Annet Lekkerkerker is one of the few women in the cultural sector for whom the glass ceiling is no longer an obstacle. That she is now, after several years as 'business director', formally becoming top woman of the country's most important performing arts festival is wonderful for more reasons. She is not only the first woman at that high position. Her appointment also makes clear why...
Herod has not yet uttered his cry "Kill this woman!" or his soldiers roughly lift Salome onto their shoulders and hurl her into hell. - The fancy drawing room, which had been turned into a ruin, was visible through a see-through hatch for almost the entire opera. Salome's blood-soaked dress seems to flare up for a moment, but then - pats! - the...
Ruth Mackenzie has achieved an enormous amount in the short time she has been boss of Holland Festival. I've experienced the festival now since the late 1990s and watched it evolve from something very personal and sometimes obscure (under Ivo van Hove), to an ethereal feast of sizzling aesthetics (with Pierre Audi), to what it...
The positive effects of culture are demonstrated again and again. It is high time the sector used these facts in improving its image. Our western and southern neighbours have boosted the image of culture with a number of successful initiatives. The sports sector is another example of image building that the cultural sector can learn from. There...
Bart Rutten becomes the new artistic director of Utrecht's Centraal Museum Bart Who? Bart quite an important figure. Bart Rutten was the man behind some great blockbusters at Amsterdam's Stedelijk Museum. That he is going to Utrecht after Malevich and Matisse says a lot about the good work of his predecessor Edwin Jacobs. It says even more...
This play is going to cost me a lot of friends, but it needs to get out. After all, the theatre industry is doing badly. And I can see more and more clearly where that is due to. And for once it's not Halbe Zijlstra. Or the VVD, or the population, or the Netherlands in general, or the zeitgeist. And it's not because of Netflix either...
On Saturday 4 June 2016, I attended the royal opening of the Holland Festival and was able to attend no review write about, because I was sitting in the front row of the Amsterdam Stadsschouwburg. As the stage was elevated, I was looking against a black wall, above which only the front actors were visible. The back and lower half of the stage were completely eluding me.
Me wrote that on, and the Holland Festival generously offered me the opportunity to go and see the performance again, from a better seat. At the same time, the organisers told me that the first three rows of the Stadsschouwburg would be compensated at this performance. So I went to Amsterdam one more time, on Monday 6 June.
Before the performance, while not eating a blackened hamburger in theatre restaurant Stanislavski, I heard from the neat people at the little table next to me that the front seats were offered at a sharply reduced rate, and that people like them who had already bought tickets had the choice of thus getting a partial refund or going on the waiting list for a seat with better sightlines. Whether they eventually managed to get one of the spots with better visibility, I don't know. The performance
Ivo van Hove is America's best theatre director. The Nationale Opera recently picked up an Oscar for International Opera of the Year and now Carmien Michels, the Dutch Poetry Slam champion, has reached the third step of the podium of honour at the Poetry Slam World Cup. And this in the year when dyed-in-the-wool Girowinners are falling into the snow, racing drivers on their way to...
At the Amsterdam Compagnietheater last night, the Amsterdam Prize of the Amsterdam Fund for the Arts was awarded. A 020 party, then, where 'tout art and culture' festively dressed up to put their own cultural gems in the limelight. The biblical torrential rain outside by no means stopped AFK director Clayde Menzo from sketching a sunny future picture of Amsterdam's cultural life in 2020. Old...
2014 was the year of Ayn Rand's The Fountainhead, award-winning stage adaptation by Ivo van Hove. This year, that performance has been outstripped by 'Passions Humaines', written by Erwin Mortier, magisterially designed by Guy Cassiers. Again at the Holland Festival, confirming its place as a stage for the great debate on art. Two plays in which architecture, artistry and...
Power and leadership, can one exist without the other? Toneelgroep Amsterdam presented a sampling of three types of leaders on Sunday 14 June at the Holland Festival with 'Kings of War'. Three historical plays by Shakespeare about the struggle for power between the Houses of Lancaster and York together provided the fuel for this performance. With large black letters on a white...
At Amsterdam's Stadsschouwburg, Hans Kesting will once again play the title role of Shakespeare's Othello, in a legendary version by top director Ivo van Hove, already 12 years ago. A stone's throw away, at De Balie, is the equally impressive actor Kenneth Herdigein in David Mamet's play Race. Why connect the two? Hans Kesting, the...
Indeed, you couldn't release this message on 1 April, because nobody would have believed it. But it is coming, then. Bowie, The Musical. But from the man himself. Sort of. Ivo van Hove, the boss of Toneelgroep Amsterdam who is now more famous in America and England than in the Netherlands, is going to direct Lazarus. That's a new...
Will Ivo and Jan join this impressive list? Laurence Olivier, Ralph Richardson, Joan Littlewood, John Gielgud, Alec Guinness, Peggy Ashcroft, Harold Pinter, Peter Hall, Judi Dench, Alan Bennett, Andrew Lloyd Webber, Alan Ayckbourn, Maggie Smith, Gillian Lynne and Michael Frayn. All big names of British theatre. International celebrities, all of whom have been awarded an Olivier, say the British...
Toneelgroep Centrum, Utrechtse Theater Inititatieven, Jeugdtheaterplatform Utrecht, Theaterplatform Utrecht, De Paardenkathedraal, De Nieuwe Paardenkathedraal, De Utrechtse Spelen. The ostentatious names for Utrecht theatre companies had run out of steam over the past 30 years. Not entirely unexpected, then, that the city theatre company of the Netherlands' fourth city opts for sobriety and clarity. Since Sunday 11 January, 5pm, De Utrechtse Spelen has been called...
It's raining annual lists and we're merrily joining in. As subjective as anyone, after all, no one sees everything, and opinions on taste can always differ. Of course, also in this list many performances in or from the Randstad, but half of them were not yet shown there. And all genres mixed together. As long as it is theatre. With the only limitation: no repeats, apologies Ring and Lohengrin (DNO), St John Passion (NRO). And no dance, because for that our partner dance audience.
Eric de Vroedt will succeed Theu Boermans at the Nationale Toneel in The Hague in 2018. The company announced this in a press release today. This puts an end to speculation surrounding the future of theatre-maker De Vroedt. Indeed, he had long been mentioned as Alize Zandwijk's successor at the ro Theater in Rotterdam,...
The National Theatre will premiere Blueprint for an Even Better Life on 8 November 2014, which addresses, among other things, the position of artists in society. A theme that also featured in their recent Tasso, and in Toneelgroep Amsterdam's successful The Fountainhead. Is the subject of art back on the theatre agenda due to the changed cultural politics of the past...
Wijbrand Schaap: 'Now on the role of cities. One of the reactions on our site is about the role of the randstad in cultural policy. Melle Daamen puts the primacy in the randstad, and goes further than the council in this.' Joop Daalmeijer: 'The council has no position yet.' Wijbrand Schaap: 'But there is something in the Culture Outlook. Cities form...
He is the greatest director in the Netherlands. But also the least honourable theatre-maker we know: Johan Simons. The man whose star has been rising since the 1980s is now in Munich. But he is not staying there. After putting the local company Kammerspiele even more firmly on the map internationally, he is looking for new challenges. Den Bosch earlier reported...
He could have become an important director, but was at the wrong time, in the wrong place. In the end, his illness fatally bothered Matthias Mooij. Yesterday, this still young theatre-maker died of lung cancer, more than a year and a half after the premiere of his first large-venue production: Mogadishu. With that performance, of a play written by the English writer Vivienne Franzmann, Mooij put a new tone in the theatre: no longer did he fall back on theatre-familiar, mainly German and Austrian repertoire, opting instead for British authors.
Ivo van Hove has not only a play made based on Ayn Roland's novel of ideas The Fountainhead. In 2006, the artistic director of Toneelgroep Amsterdam even wanted to base a whole new design of the theatre system on it. Eight years later, we can see that only the negative aspects of Van Hove's vision have been realised.
Topical again, now that Toneelgroep Amsterdam is reviving the play, my review from 2014. This week, the stage adaptation of The Fountainhead premiered. The book is terrible, the performance rattles, the actors win only narrowly. The content, however, creates even more confusion, which is why I won't stop you from going to see it. And Hans Kesting, of course. I put it this way.
Because Dutch culture the Dutch only notice when scoring abroad (also applies to football, by the way): Big news about the Netherlands' first company. National coach Ivo van Hove of Toneelgroep Amsterdam has appointed none other than Juliette Binoche snared for a lead role in a play.
How can a usually very ordinary, amiable theatre director suddenly come out with the notice That a few orchestras can go away and the National Ballet should be outsourced? We wondered so and headed to the car park at the Concertgebouw yesterday.
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