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Gesualdo at the @hollandfestival: a hell of a match made in heaven.

Pizza Napolitana is not going to taste the same again. After all, mozzarella can be anything. We owe this enrichment of our lives to De Warme Winkel, the anarchic theatre company hired by the Nederlands Kamerkoor to enhance their Holland Festival programme. We knew it. And you can go and check that out for yourself, because after that... 

Swinging parachutes and twitching muscles at Playful Arts Festival: 'If the visitor does nothing, the work does not exist'

Occasionally it chafes at Playful Arts, an intimate festival that brings play and art together. It's all about interaction, doing it yourself, experiencing it. Some visitors have to cross a threshold. But then something does happen. Those dancers must be in really good shape," I hear someone behind me mutter reverently. On the other side of the street, a man points to... 

It's up to us to offer Octavia E. Butler's sower fertile ground in the @hollandfestival

First of all, the chairs have to leave the auditorium of the Muziekgebouw aan 't IJ. Then some discomfort, those two hours that Octavia E. Butler's The Parable of The Sower lasts. At least it would make for some shared sorrow, and possibly some awkward swinging. Because the way things were going, that first night of Toshi Reagon's debut at the Holland... 

The colonial image of the black woman with bared upper body is rewritten in Legacy by Nadia Beugré at @HollandFestival

A sizable group of women, their skin all shades of brown, white and black, their breasts and chests hopping briskly to the beat of stepping and running movements on the spot, swirls around its own axis upon entering the auditorium at the Brakke Grond. Legacy is an intimate performance that moves loosely up and down between concert, performance,... 

The real @hollandfestival special #3 about Bowie. And Bausch. How the recent dead keep us alive.

Nothing defines us like our taste. And especially taste in music. We find that music taste defines exactly who we are and can easily distinguish us from people who have distinctly different, and therefore lesser, tastes. Pinkpop, a pop festival with several world-famous headliners, experienced this. Each world star plays to their own audience, which schi... 

Dimitris Papaioannou turns heritage Pina Bausch to his will with Neues Stück 1 Seit sie for Tanztheater Wuppertal, Holland Festival #HF2018

Neues Stück 1 Seit sie - Ein Stück von Dimitris Papaioannou is a long title for an overwhelming piece, which Tanztheater Wuppertal is bringing to the Holland Festival this year. Nine years ago, on 30 June 2009, a month before she was to turn sixty-nine, Pina Bausch died suddenly. The world-famous and highly influential choreographer of experimental, haunting and unparalleled dance theatre left behind a... 

How Wiek Hijmans makes the electric guitar socially acceptable

Wiek Hijmans (b. 1967) is tirelessly promoting the use of the electric guitar in contemporary composed music. He also likes to be influenced by jazz and rock in his own pieces. On Electric Language, his latest CD, he presents music by eight composers alongside his own Victus. Six pieces were composed especially for him. The disc appeared on the label... 

Choreographer Arno Schuitemaker outdoes himself with gossamer The Way You Sound Tonight at @HollandFestival 2018

It is the spatial arrangement that immediately impresses in The Way You Sound Tonight, choreographer Arno Schuitemaker's ninth performance. There are roughly 25 seats too few. The last Holland Festival visitors to walk onto the Rabozaal stage during the premiere have to find their own place on the still-scented wooden floor. Pijpela Schuitemaker has, to my... 

Podcast: Would the Netherlands ever be ripe for Science Fiction? @Hollandfestival provides context with Octavia E. Butler

Of course, we have Chriet Titulaer. But it kind of ends there. And to say we took those very seriously, back in the day? No. The future, and fantasising about it, is not really a thing in the Netherlands, at least not with the big publishers and broadcasters. A writer dealing with science fiction will never join a big... 

Fritz Lang vs George Benjamin at @hollandfestival: a fresh tired death.

The Holland festival has a tradition of combining film with live music. Whether it's the post-punk band Mogwai at Mark Cousins' Atomic Cinema or a live accompaniment to a silent film, something magical usually happens. That was certainly the case at the screening of Fritz Lang's Der Müde Tod (1921), accompanied by composer in... 

No free tickets for journalists in the cultural sector: censorship or just a matter of business?

Menno Pols, reporter for De Gelderlander, was denied accreditation (free ticket and other benefits) for the three-day Manana Manana festival in Vorden this year. Reason: an article he wrote last year about the money flows within the club behind the festival. That club earns millions mainly from Zwarte Cross, the biggest festival in the Netherlands with 220,000 tickets sold. The accreditation... 

Walking around a bazaar full of exclusive merchandise: new exhibition at Drents Museum on Iran as the cradle of civilisation

The feeling of walking around in a bazaar straight out of one of the fairy tales of a thousand - and - one nights. Your eyes feast; colourful Persian carpets, atmospheric lanterns and exclusive 'merchandise'. With the new exhibition Iran- Cradle of Civilisation, the Drents Museum takes visitors to one of the oldest civilisations in the world. For the... 

Panic is contagious, sex is not. About my anxious hours during and after Sex and Anxiety at the @hollandfestival.

Panic. On the tram between Leidseplein and Amsterdam Centraal, I suddenly lost the Dutch translation of 'string quartet'. So I typed 'violin quartet' into my facebook update, trying to make a connection between a blow job and Ligeti. Joking, perhaps, but there was something much deeper behind it, in that tram, after the music and theatre event 'The String Quartet's... 

Our only unique @hollandfestivalspecial #2: inspiration and constriction in the first week #hf18

Our Thea Derks sat watching a traffic light for a few hours on Thursday 7 June and observed that the music was better. It happened during the opening of the 2018 Holland Festival. In the tradition of Ruth Mackenzie, the opening was of mixed reception, and that is actually a good thing. Even at a time when the Amsterdam Arts Council is in a... 

Hyena by Georg Friedrich Haas: how Mollena Williams-Haas kicked off her alcohol addiction #HF18

The Holland Festival presents Hyena, in which Mollena Lee Williams-Haas recounts how she kicked her alcohol addiction. Her husband Georg Friedrich Haas wrote the music to accompany her blood-curdling account. She is accompanied by Klangforum Wien and conductor Bas Wiegers, who also performed the world premiere two years ago. Hyena can be heard once at Muziekgebouw aan het IJ on Wednesday 13 June.... 

Kunstraad has profile for new Stedelijk Museum board ready: an Amsterdam rascal (m/*/f).

The cultural sector is sometimes behind, but more often ahead. In the - otherwise very much to be welcomed in terms of content - advice issued by the Amsterdam Arts Council on the future of the local Stedelijk Museum, you can read that job security in the art sector is once again under pressure. Especially for young entrants from 'diverse' backgrounds: 'Preferably, the museum will make greater use of... 

'Kata' shows at @hollandfestival how inspiring a peaceful fight can be (review)

What a grandiose invention to think of breakdance as martial arts dance! In a sense, of course, it has been so from the beginning. Young people in New York's poor neighbourhoods developed their spectacular dance techniques in the 1980s. These were a means for them to express themselves in their own unique way. This was a necessity of life in a society that... 

Steve mcQueen's End Credits buzzes long after

Steve McQueen is an artist who narrates big and difficult subjects in a physically tangible way. Hunger strike, sex addiction and our discomfort with male sexuality, slavery. These are the things we would rather not see anymore, not want to discuss and certainly not want to feel. In his feature films, McQueen manages to strike a balance between the aesthetic and the physical ... 

Podcast. Love cures in Scheveningen. You don't need LSD or magic mushrooms for transcendence.

The miracle happened right at the first location. On a bare piece of dune in front of beach café Oscars there are rocking benches. From one of those benches I looked, swaying, over a slope of marram grass, then a couple of terraces and beyond that the sea. As it was a weekday, but summer warm, some bathers had already settled into beach chairs. Crowded it was... 

Podcast: Sometimes it's also just allowed to be about love, in The Hague. Although: in spectacle Ondine, nothing is ordinary.

'You simply cannot, as a big company, just bring journalistic theatre.' So says Jeroen de Man, who now directs the watery spectacle performance Ondine at the National Theatre. 'A bit of diversity is just fine.' So not everything in The Hague has to be as socially relevant as The Nation of Othello. Sometimes it can also just be about the... 

Richters Patterns @Hollandfestival: Traffic light jumps to red, traffic light jumps to green

Music and images, it remains a tricky combination. Do you see a picture with music, or do you hear music with a picture? That question was not answered unequivocally at the opening concert of the Holland Festival. The slowly changing colours of Gerhard Richter's canvases were matched by Marcus Schmickler's slowly fading sounds. While Richter's Patterns soon became boring,... 

Ruth Mackenzie's latest Holland Festival promises to be just one of the most exciting

Here it is. The one and only interactive Culture Press Holland Festival Special. A special that has already been deployed over the past few months, and will be added to in the coming month. During the festival, we have regular reviews and reports, and podcasts. A new edition of this Special will appear every week. On Mondays. And then you can also subscribe via... 

Arno Schuitemaker @hollandfestival: 'I want to find a new way, a new vocabulary, that has not yet been seen in my previous work.'

With 'The Way You Sound Tonight', which will have its world premiere at Holland Festival 2018, choreographer Arno Schuitemaker takes the next step in his creative development. He describes his performance as an 'acoustic ballroom'. I speak to the 1976-born dance maker, who once studied at Delft University of Technology, about his work and his motives. 'In the trilogy 'WHILE... 

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