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SPECIALS

News about events and festivals, backed by the industry but independent in content. Find out more: info@cultureelpersbureau.nl

'Artists have a special sensitivity to what is possible and what awaits in the future.' Rainer Hofmann prepares for SPRING's future in solitude.

'I have only met one person for more than 3 minutes in five weeks. I live alone, I see people at the groceries, I take walks and bike rides, but apart from that I don't see anyone live.' Rainer Hofmann, artistic director of Spring, is experiencing a very different spring than intended, thanks to Corona. This month, the major Utrecht festival of innovative art was supposed to... 

The Encounter, Complicit / Simon McBurney, foto: Alex Aitchison

Why you should listen to Simon McBurney with headphones on between 15 and 22 May

We are fairly bombarded to death with online theatre experiences. Frankly, I avoid them. I always thought theatre was something to be experienced live. Bobbing shoes are terrible, visible consumption when speaking is something I can't stand at the moment and the sound is always mediocre. I want live theatre, and nothing else. Leave TV to the TV makers, they have studied for that. Still... 

'For museums, a reservoir of deferred rent and taxes awaits' Paul Baltus of Amersfoort in C is working hard on a plan B.

'At some point, you get it again. then you just have to start paying again. Unless there will somehow be remission, but that is not the case for now.' For Paul Baltus, director of museum dome Amersfoort in C, a big challenge awaits if the intelligent lockdown will slowly be lifted. How can... 

'Bring all the venues in Amersfoort together in one management group.' Bernard van Gellekom has an unorthodox vision of cultural survival at the time of Corona.

'If you can put only a quarter, or even less, in a hall that normally holds 600 people, then the tickets do become very expensive, because your costs don't change. Then my popular heart starts beating again: should we really want something so elitist?' Bernard van Gellekom is an important figure in the Amersfoort pop scene. In his home... 

Culture Press podcastcorona (21) - Oscar Kocken: 'Not being allowed to perform your work for six months is pretty gross.'

'Yes, of course it was something we already saw coming in every way. That made me mentally prepared. But then when you actually hear it... It's just SO sour. It's every time - I don't blame anyone, to be clear - but every time you get bad news, you try... 

HOLLAND FESTIVAL 2020 CANCELLED, 'ONLINE FESTIVAL' IN PREPARATION

It is with great regret that the Holland Festival is forced to cancel the 73rd edition, which was to take place from 4 to 28 June 2020. The corona pandemic's persistent, domestic and foreign restrictions and uncertainties make it impossible for the international performing arts festival to take place. The ongoing, restrictive measures that the central government had to announce 21 April last,... 

Culture Press Tonapodcast (19): Willemijn Mooij had to cancel the Matthew Passion: 'Leading from a distance is hard for me'

'Last (Silent, ed.) Saturday we ventured out to dinner at friends', my husband and I once again. We were tired of just talking about Corona. Then we agreed to have a music night. We all work in classical music, but agreed to listen to precisely no classical music. It became a... 

Podcast in times of Corona (2): Oscar Kocken on the bible of an anonymous war victim. And what his grandfather has to do with it me.

When he started for himself in 2006, the CoC's question was not, how Oscar Kocken would later deal with a global pandemic of apocalyptic proportions, income-wise. This is just to show what a toughass our minister of economic affairs is, and how we still get some understanding of the wall of misunderstanding where the... 

Bill T Jones is larger than life. Why Holland Festival 2020 will be a lot more topical than previous editions.

There are people who have a voice with which you can quiet a crowd in a whisper. Bill T Jones, choreographer and this year's associate artist of the Holland Festival, is one such person. Apart from that beautiful, heavy and full voice, he also has a presence with which he can quiet the cogs with a single hand movement. But all that would be nothing if... 

HOLLAND FESTIVAL 2020 WITH BILL T. JONES IN SEARCH OF A 'WE'

From 4 to 28 June 2020, Amsterdam will host the 73rd edition of the Holland Festival. Associate Artist this year is American choreographer, director, writer and dancer Bill T. Jones. His work will include the new show Deep Blue Sea, in which Jones himself dances and, assisted by a hundred mostly local... 

A great 2020 with the Holland Festival, vacancies and aus LICHT Opera of the Year

The Holland Festival wishes you a happy 2020! The full programme of the 73rd festival edition will be announced on 11 February. You can already order tickets for the five productions below. Also in this newsletter: vacancies for a head of operations/controller, an employee development and interns for the communication & marketing and production departments; and aus LICHT named Opera of the Year 2019.... 

Being engaged does not only mean presenting interesting work, it is also about those you show it to.

A man walks down the theatre corridor with his daughter in a wheelchair. Stops at an usher. Hesitates, then says: 'I don't want to nag, but she can't go on the disabled toilet. I'm looking for a place to change her.' So this usher, he helps search. Moments later, they are behind a rack in the pantry. Sugar sachets, coffee, speculoos, tins.... 

Promotion critical interview with Amersfoort alderman hampered by Facebook

In the ongoing series of interviews with leading figures from Amersfoort's cultural sector, I interviewed D66 alderman Fatma Koser Kaya. It turned into an animated conversation. Strangely enough, De Stadsbron, Amersfoort's local journalism site, is not allowed to promote the interview from Facebook, the editors announced yesterday. It is unclear why. Here is an excerpt, the whole story of course on De Stadsbron: 'I believe... 

'It is crucial that people who mature here - also as artists - can stay connected to Amersfoort'

For De Stadsbron, Amersfoort's journalistic background site, I chart the cultural sector of the Keistad. On that site now, an interview with Friederike Weisner, director of Theatre De Lieve Vrouw. 'According to Weisner, the lack of a university or college ensures that the need for knowledge is visible: 'You will always have to be innovative as a city. There ... 

Patrick Nederkoorn: 'We have everything in order and don't excel at anything.'

For De Stadsbron, I interviewed Patrick Nederkoorn, comedian but in a previous life also politician, about his city, Amersfoort: You had a decisive role in politics here for eight years. In your programme, you reckon with that a bit. You argue that you were very much on form, and sometimes sold content where later you didn't... at all. 

'Library has no respect for artists!' Sale of works from Art Loan against sore leg Amersfoort art world.

This weekend, gallery owner Henk Logman discovered to his horror that artworks from the Amersfoort Art Loan were being offered for sale on a Belgian auction site. On his facebook page, he reports: 'The extraordinary thing about the whole thing is that the now still living artists were not informed of this. I would at least have expected that to have happened.... 

'The soprano sighs, supports, whispers, breathes in, breathes out, blows, squeals' - Helmut Lachenmann Got Lost in November Music

German composer Helmut Lachenmann (1935) is a champion of evocative squeaks, creaks and crunches. Like John Cage, for instance, he hears music in unusual sources. Rarely is an instrument played the way it is written in the books. 'Making music with sounds is relatively simple and always somewhere modern,' he once said of this. Although he started his career as a choirboy counts... 

'Like a terrifying chorus of ghostly aliens.' Why you just have to suffer Anna Korsun in November Music.

'Anna Korsun stood head and shoulders above her peers with her surprising, introspective and communicative music.' I wrote that in 2014, when she won the Gaudeamus Award. 'We are definitely going to hear more from her,' I concluded, and since then the Ukrainian has more than fulfilled that promise. She has made a name for herself as a composer, pianist, vocalist, conductor and (co-)organiser of concert series.... 

Music from anger and powerlessness - Extra focus on sensational composer Georg Friedrich Haas in November Music

Last year, Austrian Georg Friedrich Haas caused a stir at the Holland Festival by openly talking about his master-slave relationship with his wife Mollena. If possible, even more startling was their joint production Hyena. Mollena Williams-Haas told a blood-curdling tale of how she rehabbed from her alcohol addiction, her husband providing the hypnotic music. This year, Haas is one of the central... 

Opinion researchers: Amersfoort, see artists more as business cards!

Amersfoort is investing in culture again. This is very good news after a period when cuts dominated. So now it becomes extra interesting what the city will do with the extra money. Some research is already under way. Last week, another study was added from an unexpected source. The main outcome: Amersfoort could be a bit prouder... 

Joy of life and icy constriction. Ensemble Modern performs striking world premieres by female composers during November Music

Ensemble Modern presents world premieres by German-Dutch Iris ter Schiphorst and Turkish Zeynep Gedizlioğlu in November Music. And that is good news, because the female composer remains too often invisible even in 2019. In the brochures of any Dutch orchestra, you will find none, or only a single work by a woman. On the new Heart & Soul list of... 

'I hope we will all slip into another world.' Calliope Tsoupaki writes Bosch Requiem 'Liknon' for November Music

In 1988, Calliope Tsoupaki (1963) came to the Netherlands from Greece to study composition with Louis Andriessen. Exactly 30 years later, she was appointed 'Composer of the Fatherland'. In that capacity, she has already composed some highly topical pieces. When Notre Dame de Paris caught fire on 15 April, Tsoupaki immediately climbed into the pen. Five days later... 

Why does the fair practice code really only apply to the arts?

Our administrators and elected representatives will not openly admit it, but they do not really care about a healthy cultural sector, let alone the position of individual creators and artists. Indeed, making a Fair Practice Code compulsory without increasing the budget for culture is a slap in the face for everyone working in the arts sector. 'Then be... 

TipiToe Festival: Texel grounding for gliders and non-gliders in beautiful surroundings.

'I know what you're banging on about!' The tattooed athlete who is still chilling after her pole dance workshop playfully shouts it at her friend, who has landed a solid left direct on my boxing glove. 'Well and truly,' she calls back. She smiles kindly at it. I know I don't have to take her slaps personally.... 

Striking: Amersfoort subsidises sports event with culture money

Amersfoort has some catching up to do when it comes to culture. Festivals like Spoffin, for instance, have no money to pay real fees for performing artists. So they are there with the name recognition as a reward. The same is not true for tennis players, it turns out. Indeed, Amersfoort's alderman for sports decided to enrich this year's atp tennis tournament with a €50,000 subsidy to, for instance,... 

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