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PODIUM ART

Anything for which people enter a stage.

Go see how Romana Peace takes The Nation to the highest level. #HF17

At last. The Nation, the hyperactual theatrical serial with which the revamped Nationale Toneel, sorry Theatre, presents itself to the country, feels like a refreshing splash of water on a soggy day. Newly appointed boss Eric de Vroedt lives up to his reputation by delivering a work that will no doubt draw new audiences into the theatres. An audience spoiled by... 

Boris Charmatz

Danse de Nuit in the Bijlmer: 'Of course we want to influence public space' #HF17

Boris Charmatz has been a guest at many editions of the Holland Festival with impressive, provocative, socially engaged, finely composed and conceptually strong dance performances: Aatt enen tionon and Con forts fleuve (both in 2001); 50 years of dance (2010), Enfant (2011) and Manger (2015). His latest choreography, danse de nuit, premiered in Geneva last September. During the Holland Festival... 

Radio Philharmonic Orchestra & Great Broadcast Choir: ecstasy in concert

Traditionally, the AVROTROS Friday Concert marks the festive end of the season with a joint concert by the Radio Philharmonic Orchestra and the Groot Omroepkoor. On 9 June, American star conductor David Robertson leads them through Maurice Ravel's compelling ballet Daphnis et Chloé in the final concert. In addition, the orchestral work L'Ascension by his compatriot Olivier Messiaen and a selection of... 

Has Romeo Castellucci become accessible with Democracy in America? #HF17

A prologue, two dialogues and a long interlude. All clearly connected. In a performance by Romeo Castellucci - it doesn't have to get any crazier. Italian playwright Castellucci prefers to make theatre that is not easily or even misunderstood. He does not shy away from shock effects. Visually overwhelming, but a clear line is often hardly recognisable. So that promises... 

With the Mariavespers as the opening of the Holland Festival, nothing could really go wrong #HF17

It is just about the most beautiful music written. Claudio Monteverdi's Marian Vespers have enchanted even the most untrained listener since their premiere in 1610. Raphael Pichon is a young French conductor acclaimed for his shimmering yet refined musicality and more than absolute hearing. Everything director Pierre Audi touches usually turns to gold 

Jeroen van Merwijk behind the window of Kunstruimte Kuub in Utrecht. Photo: Wijbrand Schaap

Why Jeroen van Merwijk likes to welcome you to his studio: 'Being a cabaret artist is not a profession.'

'Everyone has an Apple. Everyone has a Corneille. Nobody has a Van Merwijk. So the question is whether Van Merwijk is any good. Nobody knows that. Then the challenge is for a few great people to buy a Van Merwijk. After that, everyone wants to have a Van Merwijk. When that happens, I'll go back to making other work, because I want... 

Inclusive Dance Event Fontys Tilburg

Dancers don't want a second career! In search of the dance artist's 'transferable skills'.

Many dance students have a one-sided view of what a successful dance career entails. Namely: dancing with the dance company of your dreams, in a theatre, on a stage. This is what Ulrika Kinn Svensson, artistic advisor at the Fontys Dance Academy in Tilburg, tells Inclusive Dance Event. But because of the weak labour and income position, partly due to falling subsidies, that dream does not always come true. There is... 

Hooligans, but good hooligans. Viking drama on the edge of comic and laughable

Roaring warriors, pomp and circumstance, a tough drama set against the historical background of the Viking era. That goes down like cake (or beer) with the Danes who see themselves as direct heirs of the Vikings, the organisers must have thought. And that is why the play Røde Orm is being presented as one of the highlights in... 

Saint Genet in #HF17: Be afraid of Americans. Very afraid. But go watch.

You have punk. You have performance art. Best Gaap, because often little remains of that ferocious wildness that dominated the European scene in the 1960s and 1970s. Marina Abramovic we now see mainly as that silent lady on that chair opposite her long-lost lover. We have forgotten that she once offered her audience razors to cut her... 

Culture Press needs real members. Here's why you want to join

Culture Press is an indispensable addition to the cultural news in your newspaper, on the internet or on TV. Independent, quirky, rebellious and above all: useful. After all, there is already enough nonsense about art. You'll understand that we don't serve the millions of readers that the big publishers and their advertisers exist on. Which is why everyone else does so little about art.... 

Karlheinz Stockhausen sails to heaven at Pentecost

Last year, a minor riot erupted when the Holland Festival announced it was mounting a large-scale project in 2019 around Karlheinz Stockhausen's opera Light. Modern-music haters screamed blue murder, because who is waiting for the grim squeakiness of the German wordsmith? Yet a run on the charts immediately ensued. Even after his death... 

Dramatic increase in volunteering in theatres and concert halls.

One of the highlights of the year is always the presentation of 'the figures' by the Association of Theatre and Concert Hall Directors (VSCD). As it happens, these are unabatedly positive. For years. And so for years it has been a challenge to find out why those positive figures are so difficult to reconcile with the picture of reality. That not at all... 

Oranjewoud Festival: classical music with a royal edge

Since 2012, Yoram Ish-Hurwitz has organised the Oranjewoud Festival in Friesland every summer. In doing so, the equally enterprising and adventurous pianist makes nature an inseparable part of the musical experience. From Wednesday 1 to Monday 5 June, he once again surprises his audience with concerts at special locations. Spread across the area, over 120 top Dutch and international musicians will play the most beautiful... 

Rufus Norris makes theatre out of Brexit: 'Theatres are the echo chamber of the leftist bubble'

The wind blows harder there than elsewhere. The light is greyer there than further afield. London's south bank, for years 'the other side' of the English capital's posh city centre, has been the subject of several waves of renewal in the last century. It began in 1951 with the construction of concert hall 'Southbank Centre', followed in 1976, after years of wrangling, by the building in the same... 

(Un)heard Spring: 'Waking up again, Xenakis is nothing like it.'

Each month, in the (Un)heard series, I present extraordinary sounds that do not go unnoticed and unsung. In this episode: Plan Kruutntoone, Horse Lords, Luc Ferrari, Anemone Tube, Jaap Vink and Kraftwerk in 3D. Plan Kruutntoone - What Do the Hands (LP on esc.rec.) "woke up again. xenakis is nothing like it. shoving myself and stuff in search of safety. how... 

Don't miss anything from the Holland Festival with our special #HF17 subscription!

We are real Holland Festival specialists by now. We go and see performances beforehand, interview makers, actors and walk around the halls, in the foyers, just about every day. We hear a lot, we see a lot and we share it here. Cultural journalism as it should be, in short. Cultural journalism that should also be there. And it totally succeeds if you take out a subscription. Then you get... 

How Heather Ware's language mistake led to an entire dance work courtesy of Bach

What does it mean for a dancer with an intense career when she decides to choreograph as well? March saw the premiere of Battle Abbey, Heather Ware's first full-length choreography in collaboration with Swedish cellist Jakob Korányi. Heather Ware, a dancer with LeineRoebana since 2003, embarked on the path to creating her own choreography without a plan.... 

Composer Huba de Graaff: 'I value provocative radicality'

Using a television interview as a libretto for an opera? Quirky composer Huba de Graaff does not shy away from it. On 22 June, her opera The Naked Shit Songs will have its world premiere. It is based on a 1996 conversation by Theo van Gogh with British artist duo Gilbert & George. Due to lack of interest, De Graaff wanted her opera with a... 

Old Gangsters Never Die, festivalhit in wording

Een vervaarlijk geronk kondigt de opkomst van action-hero Chuck aan. En er is werkelijk niemand die zo cool in een karretje op kan komen rijden, half terreinwagen en half golfkar, als Ko van de Bosch. Met zijn te lange, te grijze haren in een staart en een te bruin lijf in een zwartleren motorpak, belichaamt hij onmiddellijk de jeugd op… 

The Nation at the Holland festival: a theatre addiction in the making #HF17

Netflix and HBO are now purveyors of our conversations with friends, family and colleagues. The ultimate icebreaker at a party with strangers is talking about series, about beloved characters. Is Jon Snow still alive? Where is Barb? Having seen the first two working performances of 'The Nation', I have a strong impression that in Eric de Vroedt I have a fellow lover... 

Ingmar Heytze on Joni Mitchell: 'Crushed at seventeen' #ILFU

'Stop it. The fewer awards people give each other, the better.' Ingmar Heytze, poet, is clear: 'Within every conceivable genre, there are already big enough prizes. If you ask me, they should restrict that Nobel Prize to science from now on.' So on the final evening of the International Literature Festival in Utrecht (ILFU) next Saturday, it will be all about those... 

You won't want to miss these three operas by women during Operadagen Rotterdam

Friday 12 May kicks off the twelfth edition of Operadagen Rotterdam. Titled Lost & Found, the ten-day festival is dedicated to current refugee issues. I selected three operas by Calliope Tsoupaki, Annelies van Parys and Claron McFadden, strong women whose work deserves to be heard (and seen). The fear of the unknown is as old as the... 

Zvizdal - Chernobyl so far so close, by Berlin/The Zuidelijk Toneel

Do you want the audience back, Sarah Sluimer? Then give it back to the actors.

In the Volkskrant of 8 May 2017, Sarah Sluimer lets loose. The opinion maker (for Volkskrant and De Correspondent, among others) used to be a theatre maker and now wonders aloud why she is a bit done with theatre. Because she actually writes that down. I quote: 'I breathed theatre. I ate performances and was convinced that what was there,... 

7 ways to make art out of US democracy. #HF17

The play La Democrazia in America (to be seen at the Holland Festival on 4, 5 and 6 June) is of course about democracy in America, but actually more about The Democracy in America. And the two should not be confused. For The Democracy in America is a 1,200-page book by French jurist De Tocqueville. This... 

Match for five lemonade with a straw. (It's not called that but that's what it sounds like)

It is dark. Basses thump. An intoxicatingly sweet female perfume hangs in the air, a child cries. AquaSonic has just started, and already I want to leave. What possesses a musician to go head-to-head? Our Danish correspondent went to find out. AquaSonic is an ode to water, played by Between Music, a collective of five Danish musicians. They make... 

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