Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.
Industrial estates are weird. They lie souring on the outskirts of one city, only to seamlessly morph into the same site on the outskirts of another. Once they were A-locations, places of visibility and the incarnate dream of reconstruction. Now they are low-grade structures, halls with a front door, a visible office for the Dirk and a pathetic...
The prize for the longest and most artful kiss of 2017 has been given away and goes to Conny Janssen Danst. In a small tent on the square below Bossche Sint-Jan, this danced kiss forms the technical and dramatic highlight of Clarity. Two dancers, spinning pirouettes while keeping their lips connected, a video artist and the floating music performed live by iET were on Saturday ...
Heroes are not always the smartest people. Indeed, most acts that have gone down in history as heroes have been thoughtless actions. That happened to succeed. Pure luck. Against every heroic act, therefore, there is an unknown but not negligible number of senseless deaths of would-be heroes. The main character of the theatre play The Heroes, which I attended in Den Bosch on 4 August,...
Opening speeches. Every festival has one. Or two. You have to go through them. As a guest, but also as a host. Something should be found on it. Of course a point has to be made, a flag raised, a champagne bottle bang introduced. And also the sponsors should be thanked. In these times of a retreating government, there are more of them every year. And.
'Can I ask you: do you know what time is?' Greg Nottrot's question cannot be straightforward, as I am the only spectator. MIjn spot is uncomfortable: a chair sinking into fresh gravel on the curious Utrecht plain christened 'Berlinplein' by city developers. I witness an early rehearsal of De Denderende Tijd. In that...
That libraries are doing badly was already known. But in the news about this, made public on 27 July by RTL, there is still something hidden that the editors themselves leave underexposed. Because who is paying the real price in the austerity operation? Indeed, the writers. The libraries settle that with a simple trick. They cancel the rent from their own...
Would like your interpretation of the cover girl's look on the Theatre Festival Boulevard programme book. It may be projection, but I see a slightly overwhelmed desperation in those eyes, whose eyebrows have been replaced by two playfully placed arches of St John's, above: Den Bosch on my mind. Where to start, mostly. In the book, especially abundance. Glassily designed...
[This post was already online under the title 'Save us from the Transition Office', but has been updated in a few details] While you are preparing for a well-deserved holiday, people in the arts sector are working on a new model. That new model is needed because the old model is no longer adequate. That old model, and we are of course talking about our...
I held my heart. Patrick Nederkoorn and Oscar Kocken had been tempted by television to bring their brilliant gem 'Zomaargasten' over to the living room. NPO3 still. The channel targeting millennials. I had visions of channel managers, dramaturgs, audience specialists and gussied-up boys and girls well over forty that these two little artists would...
'I would love to have a human resources manager on staff, but yes, quite a shame.' Dixit the director of a medium-sized arts institution. As in the rest of the Dutch SME sector, in the arts sector personnel policy, or HR policy, is something that is at most done on the side. Anyone who has ever got it wrong can tell great stories about...
The advantage of being a subscriber to Culture Press is, of course, mainly that we can exist thanks to you. So our independent sound remains audible, so you get the interpretation of the news as you get it nowhere else. In June, a total of 14 authors hit the road for you to see as many Holland Festival performances as possible....
Radio Kunststof is one of the most successful early-evening programmes on our national disaster channel Radio 1. That success is partly due to its great formula: a long conversation with a more or less well-known figure from the arts and media corner. However, much more important reason for that success is the broadcast time. Between seven and eight in the evening, very...
Sometimes you don't need a lot of words for a great story. Often, few words also require more effort than many words. That idea Blaise Pascal once managed to coin. Yesterday, on the penultimate day of the seventieth Holland Festival, the statement was reinforced in another, unexpected way. Australia's Back to Back Theatre told the story of...
Annet Lekkerkerker is one of the few women in the cultural sector for whom the glass ceiling is no longer an obstacle. That she is now, after several years as 'business director', formally becoming top woman of the country's most important performing arts festival is wonderful for more reasons. She is not only the first woman at that high position. Her appointment also makes clear why...
Chances are not inconceivable that you have never heard of Fortunato Depero. Or maybe you are a lover of classic design and still have an old mini bottle of Campari somewhere. He made that. As a playwright, you might well have overlooked him. On 21 June, I went to see if you could find yourself with that...
The plofnies came totally unexpectedly. The family father behind me, out with wife and presumably reluctant adolescent son, burst out after about 10 minutes into the performance. Just when a deafening silence had descended over the sold-out Theatre Carré. At least four people, including myself, were shocked to the core. A sneeze had never been this loud before, but as quiet as during...
During the first two weeks of this Holland Festival, almost all art was about something. The festival theme of 'democracy', conceived for the occasion, appears to have penetrated just about every hairline. Sometimes painful and highly topical, as in the National Theatre's phenomenal 'The Nation', sometimes downright embarrassing, as in Romeo's heavily overrated 'Democracy in America'...
Twenty-five Canadians are listed for design and production of sound, video, music, lighting and stage technology. Nine Canadians are working behind the scenes for two hours. During those two hours, one Canadian is on stage. In front of six hundred spectators. What those 35 people have all managed to pull off tickles your imagination and tells...
I went to Amsterdam to face my social anxieties on the once infamous Mercatorplein. I saw a sunny square with a trendy bar and bakfiets mothers around a play fountain for white children (brrrr! gentrification), old veiled and un veiled women chatting on a bench (help! multiculture) and a performance in a converted bumper car tent (Waaaah! Holland Festival). What I didn't...
Endless chatting at the kitchen table. While cooking. That's all they do, the brother, the sister, the ex, the two daughters-in-law and the mother of the Gabriel family. About recipes, about the old piano. About Thomas, the brother who died of parkinson's, about his wife, who due to informal care had no time to renew her doctor's degree. All very casually, without...
At last. The Nation, the hyperactual theatrical serial with which the revamped Nationale Toneel, sorry Theatre, presents itself to the country, feels like a refreshing splash of water on a soggy day. Newly appointed boss Eric de Vroedt lives up to his reputation by delivering a work that will no doubt draw new audiences into the theatres. An audience spoiled by...
It is just about the most beautiful music written. Claudio Monteverdi's Marian Vespers have enchanted even the most untrained listener since their premiere in 1610. Raphael Pichon is a young French conductor acclaimed for his shimmering yet refined musicality and more than absolute hearing. Everything director Pierre Audi touches usually turns to gold
In the dark Middle Ages, an artist was still sometimes quartered for being out of line. In the 19th century, those lines were no longer important. In the early 20th century, artists started deciding for themselves where the lines were and punished those who did not stick to them. It was the time of artists' manifestos. Cate Blanchett, the...
'Everyone has an Apple. Everyone has a Corneille. Nobody has a Van Merwijk. So the question is whether Van Merwijk is any good. Nobody knows that. Then the challenge is for a few great people to buy a Van Merwijk. After that, everyone wants to have a Van Merwijk. When that happens, I'll go back to making other work, because I want...
You have punk. You have performance art. Best Gaap, because often little remains of that ferocious wildness that dominated the European scene in the 1960s and 1970s. Marina Abramovic we now see mainly as that silent lady on that chair opposite her long-lost lover. We have forgotten that she once offered her audience razors to cut her...
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