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Ivo van Hove is God. According to New Yorkers.

Anyway: while Amsterdam's city newspaper Parool was embarking on a campaign against the Dutch capital's city company at the behest of the Flemish publishing board, the same Toneelgroep Amsterdam was winning the hearts of New York audiences with a production of the already years-old 'Roman Tragedies', which a few here did not even like overall: http://www.wijbrandschaap.nl/2007/06/romeinse-tragedies-hf2007ta/

Dance group LeineRoebana breaks boundaries in Cello Biennale

Dance and music belong together. Yet there is always something new to discover in this combination. The Amsterdam Cello Biennale invited dance group LeineRoebana to create a dance and music performance with cellist Jakob Koranyi and CvA Percussion to music by composer Tan Dun: 'Snow in June'. In recent years, LeineRoebana has shown like no other group how enriching unconventional combinations between dance and music can be.

Paradiso full of dance energy at I Like To Watch Too

I Like To Watch Too: abundance of performances shows that dance and performance are powerfully connected to modern society. The dance steps rain down on you even before you have entered Paradiso. Tim Boerlijst tap-dances on the pavement. This infectious welcome immediately draws visitors into the atmosphere of 'I Like To Watch Too'. This festival showcases dance and performance from... 

Rare and exceptional performance "Lang" by Kat Válastur knocks you out with wonder and sucks you into maelstrom

Kat Válastur claimed that it is almost impossible to describe the dynamics of her performance with words. She is right. It is rare skill how with only two dancers in one place, so much can be depicted and the audience is sucked into a maelstrom. In the small hall of Theatre Kikker, mechanical thuds sound and two giants appear in the middle of the stage. They turn out to be dancers:... 

The Young Makers Marathon: from the beautifully absurd Parkin'son to the claustrophobia of Cow's Theory

The Young Makers Marathon For Your Eyes Only at Springdance features performances by students from the influential dance academies School for New Dance Development (The Netherlands) and P.A.R.T.S. (Belgium). I had the pleaure to see two of them. Cow's Theory by Cecila Lisa Eliceche (P.A.R.T.S.) is a hyperintense piece of contact dance. Three female performers move at super slow pace,... 

Young dance makers meet and develop talents in travelling dance workshop Europe in Motion

 Europe in Motion is a travelling talent development programme and acts as a battleground and meeting place for young choreographers. What is urgent in dance is discussed for a week to encourage dance makers in their artistic development. This second edition, with partners Dance4 (Nottingham), iDans (Istanbul) and Imagetanz (Vienna), ends in Utrecht. Springdance previously featured dance from high-tech laboratories in Israel (Batsheva Dance... 

Two young female choreographers fulfil promise with Batsheva Dance Company at Springdance Festival

With two performances, "The Toxic Exotic Disappearance Act" and "House", Batsheva Dance Company shows impressive, sublime dance mastery and fresh dynamics. But also restlessness, searching and confusion. The era of happy, harmonious dance is over. A lecture on dance, prior to the performance, emphasises that contemporary dance need not compulsively oppose other dance movements. This artistic... 

Springdance Journal: "Dutch dance is very well behaved compared to what we have seen here"

Our team agrees: Springdance really took off on Saturday. With Ibrahim Quraishi's installation 'Wildlife Take Away Station' for sure. Reviewer Daniel Bertina made his own recordings, which will appear in his review. And it was even more tasty for him at '(M)imosa. Twenty Looks or Paris is Burning at The Judson Church (M).... 

'Sometimes the desire not to be seen turns into an excess of exhibitionism.' - Yasmeen Godder on The Toxic Exotic Disappearance Act

She has been busy. Highly pregnant, Yasmeen Godder (Jerusalem, 1973) worked on her first choreography for Batsheva Dance Company. In a month, she stomped out her new show The Toxic Exotic Disappearance Act under the wings of Batsheva, and in between gave birth to a healthy daughter. For the third time, Israeli choreographer Yasmeen Godder presents her work... 

Porn, movement and politics seek each other at festival Something Raw

For over a decade, Something Raw has been one of the few places in the Netherlands where the question of artistic and social urgency of the body is explored on stage, with all the fun and risk involved. Many performances struggled with the 'impasse of display': have people then become mere things to look at? Porn is the... 

Distress call for theatre school Roosendaal at last minute, arts venue Veenendaal scrapped Discount news from all regions

(...) The Youth Theatre School Roosendaal received a project subsidy of 36,779 euros from the municipality in 2010 and 2011. The school also fulfils a regional function. Forty per cent of its 330 pupils come from the surrounding villages. The proposal is to end the subsidy from 1 January. It was only this week that this apparently dawned on Hofplein's management. Which immediately started a... 

Eszter Salamon and Daniel Linehan gems of highly diverse Julidans

Holland Festival, Julidans, IT's, Over 't IJ. End-of-season theatre is always strewn across Amsterdam. Between April and September, international performance offerings migrate from Utrecht (Springdance and Festival aan de Werf) via Amsterdam to Rotterdam (Internationale Keuze). If you want to experience something of contemporary, international dance, Springdance, HF and Julidans are the places to be. [For... 

Music echoes in the heads of Emanuel Gat Dance's dancers and hangs over the stage like a secret

When music sounds, almost everyone tends to move with it. Music leads to dance. That link is crystal clear. But in modern dance, that obviousness is broken. Watching 'Silent Ballet' by Emanuel Gat Dance, this becomes poignantly clear. Without a single sound being sent into the auditorium, the eight dancers swarm across the stage.... 

US grantmaker wants an art world with more creativity and less money

Now in terms of tax money, they already spend hardly anything on the arts, in America. But many think even that is too much. Earlier, we reported on Facebook and Twitter about Republican America's call to abolish subsidies altogether. Meanwhile, the president of the National American Arts Fund NAE (National Endowment of the Arts) has taken a bat... 

Anything to get amateurs into the stands: money for 'Dance Gardens', local residents and the Concert Hall

About 8 million Dutch people do something with art. They have music lessons, macramé plant pendants, paint plates or put together Christmas cards. But they also play theatre, sing in a choir, are part of a hip-hop crew or death metal band. That these practitioners of amateur art are not automatically also regular visitors to professional art is a mystery to many people. The Fund ... 

De Keersemaeker sinks through the bottom of what is still dance in '3Abschied'

 Text Maarten Baanders (photo Herman Sorgeloos) After sensory work had already been reduced to a minimum in Keeping Still - Part I and The Song, dance philosopher Anne Teresa de Keersmaeker confronts the most extreme reduction possible in life in the final part of the trilogy, 3Abschied: death. Her choice of music strikes again Der... 

We provide links at NRC culture blog #hf10

 Wilfred Takken muses today on the character Jacques in the Shakespeare comedy As You Like It. The actor Stephen Dillane turns it into a wonderful Bob Dylan in The Bridge Project, says NRC reviewer Takken: When Dylan was once asked if he considered himself the "voice of a generation", he replied, "I'm just a song and dance man. Everyone laughed, but... 

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