THEATER
With text, movement, actors, sets.
Audio, the new video (II): Syrian dead speak at Gardens Speak (HF16)
'This regime also rules over you after you die. The regime steals your story. They use you to tell their own story. Relatives are forced to sign statements that the dead were killed by the opposition. The regime uses the dead to oppress the living.' Lebanese artist Tania El Khoury made a statement: Gardens Speak (Gardens Speak). An installation, an immersive[hints]definition: immersive, making you forget the real world around you[/hints] performance, in which the spectators themselves are actors. A performance that consists of a mountain of earth from which soft voices sound from beneath tombstones. That performance comes in June to Amsterdam, as one of the examples of the new Holland Festival programming by festival director Ruth MacKenzie.
The pile of earth in and on which the installation takes place represents the many thousands of anonymous backyard graves in Syria. At the beginning of the Syrian civil war, the struggle was still mainly between opponents of President Assad's dictatorship and his (secret) police. The first victims were often still just students taking part in peaceful demonstrations, handing out pamphlets, or attending the funeral of a friend. After all: bombing funerals was and is a proven method of murderous regimes and crime syndicates to eliminate insurgent networks.
Tania El Khoury heard of the Syrian alternative in 2013: the private burial in one's own backyard, or failing that, in an anonymous city park, with no headstone or memorial. Such an action is both an expression of fear and an act of resistance: these are deaths that the government can no longer abuse. 'The play was not originally intended for European audiences either. It was made in Lebanon and the text was also in Arabic. The last thing I thought about was the European audience. The idea was
Audio is the new video (I): McBurney's theatrical podcast on #HF16
Simon McBurney is a real theatre nerd. Exceedingly interested in mathematics and physics, he enjoys nothing more in the theatre than building technical illusions. He is also an in-demand actor and director, who, when he has a performance at London's Barbican Centre, gets a visit from Kate Bush, who humbly comes to congratulate him on his work. This year, he is,...
The five shows you must see in May
Toneelschuur, Don Carlos (stage) Nina Spijkers brings Friedrich Schiller's classic play back to its essence. No lavish scenery depicting the Spanish court, but canvases peeled off layer by layer. playlist https://www.youtube.com/watch?v=6XtUxD2zQ3E M31 Foundation, Nederlandse Reisopera, Theater na de Dam, Der Kaiser von Atlantis (opera) Forty years after its world premiere at Theater Bellevue, Victor Ullmann's Der Kaiser von Atlantis will be...
Uitdehaags little foxes lack humanity
Lillian Hellman's The Little Foxes is not a rewarding play to direct or perform. For that, the image of man that the American (1905-1984) portrays is simply too morbid. The Nationale Toneel, directed by Antoine Uitdehaag, unfortunately fails to add sufficient psychological layering to it. In The Little Foxes, successfully filmed in 1941 with Bette Davis in...
'Alva'. Unknown stage work by Vondel discovered
This was our April fool's joke for 2016. Thanks for sharing! During renovation work at the Stadsbank van Lening building on Amsterdam's Oudezijds Voorburgwal, a manuscript of a work of poetry that has since been attributed by literary historians to Joost van den Vondel (1587-1679) has recently turned up. It concerns a rough, unfinished version of a play entitled 'Alva' and is dated around...
Embarrassment? 7 Reasons why Southern Drama Macbeth has nothing to do with Shakespeare.
How far can you go in using Shakespeare's name for a theatre production? Or rather, when does an adaptation of a classic stop being an adaptation, and when should you just come out and say that you have written your own play? And then, if you've reported in your four-year plan that in 2016 you will be doing a Shakespeare...
Theatre Rotterdam is going to do it all over again
On Monday 14 March, Theatre Rotterdam will present its plans for the upcoming arts plan period. On Thursday 10 March, Bianca van der Schoot already told about it during a public meeting with a class of Utrecht theatre scholars. What became clear from her story is that she has little desire to start bringing world repertoire with the old Ro theatre share in Theatre Rotterdam. She has a lot of...
The five shows you must see in March
1. Kwatta, Mariken (youth) The question was not whether Nijmegen youth theatre company Kwatta would ever venture into Mariken van Nieumeghen, but when. The bar was set high with successful previous book and film adaptations, but where the medieval Mariken needs two miracles, Jibbe Willems' adaptation is exciting even without a fall from a great height and the miraculous loosening of iron rings...
Bep Rietveld could do at least 1 thing better than her father
The great thing about visiting openings is that sometimes you get to experience something that no one expected. Like at the mini-exhibition 'Bep Rietveld, daughter of...' at Kunstruimte Kuub in Utrecht. It features 72 paintings by the daughter of Gerrit Rietveld, the man who gave De Stijl its furniture and houses. This Bep, not without merit with the paintbrush, created a...
Choreographer Erik Kaiel: 'No longer controlling everything from my laptop'
On 30 January, choreographer Erik Kaiel was presented with the prestigious Victor Award at IPAY, an international youth theatre fair in Canada, for his performance Tetris. "It's a kind of Buchmesse for youth theatre. If you get picked up there, you go around the world" says Kaiel. Kaiel (1973) has been working in the Netherlands since 2003 and has so far produced his work at...
This was Something Raw 2016: less rebellious, more social
The raw in Something Raw can mean all sorts of things. The first thought might be something rough, as in the effect of sandpaper on skin or the havoc left by an elephant in the china shop. But rough is a derivative meaning. Raw first of all means unprocessed and fresh. There is a certain hope in the combination of rough and raw: artists who like...
Reading theatre yourself. The best way to learn about theatre.
There is one thing almost as much fun as going to see a play. According to some, it is even more fun than going to see a play: reading a play yourself. And then not by yourself, but with a few others. That you divide the roles and start reading aloud. With a cup of tea, coffee or a glass of wine on the side....
Self-employed: you don't have to be able to do everything on your own, seek career guidance!
Following the exploration of the labour market in the cultural sector made by the Social and Economic Council (SER) and the Council for Culture last month, there was a lot of attention on the low earning self-employed in the cultural sector. Promising headlines such as "Everyone gets paid except the artist" (NRC) and "It's a matter of waiting every month to see if I earn enough" (Volkskrant) could account for recognition...
Contemporary trends in theatre and performance at Something Raw Festival 2016
Three mongols playing Mongols. Dschingis Khan, the opening performance of Something Raw, is provocative and consequential. With this performance by German theatre collective Monstertruck, or the also Berlin-based Man Power Mix by Sheena Mcgrandles and Zinzi Buchanan, the festival Something Raw lives up to its name. Something Raw is a festival in which Amsterdam theatres Frascati, De Brakke...
Holland Festival 2016: urgent, challenging and inviting
Never before has the Holland Festival placed itself at the centre of society as it is today. The 2016 programme is steeped in the turbulent times in which we live. The Netherlands holds the presidency of the European Union this spring. Artistic director Ruth Mackenzie has taken this fact unflinchingly to give 'Europe' a wide place in the programming. In presenting...
The reviewer, for anyone whose flesh is occasionally weak
Anyone who wants to credibly transfer a historical play to the present had better be radical, director Theu Boermans must have thought. And anyone who sees his adaptation of Nikolaj Gogol's The Revisor at the Nationale Toneel cannot help but agree with him. With references to asylum seekers, cubicle snoopers, data espionage and subsidy fraud, the play seems written yesterday. Yet Boermans remains...
We were read in 2015: 300,000 visitors, a total of 10,000 hours of reading time.
Time for our success list. In 2015, we attracted 60,000 more visitors than in 2014. That's something to be proud of. A website that focuses on the stories that existing media find the small, and then figures like that. That we attracted those 300,000 visitors is one, that they spent an average of 2 and a half minutes per story,...
The 10 theatre performances you wish you had seen in 2015
Although the supply has been declining for years, there are still more new shows than a person can see. So nobody sees everything, everybody misses a lot, which was the case in 2014. But these performances no one would have wanted to miss, even if two of them were not even seen in a theatre. And no dance, for that our partner was dance audiences this year too. #1...
Alum plays "1600, Battle of Nieuwpoort": promising start to historical series
Today it was announced that the Gijsbrecht tradition, revived since five years, will end again due to lack of subsidy. A shame, of course, although we don't have to mourn the end of this Amsterdam custom, which has existed since 1638. After all, the play is totally unplayable, historically completely off the mark and all in all a rather pretentious representation of the history of...
BOT by Firma MES: delightful theatre for laughers and thinkers
'KUT TONEEL' has been spray-painted over BOT's poster. Another features penises and a clown's nose. Does Firma MES' new show arouse so much aggression? In any case, the young theatre company from The Hague promises us a play about "unkind people". But that doesn't quite pan out. On the flat floor of Theater aan...
Theatre sector: "Municipalities, stop building theatres!"
Always nice when someone sets up a committee to solve all the problems. The Dutch theatre sector did just that a few months ago. Led by former minister Guusje Ter Horst, Rinda den Besten (former Utrecht alderman), Sadik Harchaoui (Forum) and Ryclef Rienstra (VandenEnde Foundation) examined what could be better in the relationship between theatre and the...
The five shows you must see in December
The National Opera, Hänsel und Gretel (opera) It is the best-known fairy tale opera of all time. Not surprisingly, as Humperdinck's adaptation of Hansel and Gretel is overtly rooted in folk music as in almost Wagnerian orchestration. It was bound to be a success. Richard Strauss conducted the world premiere; Amsterdam features International Opera Award Winner Lotte de Beer's version. She moves...
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