News about events and festivals, backed by the industry but independent in content. Find out more: info@cultureelpersbureau.nl
Colombia's biggest export not only allows Urk fishermen to work long hours, or Amsterdam Zuidas lawyers to keep up with the global 24-hour economy. The white gold also dissolves the nasal septum of the cream of world culture, and costs thousands of lives in the country itself. That had to lead to a theatrical performance, and it did
Djino Alolo Sabin (1990) sits there, relaxed, in the morning at the hotel in Brussels. The night before, he has danced his solo Piki Piki for the first time, which will also be shown at Theater Frascati during the Holland Festival. The performance touches on many intense themes, but is anything but melodramatic. Rather, it expresses a relentless optimism....
Some stories are too big to tell. Too big, but no less important or true for that. Like the story of the millions of Africans who died in World War I in the service of the warring factions there: Britain, France, Italy and Germany. No one knew that last story. At least, nobody I knew knew about it, and neither did I myself. It...
That you cannot shamelessly treat a black man as a rutting primal beast and a faceless object for your unlimited lust fantasy as a white woman? Seems logical to me, but for Angélica Liddell, world-renowned performance artist, it is typical of the new puritanism that threatens free art. She now brings The Scarlet Letter to the Netherlands, a theatrical performance that is rather...
'I was harassed twice on my way to school last year.' The young actress, barely 15, says it with considerable anger in her voice. It is the morning after the Berlin premiere of the Chilean play Paisajes para no colorear, in which she plays along, with eight peers. That anger was there the previous evening, during the performance that 14...
The Cinéma Arabe festival is a platform for Arab cinema and aims to contribute to social debate. It celebrates its 15th anniversary this year, but is struggling with a tight budget.
'Aid workers come to my city to leave again. I come there to stay.' You cannot get Faustin Linyekula any more concise. 'Aid workers do not create a bond with the people they want to help. Their work is gone as soon as they leave. I don't come to help, but because I want to be there. If that makes me a few...
In 2016, the Holland Festival, De Nationale Opera, the Royal Conservatoire and the Stockhausenstiftung joined forces to stage the German avant-gardist's magnum opus at Amsterdam's Gashouder. Light far surpasses Wagner's Ring des Nibelungen in ambition and scale. Against the four full-length operas of his older colleague, Stockhausen places 'Sieben...
'I am not at all optimistic about the planet. Nor am I optimistic about the optimism with which the people in my show keep finding a solution to live on despite the calamity that befalls them.' Philippe Quesne has turned that despair into a beautiful play. Full of non-cynical survivors who turn everything into an adventure. How he does that...
Art at a music festival often degenerates into decoration, but that certainly does not apply to Groningen's CLASH. 'We don't want art to be left out of the programming, but rather to be given full attention. We think it deserves that,' says organiser Milou de Boer. Fifty per cent of CLASH's programming budget goes to the arts, and that was too...
'Please stop the show!", shouted an 83-year-old former reviewer from the back row. Theatre Frascati fell silent for a moment. There had never really been such an interruption at the Holland Festival's traditionally festive press conference. And that while Faustin Linyekula had just got into his stride, telling about the projects he is carrying out with his Studio Kanako in Kisangani. They provided...
There is an artist café in Utrecht that few Utrechters know about. And I don't mean Theatercafé De Bastaard, where by now a whole generation of actors, filmmakers and writers come from, but the artists' foyer of TivoliVredenburg. I've eaten and hung out there a few times, as an embedded reporter of De Nacht van de Poëzie, when it's very late into...
'I work five nights a week and so I have to find out specifically when I can go to a concert. Sometimes I take time off for it. And then they do say, "hey, are you going to a concert again already?", and I say, "of course I'm going to a concert again". But I don't think it's extreme either.' Petra Gerritsen is process expert
'When I look in the auditorium at a classical concert now, I do think: it's full now, but in 20 years eighty per cent will be dead. So the bottom has to be fed, and TivoliVredenburg does that well. They do it, for example, with Out of the Blue, which is a programme where you get great food and by a special host
Peter Vossen says he experiences live concerts on average twice a week. Not just in TivoliVredenburg, although he visited there almost 40 times last year. 'I also see a lot of free concerts on the streets and in cafés, of course.' Jazz is his great love, but he also attends soul, funk, Latin or pop concerts. Regularly, he can be found
The end of the year is approaching. So the lists fly around our ears again with 'most beautiful', 'best', 'most unforgettable', 'most moving'... fill in the blanks. I think compiling top-soaps is actually a typically male thing, but I'm not that bad. Here are three CDs you wouldn't have wanted to miss this year - in no particular order. Louise Farrenc: Variations for Piano Biliana Tzinlikova,...
From the corner next to the revolving doors to the outside, he has a great view of the north hall of De Heuvel. The luxury indoor shopping centre in Eindhoven's city centre is bathed in golden glow, while subterranean rumbling sounds from speakers. Above the heads of the crowd, bright light of all colours shines, reflected off bent mirrored plates. Edward Dams has just...
The female composer, she continues to stir minds. My article following Mathilde Wantenaar's world premiere of Damocles unleashed a fierce discussion on Facebook. 'Why should women be given preferential treatment?" an angry man asked. 'All that matters to me is quality, not whether a piece of music was written by a man or a woman.' He got icky about the m/f discussion, which...
'Architecture has always been seen as an afterthought. I see it as a necessary thing, not an extra. You now see, for instance, that technocrats have taken over power. They come up with a technical solution for everything. They can make buildings that are well insulated, that use geothermal heat: that is now the job of the builders. But all these technocrats forget that it's...
It could be the ideal balmy summer evening: watching a movie under an idyllic starry sky. On the autumnal evening of Friday 6 September, however, open-air cinema Zienemaan en Sterren turns out to be more of an exercise in endurance. It is raining, the temperature is dropping, but the Groningen audience remains undisturbed: kop d'r veur and umbrella open. "Every city had an open-air cinema except Groningen. That...
Ten years ago, I got new glasses. Two weeks later, a retired ophthalmologist drove his car through my left leg and a month after that, from a wheelchair - fortunately temporary - the idea for the Cultural Press Bureau was born. Partly because the arts editorships of the Associated Press Service and NRC were decimated. So September 26 is just a date,...
Small-scale film festival Film by the Sea specialises in book adaptations. It celebrates its 20th edition with an award for Sophia Loren and a Bergman retrospective. Artistic director feels it is now time for rejuvenation and is handing over the baton.
This edition, Theatre Festival Boulevard invited the audience to reflect on the two sides of identity: its immutability but especially its malleability. All this under the heading what you see is what you guess. If there is a performance to which this applies, it has to be Goat Song. A fascinating fifty-minute wordless performance by...
'Not a bad word about Lego or Knexx. But identity is the most exciting building kit.' So opens the preface to Theatre Festival Boulevard in Den Bosch. What you see is what you guess is the motto this time. It refers to the gap between how other people see you and how you yourself feel. Identity in its broadest form: from gender...
Usually when I speak to someone who calls themselves a playwright, they say they are 'only' a supplier of a 'half-product'. I never get that answer from a young actor, and certainly never from a director. It is they who make theatre out of the half-products supplied by writers. Actors and directors prefer to be addressed as 'theatre-makers'. Nothing wrong with that....
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