Days after the grand scenic world premiere of Schoenberg's Gurre-Lieder, De Nationale Opera once again comes up with a more than remarkable production of international stature. Everything and everyone dances and sings. (1) So you think you can dance? Sure. The modern opera singer(s) is used to something. Simply stepping forward and singing your aria was outdated decades ago. And.
One of the rules of thumb of contemporary theatre art reads as follows: There is no middle ground in a production with an insanely long title. Such a production is either fantastic or dies of its own pretensions. At Judson church is ringing in Harlem (made to measure) / twenty looks of paris is burning at the judson church (m2m) is the latter.
"You know ma'am, that big red painting? Turn right before that". A young attendant shows us the way. At first glance, it's nothing. A man in semi-uniform, black trousers, white shirt, slowly turns on his axis. Sol Lewitt's mural, number 1084 from 2003, lends him the necessary decorum. Around the corner hang Barnett Newman and Andy Warhol. Would the man care? In this 'hall of fame' of conceptual art, the man's spinning stands out a little timidly. Some visitors remain standing, leaning against white walls or sinking down on the polished wooden floor. Those who take their time watch the spinning of the man and his fellow dervishes slowly take possession of the Stedelijk.
Like many of my contemporaries, I have played Jeff Buckley's CDs grey, but know next to nothing about Pakistani Sufi music. Except that it's great. And that Abida Parveen is the queen of that genre. Tonight, this Voice of God and her ensemble are on stage at the National Opera & Ballet.
Jiří Kylián is not at the Holland Festival. He has his own festival. The small Korzo theatre hosted ten days of intimate works by the great choreographer. Varied and still impressive. Next year, Kylián will have been a choreographer for 45 years. How do you keep performing at the world's top for so long?
A surfing Dutch marketing guy noticed in South Africa that a disease was thinning the population indiscriminately. That made him care. Now, as an undisputed highlight, dance4life is celebrating its tenth anniversary at The Concertgebouw Amsterdam.
Young, promising talent among choreographers deserves protection in these times of austerity. Dance group Conny Janssen Danst is committed to this with the programme 'Rotterdam Spring'. Besides work by Conny Janssen herself, the programme features choreographies by Dario Tortorelli and Loïc Perela.
The winners of the Dans Publieksprijs 2013 have been announced. On Friday 14 February, the prizes, divided into seven categories, will be awarded at The Hague's Theater aan het Spui. Besides winners Pascal Schut (Introdans) and Davide Cocchiara (The Red Piece), they are choreographers Conny Jansen Danst for the performance 'How Long is Now' and Isabelle Beernaert for the performance 'Red, Yellow & Blue'.
The Source of Inspiration Gala of the Holland Dance Festival is a relaxed exhibition of dance that runs from 26 January to 17 February to be seen during festival. It is the second large dance gala in a week. Can that go well? The final tips for a successful gala.
The cuts to arts have prompted many people to stress that art should be socially and politically relevant. For Samuel Wuersten, artistic director of the Holland Dance Festival, social and political relevance is a broad concept.
A gala should be festive. So the Ballet Gala of Dancers' Fund '79 Foundation celebrates. On Monday 20 January 2014, the fund's 17th gala took place at the DeLaMar theatre in Amsterdam, Joop van den Ende's glamorous stronghold.
A few tips for a successful gala.
The dance industry is not doing very well at all, people say. I spoke to a dance marketer who told me that venues are often only a quarter full. And that includes dance makers who have a Oscar for dance have won. What does attract a lot of audiences are fairy tales. And Isabelle Beernaert.
What explains the success of this Belgian choreographer?
The fact that it is difficult to get a job after graduation is also well known in the dance world. Therefore, partly at the government's insistence, companies are putting in on talent development. They also hope to A better connection with schools. Jun dancers are now more likely to be on the front line of ballet: the theatre, and that is good news for audiences. Because the energy is fresh and the level has shot up considerably.
Culture debate 2013: Rutte and PVV shake hands. It was about Caro Emerald. About Zwarte Piet. And the classic: subsidy on opera tickets. And briefly about carnival. And it made all the news. Geenstijl. Radio 1,2,3 and 4. What else was the debate about? Um... no idea.
More seats do not bring more spectators. The only way to get more spectators to venues and museums is: drop the price. This is according to figures from the Central Bureau of Statistics.
Isn't avant garde dance too lofty? Is it still viable in these harsh cultural times? I Like To Watch Too aims to clear up this misunderstanding. The festival brings experimental dance closer to the public than ever.
Holland Festival
This month is all about the Holland Festival. Culture Press reports almost daily. What are we most looking forward to?
Holland Festival
Benjamin Millepied is a glamour boy who conquers everything in his path: from actress Natalie Portman to the Paris Opera ballet. In reality, after the premiere in Amsterdam, the Frenchman looks like a
That almost all major US family films and many action films are in 3D is by now self-evident. But contrary to predictions
Fransien van der Putt, dance expert from Culture Press, and Helen Westerik, film expert, attended the opening of Film Festival Cinedans and were amused, but not always by the programme.
The Dutch Dance Audience Award 2012 was awarded on Saturday 9 February 2013 to the Belgian performance Et Après By Isabelle Beernaert. During the festive ceremony on the closing night of The Hague CaDance Festival, awards were also presented to
Sat another note in the post. One of many, these weeks. About a club that had only just been set up by the government. With the accompanying millions, which because of the PVV's vindictiveness have now been dumped in the local ditch. Its creators have already found a new purpose for themselves a few months ago: to improve the well-being of Parkinson's patients. But Dance House Station South is now thus a thing of the past. We quote:
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