Rule of Three is a piece for three dancers: Steven Michel, Julien Josse and Courtney May Robertson. NAH makes the music live, the lighting is by Jan Fedinger and there are some lyrics by Lydia Davis. Rule of Three was released last month at De Singel in Antwerp, and its Dutch premiere is today at the Stadsschouwburg in Amsterdam....
On the fringes of Amsterdam Dance Event, I saw two music documentaries that expose why this genre is often problematic for the cinephile. Both films have their fine moments, but ultimately fall short for those who desire more than mere information transfer in television format. A sympathetic Goth Are 'friends' electric? is title and big hit (1979) by British synth-pop pioneer Gary Numan,...
The commotion about Beatrix Ruf's side job, or rather just second job, touches on a number of important core values for the proper functioning of society in general and the cultural sector in particular. Firstly, that cooperation is based on trust. The Supervisory Board was justified in assuming that Ruf would not run a consultancy company alongside her...
For centuries, scientists have seen connections between music and the ordering of the universe. The Royal Concertgebouw Orchestra took this as the starting point for its concert on 19 October in the Horizon series. A 'polyphonic cosmos' is being realised in collaboration with the University of Amsterdam. Peter Eötvös composed the organ concerto Multiversum for this, Rozalie Hirs wrote 'parallel world [breathing]'. Eötvös' piece is experiencing...
Director Ivo van Hove chose the 'books of little souls' cycle as the conclusion of the Couperus triptych at Toneelgroep Amsterdam. He previously directed 'Silent Power' (2015) and 'The things that pass' (2016). Dramaturg Koen Tachelet adapted Couperus' Magnum Opus for the theatre. The books 'The Little Souls', 'Late Life', 'Twilight of Souls' and 'Sacred Knowing' together form the cycle 'The Books of...
The Great Hall of the Muziekgebouw aan 't IJ is pitch dark. Then a spotlight flashes on the first side balcony on the right. There, Alexander Sitkovetsky, Maria Milstein, Rosanne Philippens and Jacobien Rozemond play three movements from Telemann's Concert for four violins. They end in a freeze, after which the whisper-soft, fragile tones sound from Treasures by György Kurtág. We only see...
The Rolling Stones will play in the Netherlands again on 30 September and 15 October. NRC on Friday gave five reasons to go to their concerts. I have been a big fan for decades; for years I collected obscure recordings, read books and queued up for tickets before dawn. Now I no longer go, and here's why. 1. Slow...
On Thursday 19 October, Peter Eötvös will conduct the Royal Concertgebouw Orchestra in the Dutch premiere of his organ concerto Multiversum, which he commissioned for the company. His brand new composition is flanked by works by György Ligeti and Claude Vivier. Transylvania's rich musical tradition Hungarian composer and conductor Peter Eötvös (Székelyudvarhely, 1944) grew up in Transylvania. Towards the end of...
This week, two things already became clear about the Dutch theatre world. One: the topic of diversity is finally really on the map and two: the theatre world, however small, is hopelessly divided. During Het Theaterfestival, there were two debates/ meetings/ symposiums on the lack of diversity in theatre. One on Monday, the other on Thursday. Bit much in one...
From the ominous clarion notes at the beginning to the whisper strings dying into nothingness at the end, everything sounds like clockwork. Yet Michele Mariotti is conducting Giuseppe Verdi's La forza del destino for the first time. He makes his debut at De Nationale Opera with this rarely performed opera. Mariotti came, saw and conquered. He seems to be a born Verdi interpreter, from...
The Gaudeamus Music Week seems to have definitely left behind the stage of thorough but audience-unfriendly 'bleep-grunt'. The renowned festival of new music will present 129 compositions from 32 countries over five days. Asko|Schönberg and Cappella Amsterdam kicked off Wednesday 6 September with a motley variety of styles. Thus, the opening concert was a measure of what modern music lovers could expect up to...
If theatre can do anything, it is to put us outside reality. Not even to make you dream away, but to stop that reality for a moment and look at it in a different way. Call it the Ti-Ta-Wizard moment. To stop the action at the dramatic climax, to take the sting out of the wasp, or the fuse out of the powder keg....
'When Paul moves his little finger something happens. They have a scene where Jochem draws a picture of Paul. Paul is posing naked. And that lasts. That takes a long time. You and I, as amateurs, would fill that with all sorts of poses and movements, but Paul doesn't do anything. You think. And all sorts of things happen. HIj is doing something, then, but....
A cellist with high hopes but no work left for Italy. His book Fratello & Sorella is now released. From Amsterdam Who French. You wondered if things would ever work out with him. The answer is yes. Yet the charming and nervous young man managed to skim along the edges in the 1990s. Then shared...
The decision will be official in mid-September, but behind the scenes it has already been made. The Netherlands will have a very small basic cultural infrastructure for the performing arts, and a very large fund that anyone who wants to make theatre, dance, mime or music must apply to. I asked around a bit recently, and so that's what it's going to be. That way, politicians can't...
Most young artists only find out after their studies that they lack important entrepreneurial skills. That is why ELIA, the network organisation for colleges of arts in Europe, is organising the conference: Making a Living From the Arts. On 14 and 15 September, academics, cultural entrepreneurs and artists from different countries will gather in Amsterdam. Together, they will discuss creative solutions for...
Opening speeches. Every festival has one. Or two. You have to go through them. As a guest, but also as a host. Something should be found on it. Of course a point has to be made, a flag raised, a champagne bottle bang introduced. And also the sponsors should be thanked. In these times of a retreating government, there are more of them every year. And.
The three-part CD box set of choral and ensemble works by György Kurtág is, in a word, overwhelming. His soul-transcending sounds are sublimely interpreted by Reinbert de Leeuw et al. The recording, too, is impeccable. This box set is already historic, a monument to the Hungarian grandmaster, who turned 91 last February. Kurtág's existentialist music was played in our country as early as the mid-1970s,...
The advantage of being a subscriber to Culture Press is, of course, mainly that we can exist thanks to you. So our independent sound remains audible, so you get the interpretation of the news as you get it nowhere else. In June, a total of 14 authors hit the road for you to see as many Holland Festival performances as possible....
Smoothly they descend the stairs of the Amsterdam Concertgebouw. Lucas and Arthur Jussen are dressed to kill. With their fussy-cut, see-through costumes, they have already won their first battle before they have even played one note of Karlheinz Stockhausen's Mantra. Not only in their outfits, but also in their quirky playing, the young pianists show guts. Lovely, such a...
Annet Lekkerkerker is one of the few women in the cultural sector for whom the glass ceiling is no longer an obstacle. That she is now, after several years as 'business director', formally becoming top woman of the country's most important performing arts festival is wonderful for more reasons. She is not only the first woman at that high position. Her appointment also makes clear why...
On Wednesday 20 June, Kajsa Ollongren launched the website Forbidden Music Regained at the Uilenburgersjoel in Amsterdam. The capital's deputy mayor and alderman for culture quoted astronaut Neil Armstrong, calling the project 'a giant step for mankind'. She continued, "The website is also important for the city of Amsterdam, because we cannot and must not forget what happened in our city seventy years ago.
American composer Julia Wolfe (1958) has a thing for the social history of her homeland. Steel Hammer reflects on the unequal struggle of man versus machine, as described in the folk ballad John Henry. Anthracite Fields zooms in on the hard life of miners in Pennsylvania. She won a Pulitzer Prize with it in 2015. The full-length oratorio is experiencing two July...
The plofnies came totally unexpectedly. The family father behind me, out with wife and presumably reluctant adolescent son, burst out after about 10 minutes into the performance. Just when a deafening silence had descended over the sold-out Theatre Carré. At least four people, including myself, were shocked to the core. A sneeze had never been this loud before, but as quiet as during...
During the first two weeks of this Holland Festival, almost all art was about something. The festival theme of 'democracy', conceived for the occasion, appears to have penetrated just about every hairline. Sometimes painful and highly topical, as in the National Theatre's phenomenal 'The Nation', sometimes downright embarrassing, as in Romeo's heavily overrated 'Democracy in America'...
English (UK) 
Nederlands 
Français
You must be logged in to post a comment.