A wonderful performance full of hilarity, excitement and lightness, yet it sent me out into the world with a sad feeling. It seems as if the four women in D3US/X\M4CHIN4 by choreographer/director Fernando Belfiore are in the land of infinite possibilities. Anything they can do. Do they also want everything? Are they still themselves when they can do everything? How does it feel when the earth...
Nederlands Dans Theater 1 opens the season with Stage One. A triptych without resident choreographers Léon & Lightfoot, but with three mostly young, adventurous dance makers. Music is an important factor in all three ballets. The evening opens with Thin Skin, choreographer Marco Goecke's ode to punk icon Patti Smith. Culture Press reviewed the piece last year (€). The now flemish,...
While things are rumbling in the Amsterdam dance and performance world due to a total lack of solid support for development and experimentation (see Alarm Letter), choreographer Ola Maciejewska is showing the impressive Bombyx Mori at Veem House of Performance this weekend. Maciejewska is a fine example of a talented maker who has taken refuge elsewhere because of the crumbling art climate in the Netherlands. After...
The enthusiasm that characterised Toer van Schayk and his generation of choreographers is disappearing. With the programme Dutch Masters, the Dutch National Ballet is honouring an era. The success of Toer van Schayk and his generation If it is up to the public, the master ballets of the three great Van's (Rudi van Dantzig, Hans van Manen and Toer van Schayk) may stay for a while longer. As one man stood...
TING! is a pitch-black anniversary spectacle by Scapino Ballet Rotterdam. But the NITS give the evening luster. Large billboards along the entrance to the Ferro Dome in Rotterdam still hint at the colourful history of the 70-year-old Scapino Ballet. Once inside the round gas holder, however, choreographer Ed Wubbe cuts straight to the chase with a world dipped in sombre tones. A...
Three dancers and three dance productions have been nominated for Swans 2016. On Friday 7 October, Daphne Bunskoek and Art Rooijakkers will announce who the winners are during the Nederlandse Dansdagen's Opening Programme 2016 in Maastricht. But you can already draw a few conclusions from the list of nominees.
Overwhelming final performances from the dance departments of the Royal Conservatoire and the National Ballet Academy shed light on young talent. And at the courses themselves.
As soon as you enter the Ketelhuis of Amsterdam's Westergasfabriek, a dark droning tone takes you into the misty, somewhat ominous atmosphere of 'Until the Lions' by Akram Khan Company. A huge disc from a tree trunk, with jagged annual rings and cracks, will become the scene of a mythical battle. At stake is the human body: weak, strong, male, female. Boundaries will perish.
We are all going to die! We already have that certainty in. And since the dawn of mankind, every new generation invariably knows that it is going to happen to them now. After all: their successors have never prospered anywhere like today's youth. Nice premise for a concert, thought German director Sebastian Nübling[hints]Nuling was a guest at the Holland Festival last year with an adaptation of Hebbel's play Nibelungen, read the review and a interview.[/hints], good idea to programme, thought the Holland Festival. I seriously wonder why.
The show Sketches/Notebook (2013), which has its Dutch premiere at the Holland Festival on 6 June, is virtuosic, radical and extremely gentle. Choreographer Meg Stuart loves small scale, even when she occupies the biggest stages with partners like the Volksbühne (Berlin), Théâtre de la Ville (Paris) or the Münchner Kammerspiele. Details win out over big lines and often play a leading role in pieces that scrutinise human behaviour incredulously.
Sketches/Notebook stands out
Choreographer Jan Martens' new performance, The Common People, is on show in Utrecht this weekend during Spring. Dozens of volunteer performers have a blind date on the stage of the Stadsschouwburg's main auditorium. The audience can walk in and out between performances, drink a beer for the duration of one or more duets or browse on the back stage and...
The honour of opening Utrecht's dance and performance festival SPRING fell this year to choreographer Nicole Beutler[hints]Nicole Beutler (Munich, 1969) is a choreographer and theatre maker. After studying Fine Arts at the Art Academy (Münster and Munich), she came to Amsterdam for the AHK's School for New Dance Development, where she graduated in 1997. Her work is at the interface of visual art, theatre and dance(Source)[/hints]. The performance 6: The Square exhibits an inimitable fascination with dancing and thinking in squares. Squaredance, a very old folk dance tradition in couples, especially popular in America, and the futuristic functionality of Bauhaus are linked in this choreography to thoughts about creating order and pigeonholing. How exactly
Go ahead and express Nietzsche's book Also sprach Zarathustra in dance. But Brazilian choreographer Samir Calixto can do it. By focusing on a poem from the complex book: the Song of Midnight. This is immediately the reason for the title M: Midnight. Or Mensch, or Myth. Or Mahler. Or Metaphysical. You...
In the huge Zuiveringshal of Amsterdam's Westergasfabriek, musicians from jubilee Het Balletorkest live it up on stage in the creative dance performance Creatures. They even lie flat on the floor or swing loose in a small big band.
'Come and see that, Creatures: special show with fifty musicians and ten breakdancers," shouts the man at the door. The last tickets for the premiere must be sold. Creatures is at the Zuiveringshal in Amsterdam for a fortnight. Schools visit the show during the week, on weekends anyone can see it. But Creatures is such a
With Free Fall, Jiří Kylián shows his photographic works for the first time. He talks enthusiastically about his discoveries, his inspiration, and Sabine. The house in The Hague where Jiří Kylián has lived for more than 30 years radiates joy of life. Warm colour tones, fragrant flowers, classicist furnishings yet cosy. Unmistakably the 'touch of a woman.' That woman is Sabine Kupferberg, the life partner and...
Most impressive is the moment when the orchestra falls silent and Romeo tries desperately to storm the white wall behind which his sweetheart Juliet has disappeared. Time after time, he runs up the steep slope, only to slide down defeated each time. His wild jumps and trotting make his black coat tails flutter high, as if he were a tipsy bird in...
At Transatlantic The Dutch National Ballet dances works by four choreographers during the Holland Festival. They are male. They are white. They make classical ballet. Why this choice?
Last weekend's workshop The Relevance of Dance, organised by Dansmakers Amsterdam and the European Dance House Network, sought to answer the question: What is the relevance of contemporary dance art for audiences? Suzy Blok, general director of Dansmakers Amsterdam, opened the atelier by talking about the desire of production houses to bring dance more to the...
On 30 January, choreographer Erik Kaiel was presented with the prestigious Victor Award at IPAY, an international youth theatre fair in Canada, for his performance Tetris. "It's a kind of Buchmesse for youth theatre. If you get picked up there, you go around the world" says Kaiel. Kaiel (1973) has been working in the Netherlands since 2003 and has so far produced his work at...
The raw in Something Raw can mean all sorts of things. The first thought might be something rough, as in the effect of sandpaper on skin or the havoc left by an elephant in the china shop. But rough is a derivative meaning. Raw first of all means unprocessed and fresh. There is a certain hope in the combination of rough and raw: artists who like...
Three mongols playing Mongols. Dschingis Khan, the opening performance of Something Raw, is provocative and consequential. With this performance by German theatre collective Monstertruck, or the also Berlin-based Man Power Mix by Sheena Mcgrandles and Zinzi Buchanan, the festival Something Raw lives up to its name. Something Raw is a festival in which Amsterdam theatres Frascati, De Brakke...
Never before has the Holland Festival placed itself at the centre of society as it is today. The 2016 programme is steeped in the turbulent times in which we live. The Netherlands holds the presidency of the European Union this spring. Artistic director Ruth Mackenzie has taken this fact unflinchingly to give 'Europe' a wide place in the programming. In presenting...
Unemployment is rife in Tunisia. Young men there now clean plastic from the streets and beaches, as a heavily underpaid job. It led theatre-maker Meher Debbich to a surprising insight: 'Old ideas are like plastic. They don't decay. They have to be disposed of, for recycling. Otherwise we will perish in them.' He tells me about this in the interview below
As I wrote in my earlier article about the Nederlandse Dansdagen, choreographer Loïc Perela won this year's Nederlandse Dansdagen Maastricht Prize. It earned him 12,000 euros to put into his new project HASHTAG. The award has helped some previous winners on their way (Monique Duurvoort, Joost Vrouenraets, Erik Kaiel, Muhanad Rasheed, Joeri Dubbe,...
With Henry by Itamar Serussi, Scapino Ballet Rotterdam makes an exciting statement. After all, the kickoff of the anniversary season is not a corny look back at 70 years of dance history, but stands in the middle of the present and looks ahead. Scapino does so with a relatively unknown choreographer delivering his first full-length work, in an unusual dance style. Mars Not entirely unknown is Israeli Itamar Serrusi. He is...
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