Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.
Annet Lekkerkerker is one of the few women in the cultural sector for whom the glass ceiling is no longer an obstacle. That she is now, after several years as 'business director', formally becoming top woman of the country's most important performing arts festival is wonderful for more reasons. She is not only the first woman at that high position. Her appointment also makes clear why...
Chances are not inconceivable that you have never heard of Fortunato Depero. Or maybe you are a lover of classic design and still have an old mini bottle of Campari somewhere. He made that. As a playwright, you might well have overlooked him. On 21 June, I went to see if you could find yourself with that...
The plofnies came totally unexpectedly. The family father behind me, out with wife and presumably reluctant adolescent son, burst out after about 10 minutes into the performance. Just when a deafening silence had descended over the sold-out Theatre Carré. At least four people, including myself, were shocked to the core. A sneeze had never been this loud before, but as quiet as during...
During the first two weeks of this Holland Festival, almost all art was about something. The festival theme of 'democracy', conceived for the occasion, appears to have penetrated just about every hairline. Sometimes painful and highly topical, as in the National Theatre's phenomenal 'The Nation', sometimes downright embarrassing, as in Romeo's heavily overrated 'Democracy in America'...
Twenty-five Canadians are listed for design and production of sound, video, music, lighting and stage technology. Nine Canadians are working behind the scenes for two hours. During those two hours, one Canadian is on stage. In front of six hundred spectators. What those 35 people have all managed to pull off tickles your imagination and tells...
I went to Amsterdam to face my social anxieties on the once infamous Mercatorplein. I saw a sunny square with a trendy bar and bakfiets mothers around a play fountain for white children (brrrr! gentrification), old veiled and un veiled women chatting on a bench (help! multiculture) and a performance in a converted bumper car tent (Waaaah! Holland Festival). What I didn't...
Endless chatting at the kitchen table. While cooking. That's all they do, the brother, the sister, the ex, the two daughters-in-law and the mother of the Gabriel family. About recipes, about the old piano. About Thomas, the brother who died of parkinson's, about his wife, who due to informal care had no time to renew her doctor's degree. All very casually, without...
At last. The Nation, the hyperactual theatrical serial with which the revamped Nationale Toneel, sorry Theatre, presents itself to the country, feels like a refreshing splash of water on a soggy day. Newly appointed boss Eric de Vroedt lives up to his reputation by delivering a work that will no doubt draw new audiences into the theatres. An audience spoiled by...
It is just about the most beautiful music written. Claudio Monteverdi's Marian Vespers have enchanted even the most untrained listener since their premiere in 1610. Raphael Pichon is a young French conductor acclaimed for his shimmering yet refined musicality and more than absolute hearing. Everything director Pierre Audi touches usually turns to gold
In the dark Middle Ages, an artist was still sometimes quartered for being out of line. In the 19th century, those lines were no longer important. In the early 20th century, artists started deciding for themselves where the lines were and punished those who did not stick to them. It was the time of artists' manifestos. Cate Blanchett, the...
'Everyone has an Apple. Everyone has a Corneille. Nobody has a Van Merwijk. So the question is whether Van Merwijk is any good. Nobody knows that. Then the challenge is for a few great people to buy a Van Merwijk. After that, everyone wants to have a Van Merwijk. When that happens, I'll go back to making other work, because I want...
You have punk. You have performance art. Best Gaap, because often little remains of that ferocious wildness that dominated the European scene in the 1960s and 1970s. Marina Abramovic we now see mainly as that silent lady on that chair opposite her long-lost lover. We have forgotten that she once offered her audience razors to cut her...
Culture Press is an indispensable addition to the cultural news in your newspaper, on the internet or on TV. Independent, quirky, rebellious and above all: useful. After all, there is already enough nonsense about art. You'll understand that we don't serve the millions of readers that the big publishers and their advertisers exist on. Which is why everyone else does so little about art....
One of the highlights of the year is always the presentation of 'the figures' by the Association of Theatre and Concert Hall Directors (VSCD). As it happens, these are unabatedly positive. For years. And so for years it has been a challenge to find out why those positive figures are so difficult to reconcile with the picture of reality. That not at all...
The wind blows harder there than elsewhere. The light is greyer there than further afield. London's south bank, for years 'the other side' of the English capital's posh city centre, has been the subject of several waves of renewal in the last century. It began in 1951 with the construction of concert hall 'Southbank Centre', followed in 1976, after years of wrangling, by the building in the same...
We are real Holland Festival specialists by now. We go and see performances beforehand, interview makers, actors and walk around the halls, in the foyers, just about every day. We hear a lot, we see a lot and we share it here. Cultural journalism as it should be, in short. Cultural journalism that should also be there. And it totally succeeds if you take out a subscription. Then you get...
And then there turns out to be a festival theme after all. Comes all by itself. Perhaps not thought of beforehand by the management of the International Literature Festival Utrecht (ILFU), but after three days of immersion crystal clear. Writing is about that about which we do not speak. During the last festival night, Saturday 13 May, I immersed myself for the occasion in a section that allows 'Utrecht' to...
Good timing by the International Literature Festival Utrecht (ILFU) to put China at the centre of this year's edition. Just in time before the Chinese have connected the Betuwelijn to their own railway network on their own initiative, with their well-known decisiveness. High time to get to know the Chinese soul, it seems to me, and that does not succeed immediately....
Dutch, ladies and gentlemen, is just about the most difficult language in the world, and any committee that wants to improve it only makes it worse. As a professional language user, I have thought so for years, and it has now been happily confirmed by people who really know about it: translators. The first day of the International Literature Festival Utrecht (ILFU)...
Of course: Hugo Borst, Suzanne Vega, Herman Koch. Enough reason to travel to Utrecht between 11 and 13 May. But there is much more to experience at the International Literature Festival Utrecht. And it doesn't even always have to do with books. I will show you a few things I am definitely looking forward to in festival palace TivoliVredenburg. The...
'Stop it. The fewer awards people give each other, the better.' Ingmar Heytze, poet, is clear: 'Within every conceivable genre, there are already big enough prizes. If you ask me, they should restrict that Nobel Prize to science from now on.' So on the final evening of the International Literature Festival in Utrecht (ILFU) next Saturday, it will be all about those...
In the Volkskrant of 8 May 2017, Sarah Sluimer lets loose. The opinion maker (for Volkskrant and De Correspondent, among others) used to be a theatre maker and now wonders aloud why she is a bit done with theatre. Because she actually writes that down. I quote: 'I breathed theatre. I ate performances and was convinced that what was there,...
The play La Democrazia in America (to be seen at the Holland Festival on 4, 5 and 6 June) is of course about democracy in America, but actually more about The Democracy in America. And the two should not be confused. For The Democracy in America is a 1,200-page book by French jurist De Tocqueville. This...
One of the most wonderfully successful programmes on Dutch radio is Radio Kunststof. Every weekday on Radio 1, between seven and eight o'clock, it attracts a bizarre number of listeners, especially for that time of day. And especially for an art programme. On TV then is DWDD, also called art programme on its public channels, but with Matthijs van Nieuwkerk and millions of viewers. How...
Something is changing considerably in the world of literature. Libraries are closing or turning into flex spaces for poor freelancers. The sold circulation of an average successful novel remains in four figures. Young people no longer watch TV or listen to the radio, but make their own well-watched and generously paid films on YouTube. Or they sit the...
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