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News about events and festivals, backed by the industry but independent in content. Find out more: info@cultureelpersbureau.nl

Naked men and black bronzing under philosophical veneer. Is Angelica Liddell overshooting the mark with The Scarlet Letter? (Why the Holland Festival can expect a riot)

That you cannot shamelessly treat a black man as a rutting primal beast and a faceless object for your unlimited lust fantasy as a white woman? Seems logical to me, but for Angélica Liddell, world-renowned performance artist, it is typical of the new puritanism that threatens free art. She now brings The Scarlet Letter to the Netherlands, a theatrical performance that is rather... 

Read More "Naked men and black bronzing under philosophical veneer. Is Angelica Liddell overshooting the mark with The Scarlet Letter? (Why the Holland Festival can expect a riot)

How bad is the suicide of a blow-up doll? Chilean girls play themselves free in Paisajes para no colorear at the Holland Festival

'I was harassed twice on my way to school last year.' The young actress, barely 15, says it with considerable anger in her voice. It is the morning after the Berlin premiere of the Chilean play Paisajes para no colorear, in which she plays along, with eight peers. That anger was there the previous evening, during the performance that 14... 

Read More "How bad is the suicide of a blow-up doll? Chilean girls play themselves free in Paisajes para no colorear at the Holland Festival

Faustin Linyekula and the tearfulness of the travelling artist

'Aid workers come to my city to leave again. I come there to stay.' You cannot get Faustin Linyekula any more concise. 'Aid workers do not create a bond with the people they want to help. Their work is gone as soon as they leave. I don't come to help, but because I want to be there. If that makes me a few... 

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Podcast! Four strings live in four helicopters, for Stockhausen's 'Aus Licht': 'We still need to do something about those carrier pigeons in terms of planning.'

In 2016, the Holland Festival, De Nationale Opera, the Royal Conservatoire and the Stockhausenstiftung joined forces to stage the German avant-gardist's magnum opus at Amsterdam's Gashouder. Light far surpasses Wagner's Ring des Nibelungen in ambition and scale. Against the four full-length operas of his older colleague, Stockhausen places 'Sieben... 

Read More "Podcast! Four strings live in four helicopters, for Stockhausen's 'Aus Licht': 'We still need to do something about those carrier pigeons in terms of planning.'

Crash Park: Armageddon is child's play. At the Holland Festival, Philippe Quesne cheerfully lets us survive any disaster.

'I am not at all optimistic about the planet. Nor am I optimistic about the optimism with which the people in my show keep finding a solution to live on despite the calamity that befalls them.' Philippe Quesne has turned that despair into a beautiful play. Full of non-cynical survivors who turn everything into an adventure. How he does that... 

Read More "Crash Park: Armageddon is child's play. At the Holland Festival, Philippe Quesne cheerfully lets us survive any disaster.

CLASH is an ode to art

Art at a music festival often degenerates into decoration, but that certainly does not apply to Groningen's CLASH. 'We don't want art to be left out of the programming, but rather to be given full attention. We think it deserves that,' says organiser Milou de Boer. Fifty per cent of CLASH's programming budget goes to the arts, and that was too... 

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*With sound!* Why the Holland Festival show doesn't have to stop for now

'Please stop the show!", shouted an 83-year-old former reviewer from the back row. Theatre Frascati fell silent for a moment. There had never really been such an interruption at the Holland Festival's traditionally festive press conference. And that while Faustin Linyekula had just got into his stride, telling about the projects he is carrying out with his Studio Kanako in Kisangani. They provided... 

Read More "*With sound!* Why the Holland Festival show doesn't have to stop for now
TivoliVredenburg during construction. Photo: Wijbrand Schaap

Without TivoliVredenburg, the improvement of the Utrecht station area would have come to nothing.

There is an artist café in Utrecht that few Utrechters know about. And I don't mean Theatercafé De Bastaard, where by now a whole generation of actors, filmmakers and writers come from, but the artists' foyer of TivoliVredenburg. I've eaten and hung out there a few times, as an embedded reporter of De Nacht van de Poëzie, when it's very late into... 

Read More "Without TivoliVredenburg, the improvement of the Utrecht station area would have come to nothing.

Petra Gerritsen goes to a concert almost every night off. 'You're with your own group. But how bad is that?'

'I work five nights a week and so I have to find out specifically when I can go to a concert. Sometimes I take time off for it. And then they do say, "hey, are you going to a concert again already?", and I say, "of course I'm going to a concert again". But I don't think it's extreme either.' Petra Gerritsen is process expert 

Read More "Petra Gerritsen goes to a concert almost every night off. 'You're with your own group. But how bad is that?'

Fred Wondergem: 'There is always more that you don't see than what you do see.'

'When I look in the auditorium at a classical concert now, I do think: it's full now, but in 20 years eighty per cent will be dead. So the bottom has to be fed, and TivoliVredenburg does that well. They do it, for example, with Out of the Blue, which is a programme where you get great food and by a special host 

Read More "Fred Wondergem: 'There is always more that you don't see than what you do see.'

Forty times a year to TivoliVredenburg: 'You get everywhere if you love music, eh.'

Peter Vossen says he experiences live concerts on average twice a week. Not just in TivoliVredenburg, although he visited there almost 40 times last year. 'I also see a lot of free concerts on the streets and in cafés, of course.' Jazz is his great love, but he also attends soul, funk, Latin or pop concerts. Regularly, he can be found 

Read More "Forty times a year to TivoliVredenburg: 'You get everywhere if you love music, eh.'

Three CDs you wouldn't have wanted to miss in 2018

The end of the year is approaching. So the lists fly around our ears again with 'most beautiful', 'best', 'most unforgettable', 'most moving'... fill in the blanks. I think compiling top-soaps is actually a typically male thing, but I'm not that bad. Here are three CDs you wouldn't have wanted to miss this year - in no particular order. Louise Farrenc: Variations for Piano Biliana Tzinlikova,... 

Read More "Three CDs you wouldn't have wanted to miss in 2018

GLOW. Eindhoven light art festival seeks depth for the masses

From the corner next to the revolving doors to the outside, he has a great view of the north hall of De Heuvel. The luxury indoor shopping centre in Eindhoven's city centre is bathed in golden glow, while subterranean rumbling sounds from speakers. Above the heads of the crowd, bright light of all colours shines, reflected off bent mirrored plates. Edward Dams has just... 

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The 5 concerts you don't want to miss at November Music

The female composer, she continues to stir minds. My article following Mathilde Wantenaar's world premiere of Damocles unleashed a fierce discussion on Facebook. 'Why should women be given preferential treatment?" an angry man asked. 'All that matters to me is quality, not whether a piece of music was written by a man or a woman.' He got icky about the m/f discussion, which... 

Read More "The 5 concerts you don't want to miss at November Music

AFFR: A true Rotterdam film festival with a mission

'Architecture has always been seen as an afterthought. I see it as a necessary thing, not an extra. You now see, for instance, that technocrats have taken over power. They come up with a technical solution for everything. They can make buildings that are well insulated, that use geothermal heat: that is now the job of the builders. But all these technocrats forget that it's... 

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Why rain doesn't bother audiences at outdoor cinema Seeing Moon and Stars

It could be the ideal balmy summer evening: watching a movie under an idyllic starry sky. On the autumnal evening of Friday 6 September, however, open-air cinema Zienemaan en Sterren turns out to be more of an exercise in endurance. It is raining, the temperature is dropping, but the Groningen audience remains undisturbed: kop d'r veur and umbrella open. "Every city had an open-air cinema except Groningen. That... 

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September 26, 17:00 Culture Press readers' drinks: the beginning of a beautiful friendship?

Ten years ago, I got new glasses. Two weeks later, a retired ophthalmologist drove his car through my left leg and a month after that, from a wheelchair - fortunately temporary - the idea for the Cultural Press Bureau was born. Partly because the arts editorships of the Associated Press Service and NRC were decimated. So September 26 is just a date,... 

Read More "September 26, 17:00 Culture Press readers' drinks: the beginning of a beautiful friendship?

A plea for watching and guessing @tfboulevard

This edition, Theatre Festival Boulevard invited the audience to reflect on the two sides of identity: its immutability but especially its malleability. All this under the heading what you see is what you guess. If there is a performance to which this applies, it has to be Goat Song. A fascinating fifty-minute wordless performance by... 

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Gender gets Japanese touch at Theatre Festival Boulevard @tfboulevard

'Not a bad word about Lego or Knexx. But identity is the most exciting building kit.' So opens the preface to Theatre Festival Boulevard in Den Bosch. What you see is what you guess is the motto this time. It refers to the gap between how other people see you and how you yourself feel. Identity in its broadest form: from gender... 

Read More "Gender gets Japanese touch at Theatre Festival Boulevard @tfboulevard

Why I suddenly missed the writers in Den Bosch @tfboulevard

Usually when I speak to someone who calls themselves a playwright, they say they are 'only' a supplier of a 'half-product'. I never get that answer from a young actor, and certainly never from a director. It is they who make theatre out of the half-products supplied by writers. Actors and directors prefer to be addressed as 'theatre-makers'. Nothing wrong with that.... 

Read More "Why I suddenly missed the writers in Den Bosch @tfboulevard

Discomfort delivers little, so look for vulnerability on @tfboulevard. There is plenty of that.

Speaking of bubbles. In the middle of Den Bosch, on the parade square, there are three mega-play blocks you can enter. They are mini theatres, brainchildren of designer Theun Mosk. In one of them, you come across a very large plastic bubble in which young, mostly naked, people move. The audience stands on either side of the bubble feeling uncomfortable. Partly because the naked young people... 

Read More "Discomfort delivers little, so look for vulnerability on @tfboulevard. There is plenty of that.

Come watch world freestyle champion Nasser El Jackson transform into a dancer on @tfboulevard.

It started three years ago. Guilherme Miotto, working as a dance maker in Tilburg, was asked by a good friend of his. Whether he wanted to come and have a look in Noord. There, in that rather notorious slum, there were some fantastic freestyle footballers running around. YouTube runs with them, and the best one, Nasser El Jackson, is even world champion. A ball wizard. That is. 

Read More "Come watch world freestyle champion Nasser El Jackson transform into a dancer on @tfboulevard.

The uncomfortable truth of the paraglider. What I took away from the opening performance of @tfboulevard

About 18 years ago, while on holiday in the Auvergne region, my wife and I picked up a paraglider that had ended up rather unhappily in a meadow full of indignant cows. We were happy to do something. The paraglider looked grateful, although he was a little worried about the car in which we were going to take him back to... 

Read More "The uncomfortable truth of the paraglider. What I took away from the opening performance of @tfboulevard

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