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Mirjam Koen, Adorno, why on earth theatre about Adorno!

Beethoven and Bach brought the true music. Karl-Heinz Stockhausen the future. The rest, from Beatles to hoempa, was 'jazz', commercially capitalist and therefore pernicious. Very briefly, this is what we should know Theodor Adorno from. Paul R. Kooij now plays this art-philosophical sharper in a performance by Mirjam Koen. Just when the division based partly on Adorno's thinking between... 

Maria Kraakman: "You have Couperus before and after Bas Heijne"

In recent years, the artistic director of Toneelgroep Amsterdam, Ivo van Hove, made three performances of works by Couperus. In three short interviews, I look back at the last part, Little Souls. Despite the long meandering sentences and the romantic, sometimes very passive characters, this book (or actually it's four books)is a timeless masterpiece that, as far as I'm concerned, all... 

Jan Peter Gerrits: loyal louse on Couperus adaptation Toneelgroep Amsterdam

In the final part of 'books of little souls', the once disgraced Constance sits in the dark and draughty country house where her reluctant parents-in-law used to live. Constance married their only child, Baron Henri van der Welcke, against their wishes. Constance's and Henri's son Addy is the only thing that connects these two people. Love for each other is never... 

Still thinking about tougher sentencing, thanks to 'Prison Monologues'

Utrecht's Wolvenplein prison is sort of empty. Anyone who doesn't happen to have a conviction behind them themselves should go there for fun. I did so myself two years ago on an art project about the surveillance society. When I returned on Tuesday, 17 October 2017, for The Prison Monologues, the impression was still there. The... 

Kassys plays the blues (About hopeless depression and a real-life pizza delivery man)

That you can put a shoe on. But also not. That it doesn't really make much sense to put a shoe on, if you will take it off later in the day anyway. Why bother? Why live? Recognisable? For anyone who has ever been in a slump, yes. Theatre group Kassys, most recently a worldwide hit with 'Total Eclipse of... 

'Crusade' by Artemis is top theatre that will make any layman a fan.

Jetse Batelaan has spent pretty much this entire century making the most extraordinary theatre in the world. At least, of my world. Often with very few words, always with a great sense of bare aesthetics and usually sympathetic with a weird twist halfway through. His latest masterpiece is an adaptation of Thea Beckman's Crusade in Jeans. Though we need at least three quarters of... 

'Had Couperus been born 10 years later, he wouldn't have needed all that packaging'

Director Ivo van Hove chose the 'books of little souls' cycle as the conclusion of the Couperus triptych at Toneelgroep Amsterdam. He previously directed 'Silent Power' (2015) and 'The things that pass' (2016). Dramaturg Koen Tachelet adapted Couperus' Magnum Opus for the theatre. The books 'The Little Souls', 'Late Life', 'Twilight of Souls' and 'Sacred Knowing' together form the cycle 'The Books of... 

Sadettin Kırmızıyüz. Photo: Joost de Haast

Dutch version of The Wire moves from Rotterdam to The Hague

Nationale Toneel Theatre is working on its mission to bring society to the stage. The Nation, that insane marathon with Romana Vrede about a disappearance in the Schilderswijk neighbourhood, and Mark Rietman, will be ready this autumn. Anyone who thought it was time for another slice of tedious retro hag comedy after that is wrong. We do have a classic coming up in... 

Five weeks of Bambie in Utrecht? Could just be the way to a more diverse culture

Speaking of diversity, within the dominantly white theatre audience, it is also full of bubbles. Over the past two weeks, for instance, I have just let it dawn on me how little overlap there is between the audiences of the two art theatres in my city, Utrecht. At least: for a while I sort of immersed myself in the world of... 

The theatre world is divided, but not diverse. A call to authors.

This week, two things already became clear about the Dutch theatre world. One: the topic of diversity is finally really on the map and two: the theatre world, however small, is hopelessly divided. During Het Theaterfestival, there were two debates/ meetings/ symposiums on the lack of diversity in theatre. One on Monday, the other on Thursday. Bit much in one... 

Theatre season opens with pep talk for paralysed artists.

To start right away with the rottenest news: according to Ferry Mingelen, D66 is not going to fulfil its election promise of 100 million reparations for the arts budget. The retired parliamentary journalist announced this during his opening speech of Het Theaterfestival, Thursday 7 September at Amsterdam's Stadsschouwburg theatre. He had spoken to party leader Pechtold on Tuesday. The latter had said that the ten... 

Scenic photo Rishi. Photo: Joris Jan Bos

The sharpest theatre of 2017 comes from The Hague: Rishi of Firma Mes

If theatre can do anything, it is to put us outside reality. Not even to make you dream away, but to stop that reality for a moment and look at it in a different way. Call it the Ti-Ta-Wizard moment. To stop the action at the dramatic climax, to take the sting out of the wasp, or the fuse out of the powder keg.... 

Broken throats thanks to Loes Luca. Scheveningen sings again in 'Hard Hands'

The Zuiderstrand Theatre is having a nice time. When the theatre was built on the coast, there was a lot of resistance and grumbling from Scheveningers. 'That bunker' it was called. But with the (reprise) hit 'Harde Handen', free after Heijerman's 'Op hoop van Zegen', this own production touches a sensitive chord. For and by Scheveningen On Scheveningen, much has changed. The fishing village with... 

Ten days of theatre with bollocks in Kikker Kiest (At once up to date)

'When Paul moves his little finger something happens. They have a scene where Jochem draws a picture of Paul. Paul is posing naked. And that lasts. That takes a long time. You and I, as amateurs, would fill that with all sorts of poses and movements, but Paul doesn't do anything. You think. And all sorts of things happen. HIj is doing something, then, but.... 

Chablis, riesling, bardolino and five indies: Boulevard succeeded

Wine tasting and listening to medieval music are usually things people only do with very serious faces. So it took five glasses, three drunken singers and a good hour before the mob in the sober Heilig Hart church in Den Bosch loosened up a bit. With a Frontignan to boot. You do start fantasising about the amazing dinner you had at... 

8 phenomena together on stage do not make phenomenal theatre at Theatre Festival Boulevard

Claron McFadden is a phenomenon. Josse de Pauw is a phenomenon. Arnon Grunberg is a phenomenon. LOD is a phenomenon. KVS is a phenomenon. Theatre Festival Boulevard is a phenomenon. I did not yet know pianist Kris Defoort, but he is also a phenomenon. As is Henry Purcell, but we've known that for a couple of centuries: also a phenomenon. After such an opening paragraph... 

Wunderbaum provokes revulsion with sacred performance about North Sea cruise at Theatre Festival Boulevard

Anyone who is young, a little nicely educated and otherwise generally of good character does not go on a North Sea cruise. A cruise on the North Sea, that's what you do if you have no imagination, have bad legs or are too sick for anything else. Believes Wunderbaum. The theatre collective that likes to take care of the vulnerable of this planet is... 

Boukje Schweigman makes you feel how weird time is at Theatre Festival Boulevard.

Industrial estates are weird. They lie souring on the outskirts of one city, only to seamlessly morph into the same site on the outskirts of another. Once they were A-locations, places of visibility and the incarnate dream of reconstruction. Now they are low-grade structures, halls with a front door, a visible office for the Dirk and a pathetic... 

Humour, marinated in tears on a bed of melancholy. Perfect day on Boulevard

The prize for the longest and most artful kiss of 2017 has been given away and goes to Conny Janssen Danst. In a small tent on the square below Bossche Sint-Jan, this danced kiss forms the technical and dramatic highlight of Clarity. Two dancers, spinning pirouettes while keeping their lips connected, a video artist and the floating music performed live by iET were on Saturday ... 

Thinking won't make you a hero. Artful Flemish musical theatre on Boulevard

Heroes are not always the smartest people. Indeed, most acts that have gone down in history as heroes have been thoughtless actions. That happened to succeed. Pure luck. Against every heroic act, therefore, there is an unknown but not negligible number of senseless deaths of would-be heroes. The main character of the theatre play The Heroes, which I attended in Den Bosch on 4 August,... 

Celebrate art in times of gloom. #tfboulevard

Opening speeches. Every festival has one. Or two. You have to go through them. As a guest, but also as a host. Something should be found on it. Of course a point has to be made, a flag raised, a champagne bottle bang introduced. And also the sponsors should be thanked. In these times of a retreating government, there are more of them every year. And. 

No man can escape Nottrots Thundering Time. (Theatre with built-in escaperoom)

'Can I ask you: do you know what time is?' Greg Nottrot's question cannot be straightforward, as I am the only spectator. MIjn spot is uncomfortable: a chair sinking into fresh gravel on the curious Utrecht plain christened 'Berlinplein' by city developers. I witness an early rehearsal of De Denderende Tijd. In that... 

So you'll never leave Den Bosch again (why holidays in your own country can be fun)

Would like your interpretation of the cover girl's look on the Theatre Festival Boulevard programme book. It may be projection, but I see a slightly overwhelmed desperation in those eyes, whose eyebrows have been replaced by two playfully placed arches of St John's, above: Den Bosch on my mind. Where to start, mostly. In the book, especially abundance. Glassily designed... 

The new theatre system is just about finished. Only seven 'dilemmas' remain.

[This post was already online under the title 'Save us from the Transition Office', but has been updated in a few details] While you are preparing for a well-deserved holiday, people in the arts sector are working on a new model. That new model is needed because the old model is no longer adequate. That old model, and we are of course talking about our... 

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