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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

Is Emmanuel Macron's long arm sowing discord at a Hague Literature Festival? Just barely. (But should we all speak French again someday?) #wu18

Leïla Slimani, the Moroccan-French author whose novel A Soft Hand won the prestigious Prix Goncourt, has cancelled at the eleventh hour for Winternachten. The reason was not Thursday's storm. THE reason was personal. But could also be due to something else. The chief guest of the International Literary Festival in The Hague, Alain Mabanckou,... 

Opening Night at Winternachten celebrates the power of perseverance, and supports writers in captivity. (Why sometimes a cardboard TV can help)

'Writing and reading, like sex, are a form of fusion. Literature is the practice of impurity'. Pakistani-American author Mohsin Hamid can formulate. In his Free the Word speech at the opening of Winternachten in The Hague, the man, who wrote an international bestseller with The Fall of a Fundamentalist, made a case for impurity. 'Purity,' he told the... 

Why a universal basic income is necessary for the survival of the arts

A hopeful experiment has begun in Finland. In the Netherlands, too, they are trying to get something off the ground, although the government is thwarting the plans for now. Why is unclear. Because even big-capitalists like Elon Musk (Tesla) and Mark Zuckerberg (Facebook) are now saying it: a Universal Basic Income (UBI) is the only way we can advance our society, and with it our civilisation... 

Carmien Michels, European Poetry Slam champion: 'I hope I can give many people that extra push to go on their own journey of discovery'

The best performers are a few heads taller on stage than in real life. This also applies to Carmien Michels. I knew the writer, performer, slam poet and jack-of-all-trades in cultural life mostly from her legendary performances at the 2016 NK Poetry Slam and the Night of Poetry in September 2017. Radiance and presence, which... 

There will be a hotline for sexual violence and harassment in the arts. Question remains as to who will... er... staff it.

Good news! The hashtag #metoo has finally led to action. There will be a hotline. The press release came today. 'The performing arts, film and television sectors have joined forces to launch an independent and umbrella hotline for sexual harassment.' This is more unique than you might think. In the performing arts, and certainly in the film and television sector, the situation is disastrous with the... 

ZEP takes on the sacred cows of love with comedy HABIB. (Why Rascal should just come and watch)

So certain words are taboo. Moroccan Said explains that his ideal woman has to be a virgin, chaste, and so should not let him ... well, that is. That word you are not allowed to say. The Turkish Evrim thinks that's big nonsense again. Why not call a spade a spade? In Habib, the latest performance by theatre group ZEP, it is all about... 

'We are too little aware of how well things are going at the moment'. HRM professor Paul Boselie on the future of our labour market.

Next Thursday, at Utrecht's TivoliVredenburg music palace, it will not be about music for once, but about work. During the event The Future of Work, internationally renowned professor Paul Boselie will throw a big punch. According to the author of the international handbook 'Strategic Human Resource Management', employees and employers lack the much-needed sense of urgency about... 

When words become weapons, listening is pointless. Frank Westerman at festival Winternachten on negotiating with terrorists.

In the 1970s, a wave of terror swept through Europe. A wave that claimed far more victims in our regions than the Islamic violence to date. During literature festival Winternachten, from 18 to 22 January in The Hague, it is about the struggle for freedom, about us against them. On Saturday afternoon 21 January, Frank Westerman and Mohsin Hamid will discuss the... 

2018 in the arts: the year we finally choose our bubble and let the masses be the masses.

We are going to live smaller. It is not only in the popularity of the TinyHouse movement that young people and seniors can shake hands. We want to de-clutter, but we also want to have less to do with the big bad outside world. This applies to older people, but certainly to those in their twenties. This movement has been going on in the arts for a while. Small ... 

Our readers' list. What we should all never forget from 2017.

Well, we're not big on hypes and traditions here, but still. The dark days around Christmas are very dark this year, so why not something with lists. This year, no list of toppers from the editors, but random entries from random readers, in random, if slightly alphabetical order. Motto of the readers' question was: which things... 

Winternachten Festival offers the best chance to see great writers up close. And Francis Broekhuijsen.

From 18 January, The Hague will be all about Winternachten. We think this is the most fun literature festival in the west of the Netherlands. This year, it is about Freedom, Equality and Brotherhood, the motto of the French Revolution, among other things. But also about Karl Marx. Under the motto 'we the people', Winternachten is therefore about populism and secession,... 

The Culture Council has been on a Storytelling course. So the Council's latest advice is all about stories. And about ruins.

One of the great things about France is that it is not raked. On any bike ride, or walk along that overgrown path that started out so beautifully, you might just bump into a ruin. Such a ruin that we here in the Netherlands would soon turn into an attraction, if we hadn't long since demolished the piece of unattended real estate to make way for... 

Leila Slimani and Fatma Aydemir: two young writers who are really changing my view of the world. You can meet them at Winternachten 2018

During the upcoming edition of Writers Unlimited/Winternachten in The Hague, two writers who are making exciting news with their work and their success will drop by. Fatma Aydemir, journalist from Berlin, wrote with 'Ellebogen' an abrasive debut about a Turkish girl who is a little less prepared for her future than everyone would like. Parisian author Leila Slimani won in... 

Scene from The Place To Be. Photo: Jochem Jurgens

Rolling stones, screaming kitchen maids, smoke bombs and noble punk: why the upstarts in Theatre Frogs Winter Collection offer so many surprises.

Two men. Not even very muscular, not even very tough. But what dockworkers. And what simplicity to tell something really beautiful. One rolls himself up like a stone and the other rolls that stone up a mountain. That mountain consists of stage sections that are each at least half a metre in height from each other.... 

Jouman Fattal, on TV next year, already seen in Frog's 'Winter Collection'

Called The Winter Collection, it is a five-day mini-festival full of surprises. Utrecht-based Theatre Kikker has now made it a tradition to provide some real surprises every year around Sinterklaas. 10 performances by young creators, from video art, to rowdy dance performance, from a silent monologue to post-dramatic cyberpunk, enough to give any theatre lover a wake-up call.... 

Publicity image BOG. for KID.

'BOG.' plays 'KID.': how a simple question to the audience can lead to exciting theatre.

A collection of makers they are. A collection, but not a collective. What an 'f' can't already make up. So language is quite a thing. And crowdsourcing is quite a thing. These makers collect words from their audience, and give them back in a performance. That's 'BOG.', a still fairly young group trying to use language to make theatre to get us to... 

Performing Arts Fund subsidy leads to more performances for fewer audiences

Currently, the amount a performing arts company receives in subsidy depends on the number of times it plays. The Performing Arts Fund, which is responsible for that subsidy, has now investigated the effect of this. That research shows that companies are increasingly struggling to sell performances of a single production. This causes companies to... 

Mirjam Koen, Adorno, why on earth theatre about Adorno!

Beethoven and Bach brought the true music. Karl-Heinz Stockhausen the future. The rest, from Beatles to hoempa, was 'jazz', commercially capitalist and therefore pernicious. Very briefly, this is what we should know Theodor Adorno from. Paul R. Kooij now plays this art-philosophical sharper in a performance by Mirjam Koen. Just when the division based partly on Adorno's thinking between... 

The current distribution of grants across genres and institutions

Culture Council: 'No more distinction between high and low art' (and much more)

Musicians are no longer allowed to perform for a pittance. At least, not if the club they work for, or perform in, receives a subsidy. In a sector opinion released today, the Culture Council argues that the structural underpayment of workers in the creative sector is no longer sustainable. 'If that means fewer programmes can be made (or that there... 

At last: a piece with real vision from the Culture Council

'Successive interventions have stripped, juridified and amended the BIS and the state funds. But more importantly than that, trends and developments in and around cultural life are making new demands on the cultural system. It is out of date in several respects.' So says the Council for Culture in its 'reconnaissance' published today. In it, the contours of the future... 

Minister Ingid van Engelshoven (centre) superior in first culture debate (Photo: screenshot livestream Lower House)

House: 'Minister van Engelshoven has passed baptism of fire'. (Why the VVD needs to find a new culture spokesperson)

The debate on the 2017 culture budget on Monday 13 November was a breath of fresh air. Not because there was suddenly a lot more money coming out of any top hat, but because there was a minister with vision. And with room to express that vision. After seven years full of pushing and pulling and rejected motions, cash shift operations and bicycle bell trading, there was finally... 

10 million back. Van Engelshoven means business.

Of course, this is really actually better news than what was already in the coalition agreement. The extra 10 million fought for last year for performing arts institutions that were good enough but fell below the saw line because of running out of money will get structural money added. Good news for a few clubs that would really be out of business otherwise, like Orkater. The good news... 

4 reasons why 'cultural entrepreneurship' and subsidy don't mix.

Afterwards, it actually dawned on me what had gone wrong at No Man's Land. The event, a sort of combination of networking drinks, symposium and mega workshop was set up from the best of intentions. Initiated by The Cooperative, the club not to be confused with The Cooperative. The latter De Coöperatie is based in Amsterdam and is an alliance of freelance... 

This is what makes The Dead Society such a successful podcast: noise.

I treated myself to one of those noise-cancelling headphones. The thing produces anti-noise to filter out highway, refrigerator and air conditioning from my daily life. So that I can listen to podcasts better. Podcasts like The Dead Society's. In which I am reminded again how important background noise from highways, air conditioners and rustling trees is. Radio journalist Carine van Santen... 

Still thinking about tougher sentencing, thanks to 'Prison Monologues'

Utrecht's Wolvenplein prison is sort of empty. Anyone who doesn't happen to have a conviction behind them themselves should go there for fun. I did so myself two years ago on an art project about the surveillance society. When I returned on Tuesday, 17 October 2017, for The Prison Monologues, the impression was still there. The... 

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