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A lot of Oz & a little Van Dis on impossible dreams and ideals #wu13

During the kick-off of Winternacht 1, publicist Bas Heijne brought the two literary giants Amos Oz and Adriaan van Dis closer together. What remains of their former idealism? Oz's barrage of wonderful one-liners proved difficult to tame and made for a hilarious but somewhat unbalanced conversation.

A recalcitrant teenager, Israeli Amos Oz ran away from home at the age of 15 and joined a kibbutz. He lived there for years. Adriaan van Dis, too, once spent time as a ...

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Peter van Onna: 'Treaty of Utrecht is also topical now'

Three hundred years ago, the Treaty of Utrecht was signed, bringing an end to both the War of Spanish Succession, and the War of Queen Anne. Remarkably, this peace treaty was not negotiated on the battlefield, but at the negotiating table. It took a year and a half for the many parties to come to an agreement, and the treaty counts as the beginning of... 

Art: alternative to mistrust and violence in Guatemala. #vvu

Theatre-maker Anouk de Bruijn (32) has been to Guatemala seven times since 1999. For the Treaty of Utrecht, she entered into an exchange project with the Guatemalan group Caja Lúdica. Together, they are committed to giving people a positive experience through art. Their project 'Hidden War' is about the lives of young people in Guatemala. 

How a Martian looks at opera

Or: the familiar becomes utterly alien here. Or: embracing meaninglessness as the first principle. One hundred years after his birth, John Cage takes centre stage in HF weekend.
Ever since Reinbert de Leeuw played it in the fastest talk show on Dutch television, John Cage's 4'33" has been a well-known composition in our country. For exactly four minutes and thirty-three seconds, the musician does not play a single note and the audience hears nothing but the ambient sounds.

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Unforgettable stage version of Man Without Qualities gets undeserved dessert from Yves Petry #hf12

Maybe it is also just the wrong choice to see part three immediately after the first two parts. Maybe after a day of you or some settling down you will be able to appreciate Petry's text, on its own merits. Imagine a three-star dinner. A sensuous succession of small and medium-sized dishes, prepared with the... 

'Community Art is Slow Art': Margreet Bouwman and Eugene van Erven on the Community Arts Festival 2013 #vvu

 Young people from Guatemala, nightingales from Northern Ireland and theatre-makers from the interior of Peru. Just some of the guests at the Community Arts Festival held in Utrecht in June 2013. Music, film and theatre with ordinary people behind and in front of the scenes, accompanied by professional artists. What else do they have in common? They all make art in an environment where murder, manslaughter and war are more natural than peace.
This 'How to survive a war' theme is a...

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'Sometimes the desire not to be seen turns into an excess of exhibitionism.' - Yasmeen Godder on The Toxic Exotic Disappearance Act

She has been busy. Highly pregnant, Yasmeen Godder (Jerusalem, 1973) worked on her first choreography for Batsheva Dance Company. In a month, she stomped out her new performance The Toxic Exotic Disappearance Act under the wings of Batsheva, and in between gave birth to a healthy daughter. scenefoto For the third time, Israeli choreographer Yasmeen Godder is presenting her... 

Subsidy was not invented by the Nazis, they did embrace it

Apartheid activist Martin Bosma started talking about it during one of his many hilarious appearances in the second chamber, but, as is often the case, was wrong. He said art subsidies were an invention of the Nazis and therefore pernicious. We knew better, because researcher Benien van Berkel is thorough and deals with facts. From her doctoral research... 

'Ajax states' in sudden war between Netherlands Symphony Orchestra and National Travel Opera

This week, the National Travel Opera begins rehearsals of Mozart's Le nozze di figaro. In the bin, the brand-new Netherlands Symphony Orchestra conducted by Jan Willem de Vriend. Business as usual, as both companies have been working closely together for years and are united in the National Music Quarter Enschede. Only: orchestra and opera company have not been talking to each other since last week.

Big plus for the writer who can also narrate #wu12

Helon Habila His voice is low, and when he talks, he does so calmly and thoughtfully. He regards his humour - very British - as a side effect that is more accidental, than intended. This makes Helon Habila a perfect guest for the opening night of Writers Unlimited, the Hague literature festival better known as 'Winternachten'. The Nigerian can... 

Wonderful combination of stillness and slowing makes one long for more of Daria Bukvic' ' Devastated' on #DeBasis

A clearing in the forest. It could be idyllic, but from the forest come suspicious noises. Men are singing and pulling tractors. The echoes of explosions echo. It's all just fake. It's just theatre - which nevertheless inspires fear. Daria Bukvic, a newly graduated director from the Maastricht Drama School, created a play about her mother. Who... 

Artists bring paradoxes of Soesterberg Air Base to light at Festival #DeBasis

Art at Soesterberg airbase is almost by definition a paradox. So is the natural site that was a military base. And that is why visual art finds a perfect home here. For festival De Basis, artists from five countries were asked to enter into a dialogue with this absurd, until recently forbidden terrain. This results in beautiful contrasts. First of all in... 

#HF11: They're going to make another big cut to the Russians at Toneelgroep Amsterdam

Cologne and Paris may not have been built in a day, but it took less than three days to fly to the moon. A warped comparison to say that a show that rattles three days before its premiere can turn out to be an unimaginable hit on the premiere itself. So something like that could happen with The Russians, the latest show 

Die Jahreszeiten, in OT's version, fits perfectly into the Flemish-Dutch Opera Days

Photo: Ben van Duin In the Netherlands, the view of opera is mainly guided by concert practice. As such, the Dutch approach to this genre differs considerably from what is common in the rest of Euroa. This is evident from the fact that over the past century, investments have been made in concert halls that are among the best in the world. 

Rascals and heroes battle for power at Utrecht Festival a/d Werf

There is no such thing as the perfect human being. We are all crooks. Or is there a way to get it right? Ilay den Boer and the actors of De Utrechtse Spelen / De Warme Winkel each explore in their own way at the 26th edition of Festival aan de Werf. Wasn't my grandfather just an asshole? That... 

Ifigeneia had to die, according to the reconstruction by the jubilee Theatre Group Alum

Poster, with photo by Sanne Peper and design by Hollandse Meesters "That looks like a book series!" spoke my wife with some horror on seeing the cover of "The Revenge of Iphigeneia". And yes, it has to be said: in book format, the poster of Theatre Group Alum's latest theatre production is a bit too much of a stretch. From the A0 poster, it had... 

IFFR 2011 - Tiger from Sri Lanka kicks off, courtesy of taxpayers

The first film from the Tiger competition for new talent that Rotterdam festival audiences got to see on Friday was Flying Fish from Sri Lanka. Director Sanjee Pushpakumara, present at the screening, was clearly overwhelmed. He himself was seeing his film on the big screen for the first time, and in front of a sold-out audience. His acceptance speech was not only touching but... 

How old news suddenly becomes current. "The Spy who loved Abstract Expressionism: free art as a weapon against totalitarian enemy" dates from 1995.

Today we posted this message, and quickly realised that the news had been released before. Only a few minutes later it dawned on us that the original post, of which this is a free translation, had already appeared on The Independent's site on 22 October 1995. Thanks to a database update and a perceptive site visitor, who... 

Comedic and dramatic play in Mokhallad Rasem's experimental, surreal 'Iraqi Ghosts' #tf2010

In suits, wearing animal masks, five actors pose on stage. They represent a bear, rabbit, deer, rooster and monkey. From this 'freeze', they start making animal noises and moving around. A rhythmic performance follows. Fascinated, but confused, the audience watches the alienating dance. What do these animals have to do with the war in Iraq anyway? Just when you start to wonder if you are in the right audience, the players take off their masks and answer: 'Have you ever wondered....

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Drama is much more suited to interpret history than film. @RvanH writes essay on Hannah and Martin at #TF2010

Hannah and Martin by Mugmetdegoudentand is not only a heartwarming performance, played by one phenomenal actress and one inimitable theatre personality, it is also a brainteaser. Trouw reviewer and theatre scholar Robbert van Heuven felt challenged to write a short essay in response to this performance.

By Robbert van Heuven

Facts determine only a small part of historiography. Far more important is the question of how those facts relate to each other....

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Museum Belvedere: 'Floods in Pakistan, forest fires in Moscow, a cabinet tolerated by Wilders. How lousy can a landscape be?'

Olphaert den Otter, The Buitenplaats, 2010, egg tempera on canvas/panel, 112 x 210 cm 'In this museum, we so often extol the landscape, that for once we wanted to show its destruction, upheaval and impending change.' According to Han Steenbruggen, director of Museum Belvedere in Heerenveen-Oranjewoud, it was time for an exhibition showing what war, natural disasters... 

Branden: legendary top theatre to be seen again in Amsterdam #tf2010

The destructive power of war and hatred

Writer Wajdi Mouawad (b. 1968) fled his native Lebanon at the age of nine. At the time, a brutal civil war had been raging there for years. Together with his family, he ended up in Canada via France.

There, he develops into an internationally renowned playwright. His work is now performed all over the world. The Ro Theatre introduced Mouawad to the Netherlands for the first time this theatre season.

Director Alize Z...

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Shukshin's Stories: a 'gypsy boy-with-trane' painting by a grand master. #hf10

The Russian soul. So there is something about that. And you get something from that when you see a Chekhov play (if done well), or read one of his short stories. Or when you read the works of Tolstoi, Dostoevsky or any other inhabitant of that vast nothingness east of Poland. Or seeing the paintings, which a few... 

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