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Why I love that the Holland Festival is programming Stockhausen's 'Aus Licht'

Towards the end of the year, we are inundated with lists. The best CDs, the best books, the performances you shouldn't have missed, etcetera. In this sea of choices from reviewers and other opinion makers, one post stands out, from opera critic Olivier Keegel. He started a veritable petition to prevent Karlheinz Stockhausen's 'Aus Licht' from being performed in June 2019,... 

The 5 concerts you don't want to miss at Musica Sacra

Last year, arts festival Musica Sacra was all about 'the road', inspired by the many pilgrim routes that lead to holy places. This year, Maastricht is all about the 'sacrifice of love'. At first sight, an anachronistic theme, which seems at odds with sentiments in our current society. The aggression against asylum seekers, the ruthless pursuit of profit by... 

Erik Voermans 'From Andriessen to Zappa': enthusiastic plea for elitist music

Erik Voermans (1958) is one of those people who writes down what you think yourself, but would never air publicly. The music editor of Het Parool likes to pose as your unsuspecting neighbour's boy, watching the music world with amazement. Take the phenomenon of opera: 'That's when someone with a knife in his taas walks around for half an hour singing that he's going to die.' If he... 

Krzysztof Penderecki: 'In chamber music you can't gloss over anything'

In 1961, Krzysztof Penderecki (Dębica, 1933) put his name on the map in one fell swoop with Lament for the Victims of Hiroshima. This avant-garde, expressionist piece for string orchestra flogs the ears with heavily dissonant harmonies full of microtones. With this uncompromising orgy of sound, the Pole struck the mental and physical inferno caused by the atomic bomb on the Japanese city in 1945 in the... 

Forever waiting for Godot: Pierre Boulez died

He would have turned 91 on 26 March, but died Tuesday night, 5 January, in his hometown of Baden-Baden. Pierre Boulez was the last surviving composer of the group that changed the direction of music after WWII. His fellow maestros preceded him: Karlheinz Stockhausen died in 2007, Luciano Berio in 2003, Karel Goeyvaerts in 1993 and... 

Mantra for 2 pianos by Stockhausen: iconic masterpiece

By 1970, Karlheinz Stockhausen (1928-2007) had run out of 'intuitive' compositions in which the performer had to choose his or her own path from a series of written instructions. Like Intensity, for example, whose score consists of this text: Play the individual notes with such dedication until you feel the warmth radiating from you. Play on and keep them on as long as you can.... 

Satie in the supermarket

In the 1970s, Reinbert de Leeuw stormed the popular charts with recordings of Erik Satie's early piano music. He managed to strike exactly the right chord with his ultra-rare performances of pieces like Gnossiennes and Gymnopédies. The albums sold like hot cakes and were awarded gold and platinum records. Two decades later, he recorded them... 

Unsuk Chin: 'Holland is more open to new music than other countries'

In 1985, Unsuk Chin (Seoul 1961) won the Gaudeamus Music Prize with Spektra for three cellos, six years later she made her breakthrough with her Akrostichon-Wortspiel for soprano and ensemble composed for the Nieuw Ensemble. In 2004, she won the Grawemeyer Award, the world's most prestigious music prize; in 2007, she made a deep impression with her opera Alice in Wonderland. Tomorrow, Thursday 22 October. 

The 5 concerts not to miss at Musica Sacra

From Thursday 17 September onwards, Maastricht will be dominated by four days of arts festival Musica Sacra. Started in 1983 as the European Festival of Religious Music, other art disciplines are now also presented, in atmospheric churches and other historical venues. This year's theme is 'The Way', loosely inspired by the pilgrimage route to pilgrimage site Santiago de Compostela, with the central question of whether... 

Minimal Music Festival figurehead: 'I'm not a minimalist'

Wednesday 8 April kicks off the fourth edition of the biennial World Minimal Festival at Amsterdam's Muziekgebouw aan 't IJ. For five days, the capital will be dominated by the immensely popular music movement, which invariably attracts packed halls. Several parts of this instalment are already sold out, including the opening concert with special guest Terry Riley. There are still... 

The best CDs of 2014

What would the end of a year be without favourites lists? Therefore, herewith my choice of the three best CDs/DVDs of 2014. Unsuk Chin: 3 Concertos Korean-German composer Unsuk Chin is considered one of the most important composers of our time. She has been awarded many times, including the prestigious Grawemeyer Award (2004) and the no less important South Korean Ho-Am... 

Reinbert de Leeuw defies limits of orchestra in Saturday Matinee

Reinbert de Leeuw turned seventy-five last September, but already in May the VPRO honoured him with three full-length broadcasts on Radio 4. Together with Aad van Nieuwkerk, I made a selection from his best recordings of Kagel, Ustvolskaya and Louis Andriessen, among others, about which I also let him speak. This was followed in September by a real Reinbert festival and his own magazine. The magazine not only highlighted him... 

Research shows: music taste is a matter of appointment and habituation

That we have a scale the way we do, and that we perceive certain chords as beautiful, is because we have learned it. And what we have learned is the result of agreements. In music, as in fine art or theatre, there is no absolute ideal to which artists should aspire. No absolute beauty, no divine spark, no heaven to which we all long to return, just a set of agreements.

A century of new music: Ruyneman and De Leeuw

This month, Reinbert de Leeuw celebrates his seventy-fifth birthday. Not only are television, radio, internet media and the written press devoting extensive attention to the no small achievements of this champion of contemporary music, but he is also being honoured with his own festival, 'Reinbert 75'. This is organised by the Asko|Schönberg, co-founded by him, the Residentie Orkest and the Royal Conservatoire in The Hague, where he took up teaching fifty years ago. In da...

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VPRO honours Reinbert de Leeuw

On 8 September next, pianist, composer and conductor Reinbert de Leeuw hopes to turn 75 and this will be celebrated with a range of events. These include a three-day festival dedicated to him in The Hague and Amsterdam at the end of September, and he will be the central composer in the NTR Saturday Matinee next season. In addition, a CD box set of his recordings will be released, and later this year I hope to publish my recently completed biography on Reinbert de Leeuw. Together with producer Aad van Nieuwkerk, I made ...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

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Delft opens with fewer chamber music surprises than other years

For another 15 years, the Delft Chamber Music Festival, so named to reflect its international character, has encompassed 15 years. Violinist Isabelle van Keulen handled the chamber music festival's programming for the first ten years, Lisa Ferschtmann - also a violinist - took over from her five years ago. But even this already successful festival fears the upcoming budget cuts. A pity, because what... 

Tomoko Mukaiyama sprinkles nuts and high heels

Although the announcement of 'sonic tapestry: Shoes, part V' by Tomoko Mukaiyama can be read as a variant of Sex and the City on classical music, Sarah Jessica Parker would forever look at her Manolo Blahniks differently after seeing Mukaiyama's performance. This very special piano recital was Saturday 7 May at LP2 (Room 2 of the Rotterdam... 

The deeper caverns of an adult film festival. Sven Schlijper on safari during IFFR 2011

The International Film Festival Rotterdam celebrates its fortieth edition with a fitting XL programme. That Roman numeral XL not only indicates respectable age. It also says something about size: this fortieth also bursts with the intiguing programme, with screenings at no less than forty locations throughout the inner city of Rotterdam. Inside the festival walls is... 

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