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Provincial millions for HET Symphony Orchestra evaporated without results

What happened to the five million Overijssel gave the orchestra in 2011 to 'get more money from the market'? This was also what councillor Van Abbema wondered, and the answers the province gave her mostly raise more questions. What is abundantly clear is that the province wants to keep the orchestra no matter what and of no merger 

Grand Theatre Groningen

Grand Theatre 'not too big to fail': bankruptcy looms for Groningen hotspot

The Grand Theatre in Groningen is dying. Yesterday, the city council of the northern university city decided that no more money should be poured into the theatre, which is in acute cash trouble. Bills from suppliers and independent artists have not been paid for several months, and financial reserves are more than depleted. We have received reports from artists... 

In 2016, we will conquer Germany, if it is up to Bart Moeyaert

He had had a TED training. It couldn't be otherwise. Bart Moeyaert, poet, writer and multiple award winner, sometimes literally wriggled into numerous corners to warm up the Dutch literary guild to his plans for 2016. That year, for the first time in a long time, the Netherlands will host the Frankfurter Buchmesse again, the Art Basel of the literary world.... 

Joop Daalmeijer Marathon (7): 'If the knowledge is lost, so is the heritage.'

Wijbrand Schaap: 'Just one more point. Then we're almost through.' Joop Daalmeijer: 'Continue quietly, we have until half past five.' Wijbrand Schaap: 'We have a problem with real estate. A lot of inner cities are empty. Shop premises are empty, downtown office buildings are unrentable. What do the municipalities say? Put artists in them. Cost nothing, because for free rent they do... 

Wandering through the dunes with literature @Oerol Festival

Literature is starting to conquer its place at Oerol, which makes sense because poetry and prose are everywhere. The landscape inspires writers and poets to write beautiful texts and at the same time, through literature, visitors take in the environment in a poetic way. What forms of literature can you encounter on Terschelling? 

NRC doesn't count right: not 11, but at least 34 groups gone due to cuts

According to NRC Handelsblad Culture cuts became fatal for 'only' 11 theatre institutions. In doing so, they assume groups that actually dissolved themselves. In their overview, however, they overlook the companies that voluntarily dissolved themselves by merging with another company. In addition, there are a number of institutions that disbanded before the new round because it was already clear that they would not receive any money. If we do count those, we come to at least 34 companies. That is already 25% of what was on offer before the cuts.

The best woman in the best place: Ellen Walraven director Rotterdam Schouwburg

This was a possibility not many people initially thought of. After all, after her tropical years as director of the Amsterdam debating centre De Balie, Ellen Walraven was in need of some more substantive work and peace and quiet on her mind, So we suspected that she would stay on in

Art for all: €3 per person, per month

The discussion was and is endless, but now we have figures. Thanks to the Ministry of Education, Culture and Science's new 'key figures', we now know how much the state (all of us) are spending for the opportunity to experience art: per inhabitant, the state spends 38.90 per year on subsidies for dance, theatre, museums, youth theatre, opera and orchestras. So that's just over 3 euros a month. Indeed something to get into each other's hair about, we think.

Götterdämmerung marks end and new beginning Reisopera

It is the first mass scene in Wagner's Ring: Siegfried leads Brünnhilde to the Gibichungenburg and Hagen summons all his men. From the side stage there is literally a deafening blare of horns, but conductor Ed Spanjaard allows the play to continue. And rightly so: the orchestra has a spark. The whole stage is filled in an instant and the choir swells in strength, louder and louder, ever louder, until the ecstatic apotheosis:

Enterprising young theatre makers, Meermanno meets revenue standard, Eindhoven accepts collection, Amsterdam supports cultural education, et al.

Entrepreneurship is in young theatre-makers' blood (...) A new theatre circuit seems to have emerged in recent years. More and more young groups, such as Stichting Nieuwe Helden, PSTheater and Circus Treurdier, work relatively independently of subsidies and almost always outside the theatre building. They seek out their audiences anywhere, whether on the street, by a canal or in a... 

Progress news: Give Act no more for culture, Utrecht more expensive and Purmerend stops all subsidies

Lower House approves Tax Plan 2012 (...) Furthermore, the adjusted Giving Act was also passed. The 7 million euro tax support shifts from cultural institutions to sports and music associations. Source: Belasting.nl 18 Nov 11 Utrecht - Culture may cost something - by Wouter de Heus (...) this week, when I finally saw the renewed operating plan for the Music Palace in... 

Bright spots: Toneelschuur kind of saved, less discount at schouwburg Hoorn, but Bollenstreekse Bieb gets more expensive.

Haarlem - Money new policy: national cuts softened (...) [theatre, film and production house] Toneelschuur Productions will lose its national subsidy from 2013. This threatens the disappearance of this unique production house. (...) Haarlem is economically heavily dependent on culture. The cuts will therefore not only lead to the impoverishment of our cultural climate, but also to fewer jobs and a blow to the creative economy in... 

Letter Zijlstra is just a request for information. But it does include a tickable invitation to suicide

Has state secretary Halbe Zijlstra the Lower House lied or misled in June when he stated that rushing through the culture cuts was necessary to absorb friction costs? Or does it just turn out to be improper governance?

'Conceptual thundering won't get you far in London': guest column Teunkie v.d. Sluijs

"I can fire anyone here. Except the actors." Sam Walters, artistic director of London production house the Orange Tree Theatre does not mince words. "Everyone in the office could leave. The directors too. But without actors no performance." The actor is unequivocally central to this theatre. As a director, you only prove yourself here when you get top performances out of your... 

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