Vanja Kaludjercic succeeds Bero Beyer as new director Film Festival Rotterdam
From February 2020, Vanja Kaludjercic will succeed Bero Beyer as festival director of the International Film Festival Rotterdam.
Moving image. To be seen on TV, in a museum, in a cinema. On an iphone.
From February 2020, Vanja Kaludjercic will succeed Bero Beyer as festival director of the International Film Festival Rotterdam.
The 32nd edition of the International Documentary Film Festival Amsterdam has opened with Sunless Shadows. Confessions of young women jailed for complicity in the murder of their father or other man in the family grow into a haunting statement about oppressed women in a male-dominated society. The only Dutch film in the international competition is Rotjochies by Maasja Ooms.
Holland Animation Film Festival and the Amsterdam animation festival Klik! have joined forces. The new festival is called KABOOM.
What will shake up the cinema world the most in the coming years? The new James Bond film? Or a personal film tip tailored to your previous cinema visits that just pops up on your smartphone? Or perhaps a technical innovation that creates a whole new cinematic experience? Just a few things that loom around the topic of this week's New Cinema conference. A day and a half...
The Cinekid youth film festival opens this week with Binti, a catchy, highly topical youth film brimming with optimism. That sounds good, because optimism is what the Dutch youth film can use right now. Too bad, then, that Binti, about a girl from Congo who does everything in her power to be allowed to stay in Belgium with her father, is a largely Belgian production....
Following Denmark, the Netherlands now has its own Dogma manifesto. A modest but also ambitious statement from two young filmmakers who present a surprisingly clear plan after a season full of noise and concerns about Dutch cinema. Whether it is a pebble or a big pebble in the pond remains to be seen. In any case, they are going to do something,...
The Dutch Film Festival is about to erupt. A spacious week with a broad overview of everything moving on Dutch screens, from public film to short student film. Last year was noisy: directors, editors and cameramen expressed gloom about the quality and guts of patriotic film. Visitor numbers don't seem to be overblown either, although...
Good news for anyone who has so far missed If you grow up later, Max Baggerman's double award-winning graduation film. This documentary look at working people, as poetic as it is socially critical, can be seen again on 1 August as part of New Lights. This evening is the second instalment of a new bi-monthly event that introduces us to...
Eye Xtended presents extraordinary VR. This time an experiment by the always challenging artist Paul McCarthy. Embedded in a package of films that served as inspiration.
The 2019 batch of the Film Academy shows graduation work. What do students think of the changes needed at the academy?
I described here earlier that Dutch animation film is on the rise. And as I look around the animation festival in Annecy, France, this week, it seems nice to see how our animation filmmakers and producers are presenting themselves here. Especially since Annecy is considered the most important event worldwide in this sector. 'The Cannes of animation' I hear...
The dance film occupies a unique place among the film offerings. Not driven purely by psychologising or text, it offers every opportunity for experimentation in form and content. But that also means it is difficult to place. And therefore difficult to make. The second part on the growing pains of the dance film features 2 dancers and performance artist....
Deadwood was one of the best television series ever. Despite its many awards, HBO pulled the plug after only three seasons. After the abrupt stop, HBO promised to end Deadwood in an appropriate way through two TV movies. However, despite fans' requests and actors' insistence, the promises never materialised. Until...
There is a lot of grumbling about Dutch cinema: it is too good, not creative enough, there is not enough experimentation. However, there is one small island where other laws apply. Where, sometimes with hefty budgets and sometimes for next to nothing, films are made that speak a different language: the dance film. No psychologising, no endless dialogue, but...
My generation probably immediately gets the famous Doe Maar song in its head at Doris Day's obituary. There is no ball on TV, only a film with Doris Day. And you really didn't want that, your mother's goody-goody heroine. The wholesome star with whom you think of a glass of milk rather than wild...
The Cinéma Arabe festival is a platform for Arab cinema and aims to contribute to social debate. It celebrates its 15th anniversary this year, but is struggling with a tight budget.
Dutch cameramen also join the chorus of concern about Dutch cinema. The New Deal manifesto carries suggestions for improvement.
In 2014, Morgan Knibbe (1989) made the short film Shipwreck, about the aftermath of a horrific shipwreck on the coast of Lampedusa in which 350 refugees drowned. Shortly afterwards, he made his first feature-length documentary, also about refugee issues: 'Those Who Feel the Burning'. This very impressive, original and visually strong film was one of the best Dutch films of the last...
After the Dutch thriller Prooi, The Conductor has also been acquired for release in Chinese cinema.
'Heinz' and 'Buñuel in the Labyrinth of the Turtles', both out on 18 April, signal an important development in the field of feature-length Dutch animation. A breakthrough is in the air. On stubbornness and co-productions, Anne Frank and Miss Moxy. And what else is on the horizon.
The Flemish-Dutch House deBuren promotes cultural and social cooperation and exchange between Flanders and the Netherlands by presenting, producing, inspiring and connecting. Spearheads of deBuren are Flemish-Dutch cooperation, talent development and diversity. As a house of culture and debate, we offer an extensive programme with 150 public activities a year and various cultural productions and projects. deBuren covers many...
Agnès Varda, once one of the few female filmmakers of the Nouvelle Vague, always upheld that free creative spirit. On 29 March, she died in Paris. Her rich oeuvre is an ode to life.
Calm and peace are but a thin layer covering the chaos of war and other violence in the world. In an extensive and richly varied themed programme, Eye shows how filmmakers have captured that in stories.
It remains miraculous how much emotion intelligent animation can generate. In Another day of life (in cinemas from 14 March), the Angolan coverage by legendary Polish journalist Ryszard Kapuściński is captured in grandly drawn images. Combined with live footage and well-chosen archival material, it delivers an 85-minute hellscape that can be appreciated on several levels. Kapuściński...
Some 400 virtual metres we go up with the dancers. Beforehand, we are warned to look straight ahead if we are afraid of heights. For me, this was unnecessary, I loved flying along in the huge circular space, knowing I was safely ensconced in a chair. Choreography, avatars, architecture and Blixa Bargeld. Those are a few...