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Holland Festival

The Holland Festival is the Netherlands' leading festival, showcasing the best of what is being made internationally and nationally on the bigger stages.

Ben Frost shoots at elusive state violence with 130-decibel musical bullets #HF22

Once upon a time, Ben Frost started out as a composer of laden ambient music. Not necessarily upbeat, more contemplative and just a little depressing of the kind that can be used to add some colour to a dip. Take the piece "You, Me and the End of Everything," which can be found on YouTube. Compared to the score of The Murder of Halit Yozgat,... 

Tiago Rodrigues directs Isabelle Huppert in The Cherry Garden at the Holland Festival: 'From Chekhov, the best friend of all actors in the world, we play every note.'

'For the first time in my life, I had the opportunity to play all the notes written by Chekhov. It was an intellectual and artistic challenge to really work with Chekhov. I could really let Chekhov be one of the authors of the play, which is very unusual for me. After all, I'm used to writing plays to... 

Euphoria by Julian Rosefeldt from the Holland Festival 2022 programme

Euphoria cancelled due to situation in Ukraine - Intention to shift to Holland Festival 2023 With pain in its heart, the Holland Festival is forced to announce that Julian Rosefeldt's spectacular film installation Euphoria will not be coming to Amsterdam in June 2022. For the 75th edition of the Holland Festival, the world premiere of the new... 

'We need art to talk to lunatics' - Holland Festival presents anniversary programme

We can already chalk up Angélique Kidjo as one of the most disarming appearances at the 2022 Holland Festival. The Benin-born singer is this year's associate artist, together with German director Nicolas Stemann. On Wednesday 9 March, she performed as a commanding speaker at the press conference with which the Holland Festival opens its public relations offensive each year. It was a... 

Night-time silence walk with Schiphol hatred to close Holland Festival 2021

Admittedly, I was never a fan, but how I hated those planes last night. I was walking through a dark, nocturnal forest between Lage Vuursche and Hilversum. Where, in the silence, I could have listened extra carefully to creaking twigs, shuffling insects, whispering trees and the occasional owl, I mostly heard how happy we all are that after corona we have another... 

ITA leaves exactly the wrong things to the imagination in Age of Rage. #HF21

In Electra, one of the finest tragedies handed down to us by the ancient Greeks, there is at least one piece of text that made history. It is the account of a horse race. You see nothing, but the language puts your imagination to work. 25 centuries later, they tried to turn the images described into real images for the... 

Arnold Schoenberg sounds out of an endearing piece of kindergarten drama. #HF21

There is a direct, inverse, link between musical talent and acting ability. The techniques needed to play a musical instrument are completely different from the registers you need - physically and mentally - for acting. So the better you master your instrument, the worse the acting. The musicians of Klangforum Wien master their instrument at the very, very... 

The myth of Europe, you need a Greek for that anyway (and a better theatre) #hf21

'...this (final) image, in which really I saw what I never saw before. That was so insane where I started to doubt my own perception. Interesting sensation that for me is separate from interpretation.' I quote here a visitor I know from the performance Transverse Orientation, one of the toppers of this year's Holland Festival. She was sitting three metres... 

Learning and moving: The Planet, a lament by Garin Nugroho. #HF21

Some art you don't quite understand, but touches you deeply. Paradjanov's films, for instance, or The Planet, a Lament by Garin Nugroho. Nugroho has chosen not to provide his performance with surtitles, so your rational brain has to be sidetracked for a while. What are they singing, what exactly is happening, what is it about? After a few minutes of this same... 

Between Past and Future. Frank Scheffer films a fruitful meeting between East and West #HF21

Saturday 26 June at the Holland Festival, a special evening around two music films by Frank Scheffer: the documentary Inner Landscape and the opera film Si Fan. Supplemented by a short live performance by Chinese musician Wu Wei. This will present a musical journey from the seventh-century Tang Dynasty to contemporary electronic music. An evening with unexpected perspectives.

TIME by Ryuichi Sakomoto: how five quarters can flash by in a thousand years. #HF12

In a legendary episode of the SF series Star Trek, The Next Generation, for fans like me, Captain Picard is hit by a strange light signal from an empty probe. We then switch to a village to which the captain seems to have been teleported and see how he leads quite a life as a village wise and gifted flute player. At the end, he dies... 

The bands were dead, but Kukangendai breathes life into everything. Be it inimitable. #HF21

Someone cried the other day that bands were dead. That in a world of digital convenience, loop apps and samples, there was no place left for boys and girls with a guitar, a rickety drum kit and possibly a piano. Last night, while real men were watching football, I sat in Amsterdam's BIM house watching a band. It made me overjoyed. Kukangendai, on... 

Unheimlich and intriguing: Kindertotenlieder by Gisèle Vienne #HF21

A boy is a guest at his own funeral where a black metal band is playing a funeral concert. The killer, his best friend, is also there, along with anonymous black metal fans. The light is harsh, there is snow on the ground. To the right at the side of the stage, a wall has been built with crates of beer, to the left is what I am in... 

To blaat or not to blaat. FC Bergman puts the sheep on a nice pedestal in The Sheep Song #HF21

Those blessed with the surname 'sheep' not only know that they come from a rich and honourable lineage, but also know by heart all the proverbs, sayings and name jokes, offensive or otherwise. Up to and including comradely blathering chiefs of art. Then the fact that Flemish theatre company FC Bergman is producing a show titled 'The Sheep... 

La Codista is an endearing ode to waiting, with a fine layer underneath #HF21

It is always nice to know that someone is waiting for you. Companies offering rare things, officials who have highly sought-after stamps to put up, all owe their happiness and income to people willing to wait for them. Waiting itself, of course, is also something you can build a life around. There are people... 

Ine Aya: Wodan's state visit to Kalimantan raises quite a few questions #HF21

After three centuries of colonial oppression and exploitation, it is now pay-back time. However, we, the progeny of the navy that came to get nutmeg there, are not so good at it. Because we come back to Indonesia with mass tourism, cheap clothing dyers and multinationals like Unilever. We do little else but drain the place further. Economically, but also culturally. This can be subject... 

Mailles remains in the Holland Festival a closed oyster that does not reveal its pearl.

Something about roots, and that they are cut off and that this is inconvenient. Or not, because it gives freedom. Something about men and women, but what exactly didn't quite become clear in Mailles, which I got to experience at the Holland Festival on Thursday 10 June, after another curious test-for-access episode. The great hall of the building that I just don't... 

At Giselle Vienne's L'Etang, I feel again what I have been missing all this time.

England is closed. The culture minister happily reports that artists can tour Europe again, as long as they do not go outside Norway, Iceland and Liechtenstein. We've always taken an ambitious approach in negotiations on touring artists, including in my meeting with @AbidRaja last month. Delighted that our new trade deal with Norway, Iceland and Liechtenstein will allow musicians, performers... 

After a year and a half at home, Boogaerdt/VanderSchoot's Fremdkörper with testing access is pretty tough

There are reasons not to live in Belgium, but yesterday I was intensely longing for an evening with my southern neighbours. After all, they have 'testing for admission' in the cultural sector just a little better regulated than here. When I attended a 'testing for access' performance in Antwerp, there was a tent in front of the theatre entrance where I walked in, with a time appointment, a... 

Nerd podcast #13: Emily Ansenk (Holland Festival) is all set: 'Until a week and a half ago, we didn't know if it could go ahead.'

'Are we ready? Yes. Is everything ready? No, far from it, because it is all very complex. But in the end the jubilation now prevails, because until a week and a half ago we didn't even know if we were allowed.' In this Nerd podcast, Emily Ansenk, director of the Holland Festival for the second year, tells Marijn Lems and Wijbrand 

Holland Festival presents scalable programme: It's about time.  

A night walk where, for once, it is not about talking to each other, or exercising the muscles, but about being very aware of where you are. Mindfulness as a theatre experience, then, and if all the coronagraph remains against us, the only part of the Holland Festival that can go on live because of sufficient distance and outside. It needs to be that bad... 

HOLLAND FESTIVAL 2021 with associate artists Ryuichi Sakamoto and Gisèle Vienne

From 3 to 27 June 2021, the 74th edition of the Holland Festival will take place in and around Amsterdam. This year's associate artists are American-Japanese composer Ryuichi Sakamoto and French-Austrian theatre maker Gisèle Vienne - notable artists with wide-ranging interests, as evidenced by their collaborations with Hollywood directors, techno artists, visual artists and rock bands. During the... 

'We're done with Zoomen for now'. Holland Festival looks back on 2020 edition with mixed feelings (with sound)

The three of them are back together in the office for the first time since the lockdown on 13 March. The interview, in which director Emily Ansenk, music programmer Jochem Valkenburg and theatre programmer Annemieke Keurentjes take stock of the first - and hopefully only - online edition of the country's most prestigious performing arts festival, takes place a day after the lockdown. There was no... 

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