Metropole Orchestra in a fairytale forest #hf12
Antony Hegarty gives away the layered and emotionally charged show Cut the World with his pianist and the Metropole Orchestra. He shows that it need not be an issue to present more of the same. Meanwhile, the audience imagines themselves in the fairytale forest, eating out of his hand. Photo: Clive Osborne It is not the first time the...
IDFA 2011: Ramon Gieling, Frank Scheffer and the magic of music
Coincidence? The two Dutch documentaries in the main competition of the IDFA documentary festival both explore what music can mean to people. Two films that also complement each other perfectly - one starts from the perspective of the listener, the other from the musician. In About Canto, Ramon Gieling outlines the profound influence that Simeon ten Holt's Canto Ostinato...
Pollesch and Hinrichs turn opening night The Choice into a theatrical philosophical happening #The International Choice
For the opening night of The International Choice, the Rotterdam Schouwburg was briefly transformed into Berlin's Volksbühne. The same black plastic rags on the walls, the same ugly yellow front curtain and - most strikingly - the seats in the auditorium have been replaced by white beanbags. Those beanbags, by the way, are widely despised and mocked in Berlin. They should...
Delft opens with fewer chamber music surprises than other years
For another 15 years, the Delft Chamber Music Festival, so named to reflect its international character, has encompassed 15 years. Violinist Isabelle van Keulen handled the chamber music festival's programming for the first ten years, Lisa Ferschtmann - also a violinist - took over from her five years ago. But even this already successful festival fears the upcoming budget cuts. A pity, because what...
#HF11 Playing with Nietzsche's moustache in opera fantasy by Wolfgang Rihm
An opera based on texts by Nietzsche, and then start with loud laughter and main character N trying to catch two water nymphs. Wait a minute, that's Wagner! Well, at Wagner's Rheingold involves three Rhine daughters, but the similarity is too great to be coincidental. And neither is this one, but in the first minutes of Wolfgang Rihm's Dionysos is much more going on. Here is a composer at work who not only plays with text and music, but also with centuries of cultural history and knows how to add jokes to it. It is to get intoxicated.
Gergiev comes to Rotterdam with a top orchestra and top repertoire, but audiences are used to that from him
Russian conductor Valeri Gergjev was back in Rotterdam for a while, for one concert. He conducted his own orchestra, the London Symphony Orchestra (LSO), in de Doelen. The famous orchestra played repertoire that we in our country know inside out: Gustav Mahler's 1st symphony and Dmitri Shostakovich's 1st piano concerto. A now historic combination: because the Netherlands has become fused...
Tomoko Mukaiyama sprinkles nuts and high heels
Although the announcement of 'sonic tapestry: Shoes, part V' by Tomoko Mukaiyama can be read as a variant of Sex and the City on classical music, Sarah Jessica Parker would forever look at her Manolo Blahniks differently after seeing Mukaiyama's performance. This very special piano recital was Saturday 7 May at LP2 (Room 2 of the Rotterdam...
Liszt's music is too important to ignore
Fransz Litszt, born in 1811, explored every nook and cranny of the piano in his work, trying to incorporate every conceivable technique. As this contemporary of Carl Czerny, Niccolo Paganini and Richard Wagner was born 200 years ago this year, so there is a Liszt year. The Rotterdam Philharmonic Orchestra bit the bullet of that on Friday 28 January,...
"Characteristic of the book trade remains the endless chatter, but this evening I wouldn't have wanted to miss." All tweets from #evdu, with video.
Interesting things are happening these days. The digital revolution is beginning to have traces of a real revolution. No one has yet set themselves on fire, as in Tunisia, but more and more people are taking to the virtual streets to overthrow the old powers: after the record companies, which let themselves be overwhelmed by people downloading, and the newspapers, which let themselves be overwhelmed by people searching freely for information, it now seems to be the turn of book publishers.
Conductor Ono does not stand with his boots in the blubber and therefore does not go home with a passing grade
Rotterdam - That every disadvantage 'hep' its advantage is often apparent with symphony orchestras. A principal conductor, for instance, is usually in charge of his own orchestra for no more than about 12 weeks a year. He divides the rest of his time among the other orchestras he is also already chief of. Yannick Nézet-Séguin, for instance, is now not only principal conductor of the Rotterdam Philharmonic...
Demoni by Peter Stein: Masterpiece leads to masterpiece #hf10
After a 12-hour theatre marathon, what can be said? That it was good? Good. It can. That it was rare? Also true. That it takes a director in his 70s to stage a Russian novel with such calmness, and that it takes such phenomenal actors to keep the audience hooked for 11 hours to the not-very...
Jelineks Rechnitz impresses Holland Festival visitors #hf10
Image by Andrew B47 via Flickr Photo: Chris Vanderburght It was time for a real theatrical hit at the Holland festival, after the rather lukewarmly received British-American Shakespeares of Sam Mendes' Bridge Project. And clap it did with Rechnitz by Elfriede Jelinek dooor the best actors of the Münchener Kammerspiele. Karin Veraart of De Volkskrant was deeply impressed: ...Not...
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