Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.
Yesterday, the chamber made €10 million available for the arts. This brings the tally of government cuts to at least €190,000,000 still. This hard-won extra is the last thing that could be asked for. Everyone agrees, the new system has been definitively embraced. The protest has made itself redundant now that the compromise has been made. And what have we got...
If the shock of 9-11 in 2016 highlighted anything, it was the yawning gap between the higher and lower educated in our neoliberal society. White, less-educated and angry male America elected a racist and war hitter as president. We cannot help but conclude that democratic, liberal, highly educated and majority-educated America refused to see the blow coming. In the spring ...
One of the strongest arguments of the opponents of art subsidies is that the common man has no use for art. That argument has now been refuted by scientific research. 'Happiness professor' Ruut Veenhoven presented a study this week showing that less educated people in particular become happier from art. They even become happier from it than from sports, both passive and active, or...
I wrote this story in 2003, following the publication of a major historical study on theatre attendance. I return to it often, this research. Because it keeps me with both feet on the ground while screaming for culture. And because it underlines the need to overhaul the system anyway. 'Nothing so constant...
Theatre group Aluin celebrates its 25th anniversary. The company, which originated at the Utrecht acting school, celebrated at the place where it all started: Utrecht's Theatercafé De Bastaard. On Sunday 23 October, they reprised their first ever performance, a play entitled 'It', based on the novella The Beast in the Jungle by Henry James. About a man who thinks he is destined...
This play is going to cost me a lot of friends, but it needs to get out. After all, the theatre industry is doing badly. And I can see more and more clearly where that is due to. And for once it's not Halbe Zijlstra. Or the VVD, or the population, or the Netherlands in general, or the zeitgeist. And it's not because of Netflix either...
That 10 million is officially in. The art world is doing its best to sound grateful. The employers in the performing arts, gathered in the NAPK, have sent Bussemaker a thank you. Because she is not cutting 300 million from culture, but only 290 million. The extra money raked together last year by various lobbyists and parties is now anchored in the...
'Have you really been listening to poems for three hours?' Asaf Avidan had not yet experienced anything like that. The musical headliner of the 34th Night of Poetry has yet another story to take with him on his tour. In the Netherlands, you can quiet a full hall by reading a poem. This year, that even succeeded ...
'At the time, under the influence of the populists, we perhaps went too far in our attack on art subsidies.' So declared Jeroen Hatenboer, VVD member and culture alderman of the municipality of Enschede, during the annual Paradiso debate at the end of the Uitmarkt 2016. In the context of the current cabinet's sorry campaign, quite an interesting footnote, and entirely appropriate in the upcoming...
What is a memory worth? A first kiss, for example: how much poorer are you if it is forgotten? In hard euros. Such questions Greg Nottrot likes to ask his audience, and we, his grateful listeners, gladly join in his money thought experiments. The man who, with Oscar Kocken, came up with the revolutionary concept of the live talk show Order of the Day, now makes,...
10 days of Festival Boulevard. I threw myself into it. I saw 14 performances, saw a lot of corners of Den Bosch (and Tilburg) up close and experienced more different theatre than usual in six months. I also ate more chips than is good for me, drank more beer than usual and enjoyed eavesdropping on conversations of...
Jetse Batelaan is one of the greatest theatre innovators of this still young century. His star rose in 2003, with a show in which five unique actors made reality theatre, and vice versa. Now, 13 years later, Batelaan has been the boss of one of the country's best youth theatre companies for some time, pushing the boundaries of that industry once again. And that...
Let's talk about breasts (m/f). Or, if that's a bit too confrontational: the tendency of young up-and-coming acting talents to get naked on stage. And then do something with juice. Of fruit mostly, or just water, or oil and glitter. At Festival Boulevard yesterday, for the third time in a week, I had...
Being the best at your craft, and then not in one craft, but in three or so. That, too, is what makes an artist an artist. Ben Duke is a great artist. He is a gifted dancer, a phenomenal actor and a cum laude graduate in English literature. It is therefore logical that he wrote the greatest poem in British history, the...
The world is changing quite a bit and it's nice when artists do something with it. Festival Boulevard gives Lizzy Timmers the opportunity to make an attempt. That attempt, performed in a somewhat run-down cultural centre in a real Bossche power district, is quite something. Backurk is the name of this semi-documentary performance. Timmers has immersed herself in young, well-educated, well-integrated Turks who have come to the Netherlands to...
Project Cloud, the latest experiential artwork by Bossche city artist Lucas de Man, may need a disclaimer. Anyone entering the seven-storey work had better not do so in the company of a solid existential crisis. The visitor before me did, and still needed a very good talk with a psychological counsellor afterwards. Who...
Once upon a time there was this film, Ladri di Biciclette, Bicycle Thieves in Dutch. Italian director Vittorio de Sica established a totally new film movement with it in 1948: neo-realism. Amateur actors pretty much played their own lives at the bottom of the social ladder. Engaging, inspired, raw and confrontational, especially at the time. Little people, caught in the spiral of social...
Sometimes, people are so angry politically that they furiously turn down the chance to become the country's boss themselves upon hearing the word 'prime minister'. Oscar Kocken, the cheerful host and creator, together with Daan Windhorst, of 'Het Torentje' noticed this last Friday. He was trying to warm up a passer-by to his performance, in a tent on the...
I experienced by far one of the most impressive theatre experiences of my life on Friday 5 August 2016. I was a guest at 'Zvizdal - Chernobyl so far, so close' by the Flemish company Berlin, in co-production with Het Zuidelijk Toneel. I saw this 'documentary installation' in an empty factory hall in Den Bosch, where the work is a beautiful resting point in...
Adding three tonnes a year is cause for celebration. But Viktorien van Hulst, at the helm of the Bossche Theatre Festival Boulevard for the second year, had to restrain herself in her opening speech. Because the subsidising Performing Arts Fund does not give money to a large number of well-performing fellow institutions despite a positive assessment, the suffering in the performing arts exceeds the joy. Torn is called that....
The effects of the previous cabinet's arts cuts are finally becoming clear. The Performing Arts Fund today announced the winners and losers of the battle for four-year subsidies. From 2017, the Dutch art world will be a lot smaller, more meagre and poorer than it was until 2013. Big names are gone, traditions dismantled, while what is new faces an extremely uncertain existence.
Diversity in the Amsterdam art world is not yet flourishing. The Amsterdam Fund for the Arts, which announced its grant awards today, is getting a bit tired of it: "Across most disciplines, committees note that cultural diversity of audiences, staff and governance is disappointing, as are efforts to change this. Outside specialised organisations for which cultural diversity is a core business, ambitions are still not high, despite two decades of cultural policy in this area. If the ambitions are there, organisations do not always manage to give them hands and feet. There often seems to be a certain discomfort or 'not knowing how'."
So to start with the good news: Marmoucha grows 398 per cent compared to the previous grant round. The capital's producer and promoter of performing arts in the field of North African and Middle Eastern arts and culture in the Netherlands was severely cut back in 2013, but the Amsterdam Fund for the Arts found its work over the past four years to be so good that the grant has been more than deserved. In the new round of awards which became known on 1 August they rise from 25,070 euros to a tonne, adding that perhaps they should not be so ambitious.
There are many reasons not to go on holiday. It costs money, you come back more stressed than you went, the food is no good, it costs tons of CO2 and it doesn't increase mutual understanding between countries either. Reason enough, then, to just stay here and enjoy the free time given to you by the boss, or by yourself if you are self-employed. Without being barked at by airport staff.
Finally, it was not quite literal, but he was clearly referring to it: Richard III. Geert Wilders, himself not too culturally savvy, quotes Shakespeare in his umpteenth plea to get the Netherlands out of the EU with pot-covered borders. In the second chamber. I saw it on Nieuwsuur, and you can watch it back. At 39′:49″ minutes into the broadcast he is in debate with his great friend, the VVD's Halbe Zijlstra.
Ruth Mackenzie has brought new impetus to the Holland Festival. Not that her predecessor Pierre Audi did badly, but the British organisational talent has brought topicality and urgency to the programme. When she devised her programme theme, she too will not have suspected that the concept of 'Edges of Europe' would take on such a charge. After all, simultaneously with the last weekend of the festival, the English people decided, against the wishes of everyone but the Welsh, to leave the European Union behind. The Netherlands suddenly found itself on the far edge of Europe, with only a view of distant Ireland.
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