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#HF11: There is an old crippled servant haunting the Zuidas

Firs is his name. And he always arrives late. Because of the gout. Poor houseboy. Firs was created by Anton Chekhov. His masterpiece The Cherry Garden is about the boredom and lameness of the old rich, and Firs is the house servant who sees it all happening. Chekhov lets him die, at the end, when the departing house owners totally forget about him... 

#HF11 Unadorned, austere and powerful "Flûte Enchantée" by Peter Brook

Papageno showed off without his feathers last night. Indeed, the entire direction of Une flûte enchantée was an unadorned pleasure. Sober. Integral. You can't get a Dutch audience wilder than with such an approach. Compliments, then, to Peter Brook. At the Muziekgebouw aan het IJ was the Dutch premiere of Brook's adaptation of Mozart's Die Zauberflöte. The production turned... 

#HF11 Playing with Nietzsche's moustache in opera fantasy by Wolfgang Rihm

An opera based on texts by Nietzsche, and then start with loud laughter and main character N trying to catch two water nymphs. Wait a minute, that's Wagner! Well, at Wagner's Rheingold involves three Rhine daughters, but the similarity is too great to be coincidental. And neither is this one, but in the first minutes of Wolfgang Rihm's Dionysos is much more going on. Here is a composer at work who not only plays with text and music, but also with centuries of cultural history and knows how to add jokes to it. It is to get intoxicated.

#HF11 Young Hungarians in Leonce and Lena deserve our sympathy

Actors wearing sort of harem trousers and bamboo sticks on a nondescript playing surface. Some of you may think back nostalgically or with trepidation to the days when there were 'Akademies voor Ekspressie' in the Netherlands. Summits of socio-art. Sometime deep in the 1970s, that is. Maladype Theatre, from Hungary, fits seamlessly into that picture, which... 

#HF11 Weather barbed, lovely and humorous notes at mini-festival Xenakis 1234

The battle between Titans and gods on Mount Olympus opens Xenakis 1234, a mini-festival in the larger Holland Festival. In four concerts, spread over two days, Iannis Xenakis takes centre stage. In addition, an extensive exhibition is dedicated to the Greek composer, who was originally a mathematician and architect.

Say Xenakis and anyone who doesn't shrug their shoulders will run away screaming, women and children first. Neighbours are also fine to freak out with his unruly...

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#HF11 Environmental message in 'Birds with Skymirrors' does not give imagination wings, but literally gets in the way

You can hardly take your eyes off the feet. The dancers make busy, fast steps and yet their bodies seem to glide across the stage. It exudes something of perfection. In 'Birds with Skymirrors', you constantly get the feeling that the bird world has been the model for the movements. Trembling hands are reminiscent of wingtips, vulnerably scanning the skies.... 

#HF11: Isabelle Huppert alone on camera enchanting in shaky adaptation of Tramline Desire

They say of Isabelle Huppert, for years the most beautiful and mysterious appearance on the cinema screen, that she has the look of a dead zebra finch live. I had at least heard about that, but had never experienced it in real life. Until Friday night 3 June at Amsterdam's Stadsschouwburg at Un Tramway in the Holland Festival. And it's true... 

#HF11: As grand, as extreme and as haunting as Schlingensief's 'Mea Culpa' you rarely see theatre

Dying young turns out to be advantageous not only for skywalkers like Buddy Holly, Sam Cooke or Jesus. Even in a rather elitist world like that of German theatre, you can achieve star status through an early death. At least that happened to Christoph Schlingensief, the man who died of lung cancer in 2010. The man had already achieved stardom throughout the German-speaking world,... 

#HF11: With The School for Scandal, Deborah Warner gives a gleeful kick to an arch-conservative theatre tradition. The British are not amused.

Photo: Neil Libbert

That was a bit of a grind for British theatre critics. The celebrated director Deborah Warner (1959) recently pulled Richard Brinsley Sheridan's The School for Scandal out of the closet. A play from 1777, and an untouchable part of the British theatre canon. Building on the style of her earlier production Mother Courage (2009) Warner also indicated The School for Scandal - goddamn - a quirky, contemporary twist.

 

"With many video, light, music and noise - like a rock concert, " grins Warner in the office of the Barbican Theatre In London. "Mother Courage had an incredibly populist, exciting atmosphere. I love that arrogant theatricality immensely, and I wanted to continue that style in The School for Scandal. For me, the big challenge was to explore the Brechtian theatre style of Weimar - which I got through Mother Courage had discovered again - to collide with an eighteenth-century theatre text."

Deeper layers far in vague project 'The Long Count' by twin brothers Dessner

The Long Count - photo Julieta Cervantes

Two boys beat a guitar with a baseball bat, which was hanging on a rope in the air. Moments before, they also battered the instrument in a strange game of tug-of-war, during which the guitar regularly hit the ground. Both times, shrill, nasty sounds fill the room. The games are played with a deadly serious face and thus seem to tell something a...

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The Dodo revives for Holland Festival edition 2011 #HF11

This week the Holland Festival erupts and we are there. We are producing a Dodo Festival Day newspaper with a sizeable team of professional journalists, as we did before for Springdance and The International Choice of the Rotterdam Schouwburg, for example. We follow the festival closely to bring news as it happens. We go to see performances where others... 

Via Intolleranza II is an irresistibly witty theatrical chaos about the construction of an opera village.

photo: Aino Laberenz

Künstler Christoph Schlingensief - all-rounder, provocateur, director, artist of life - who died of lung cancer last year, will receive an extensive tribute at the Holland Festival: the opening performance Mea Culpa, a programme of seven feature films, and Schlingensief's swan song Via Intolleranza II.

Sick to death, Christoph Schlingensief conceived the wild plan to work in Bur...

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Playing with the Wooster Group: 'a totally new way of being on stage, of dealing with signals and the material of the show'

Photo: Franck Beloncle 'Your audience will love it.' That was the last thing Liz Lecompte of the Wooster Group heard from the heirs of playwright Tennessee Williams shortly before the premiere of Vieux Carré. Since then, the trustees of this American monument's estate have been keeping quiet about the performance Lecompte created. It was the conclusion of a... 

You'd be interested to know what Spalding Gray and Christoph Schlingensief would have had to say to each other.

Cover of Spalding Gray At the Holland Festival, two minds wander. The loudest is that of Christoph Schlingensief, Germany's most independent filmmaker, theatre-maker, activist and enfant terrible, always good for controversy. After being diagnosed with lung cancer in 2008, he processed his anger and fear in Eine Kirche der Angst vor dem Fremden in mir, presented in 2009 at... 

'Our' New York dodo reviewers saw the Wooster Group's Le Vieux Carré and were thrilled

Admittedly, our method of reviewing (see our contributions on Springdance and De Internationale Keuze) is new to the Netherlands, but in the States a few were already doing it. For example, the two yummy guys Andrew and Andrew are doing well with their iPhones, doing the same as the Dodo with the Kodak Zi8 (no shares, though we would love to be sponsored... 

From Broadway musical to Lebanese Nightingale: Pierre Audi proudly shows the programme of the 2011 edition

His Dutch has never been his strongest point, and he doesn't like to speak either. Still, a Holland Festival press conference is something to be at, so we take Pierre Audi's lesser performing skills for granted. in February, he presented the programme of the 2011 edition, which promises to be a very nice one, and which hopefully will not be the... 

The deeper caverns of an adult film festival. Sven Schlijper on safari during IFFR 2011

The International Film Festival Rotterdam celebrates its fortieth edition with a fitting XL programme. That Roman numeral XL not only indicates respectable age. It also says something about size: this fortieth also bursts with the intiguing programme, with screenings at no less than forty locations throughout the inner city of Rotterdam. Inside the festival walls is... 

What Bert Hana can do, you don't learn at any school: turn your own life into art. #njc10

Wonderful though theatre is. The closing night of the Autumn Collection festival made me realise once again that the best actors do not always make the best performance. Expressiveness depends on more than acting talent and a proven literary text.

I saw two performances, with F.C.Bergman being the towering favourite. Disappointing the Flemings did not. Their performance of Pinter's modern classic The Homecoming even awakened memories in me of the first repertoires....

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Two idols and lots of cute girls at Saturday's Autumn Collection #njc10

It stood out: what a lot of cute girls in Theatre Kikker. Could it be because of the programming? Now there were a lot of cute men to choose from on Saturday night. The tough acting beasts of FC Bergman, for instance, or the androgynous Nik van den Berg, or perhaps the seemingly sweet Bert Hana. And if not, there was always DJ Oscar Kocken,... 

The Homecoming: Matteo Simoni and Greg Timmermans on their club (FC Bergman) and their play. #njc10

The young Antwerp company FC Bergman performs Harold Pinter's classic play 'The Homecoming' in a completely unique, energetic and raw way. The Homecoming can be seen during Autumn Collection 2010 at Theatre Kikker on Saturday 30 October.... You can log in now to continue reading! Welcome to the Cultuurpers archive! As a member, you have access to all, more than 4,000 posts... 

Bouncing along with the funny, touching, uncontrollable Ray in Renske van den Broek's musical theatre performance Fast Car #njc10

Irrepressible, funny, touching Fast Car Ray. A boy whose head is never still, who does not sleep, to whom everything comes in and who just cannot manage to love himself. His illness, Tourette's Syndrome, makes him delusional and desperate. Tick-tock. On and on, on and on. Like a racing car.

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