'I once performed in front of a hall somewhere in the middle of nowhere, with a lot of old people. The performance was announced as cabaret. But my work does not fall within one particular genre. Because of the designation 'cabaret', the audience had expectations that I did not meet. People wanted a fun, entertaining evening. My performance was rebellious, energetic. I jumped all...
The Faal Festival at Utrecht's festival palace TivoliVredenburg, taking place on 3 March, is unique in many ways. Never before have so many famous people been willing to come and talk about their failures. Apparently, there is a big audience for it, in these times when quick success is actually mandatory. In the run-up to the festival, I spoke to Remko van der...
Museum Gouda will soon show the exhibition Faith, Harmony and Silence by master painter Henk Helmantel. In 2008, he was named artist of the year. At the same time, there are major exhibitions by Helmantel in Gorssel and in Taiwan. His paintings are characterised by a gossamer texture, careful composition and sophisticated lighting. As subjects, he often chooses still lifes and tranquil...
Today, the Culture Council comes out with one of the weaker advices in its existence. The Netherlands' highest cultural advisory body showed vision, leadership and boldness earlier this season with the 'Verkenning' and the 'Sectoradvies Muziek'. The exploration called for a reversal of subsidy flows, with urban regions taking the initiative. In the advice for the music sector, it broke...
Berlinale 2018 opens with Isle of Dogs, a new stop-motion animation by Wes Anderson. An open letter signed by over 70 German filmmakers raises discussion about the future of the festival as director Dieter Kosslick steps down in 2019.
'I admire the strength of women. I experience it as greater than that of men. Women's strength lies in the dedication with which they can deal with things. The courage to push boundaries.' Jens van Daele, in his latest theatre show 'Nighthexen 1: Jeanne', pays tribute to the strength of women and highlights their heroism from...
On Wednesday 24 January, the Nederlands Kamerkoor presents an adventurous concert at Muziekgebouw aan 't IJ to kick off a short tour. On the lecterns are rarely heard music by Lili Boulanger and Ton de Leeuw. The highlight is Igor Stravinsky's famous Psalm Symphony in a version for choir and piano four hands by Dmitri Shostakovich. Ralph van Raat and Bobby Mitchell sign...
Well, we're not big on hypes and traditions here, but still. The dark days around Christmas are very dark this year, so why not something with lists. This year, no list of toppers from the editors, but random entries from random readers, in random, if slightly alphabetical order. Motto of the readers' question was: which things...
With a 500-million-year-old pebble, Jonathan Harris began his lecture. IDFA presents the first international retrospective of this artist. As IDFA's chief guest, Harris gave the 'Master Talk' on Friday, about his life and work. His remarkably analogue vision was also the common thread during Sunday's well-attended DocLab conference. Fundamentally analogue Harris, who once started out in computer science...
In a lost hour, I read the Cultural Vision Amersfoort 2030. Not reading material to sit on the edge of your seat, but perfectly suitable for a train journey. I am not used to reading policy documents. It struck me that the tone of the Amersfoort Cultural Vision was confident, focused and determined. Firm language. No room for doubt. I asked myself...
These days we are bombarded to death with opinions on the pros and cons of multiculti. Depending on their political preferences, people are either very enthusiastic or very negative about the increasing 'colourisation' of our society. The gamelan ensemble Gending, the Doelen Kwartet and Het Geluid Maastricht decided to take the bull by the horns. They based Kill the West in Me on feminist letters from...
Dutch composer Klaas de Vries (Terneuzen 1944) pairs Stravinskyian clarity with southern sensuality. He harbours a love for poets such as Pablo Neruda and Fernando Pessoa, and his work excels in recognisable melodies and rhythms. 'However innovative, to be communicative, music must always contain a traditional element,' he said. On 28 and 30 November, Asko|Schönberg will play...
Jan Fabre is a bit like the Jan Cremer of Flanders but younger, five times more talented, multidisciplinary and eight times more social. 'It is quite an honour to succeed Jan Hoet,' says Jan Fabre. Together with art historian Joanna De Vos, he is the curator of HET VLOT. Art is (not) lonely. The exhibition is intended to highlight the Mu.ZEE and Belgian...
Brandend Kalf wants more fire in Dutch cinema. Parallel to the opening of the Dutch Film Festival, this initiative group organised a meeting where objections to the far too safe Dutch film were listed. Where is the subversive cinema?
Setan Jawa is the latest film by prominent Indonesian director Garin Nugroho (b. 1961). It is a 'silent' film, shot in black and white by Teoh Gay Hian. It was shown at the Muziekgebouw aan t IJ during the Holland Festival last weekend. The music to the film is played live by Rahayu Supanggah Gamelan Orchestra and the Netherlands Chamber Orchestra. Inspired...
Among classical music-loving audiences, the two young pianists Lucas (1993) and Arthur (1996) Jussen need little introduction. For many years, the talented piano brothers have been filling halls like the Concertgebouw with four-handed or otherwise, interpretations of classics such as Beethoven, Mozart and Schubert. With the avant-garde piece Mantra by Karlheinz Stockhausen (1928-2007), to be performed as part of the Holland Festival,...
Roaring programmers announce new compositions: "World premiere!" jubilate the posters. Superb, but in contemporary music practice, that primal performance is often immediately the last. The score goes into an archive folder. The notes fall silent; the roar falls silent. The Orphanage takes care of those forgotten works. Context David Dramm snatches such pieces from oblivion and presents them with context at the Orphanage
What do you get when you combine shadow play, Weimar cinema, gamelan and Javanese myths? A mix that demands a lot from the audience, but is a delight if you are willing to surrender to it. Indonesian director Garin Nugroho does not make easy films. Often they are visually stunning, like Opera Jawa, but the plot gets in the way a bit...
Every five years, the art world is turned upside down. Then it is time for the fourteenth Documenta. At that time, the German city of Kassel turns into a veritable Mecca for art connoisseurs and art lovers, snobs and connoisseurs. And, of course, tourists looking for that other Efteling. This year's Documenta has a sizeable Dutch contribution. But there is more: for the...
In a discussion (on facebook, where else) about NRC Handelsblad's departure from Blendle, an editor of that newspaper made very disparaging remarks about a reader who had paid 30 cents for one of his articles. In a recent article on Frankwatching, an expert concluded that investigative journalism could only survive if we started subsidising newspapers....
A dance performance for youth (6+) recently caused a stir. Pupils from groups 5 to 8 of the Islamic Aboe Daoedschool in Utrecht visited IJspaleis (6+) by dance theatre group plan d-. At a dance of two penguins in love, one of the teachers requested that the performance be stopped. This scene was not considered suitable for the pupils, the explanation said. It...
Maybe God is dead, but His church is alive. At least in Denmark. This has to do with what you might call the Danish paradox of faith: a highly secularised society with a Lutheran Folkekirke (=Volkskerk) supported by a large majority of the population [hints]The American sociologist Phil Zuckerman has commented on this aspect of Denmark (and also a little...
I read the biography of Jacob Israel De Haan, Onrust, by Jan Fontijn. Writer and director Gerardjan Rijnders based Salaam Jerusalem on this biography. It is this play, performed by De Nieuw Amsterdam, that really makes me realise how urgent it is to let such an almost forgotten figure as De Haan speak. Jacob Israel De Haan overturned taboos, fought...
Parallax Views is the overarching theme of the 46th Rotterdam Film Festival. Be persuaded to look with new eyes. Director Bero Beyer, who took office in 2015, on his second festival.
The positive effects of culture are demonstrated again and again. It is high time the sector used these facts in improving its image. Our western and southern neighbours have boosted the image of culture with a number of successful initiatives. The sports sector is another example of image building that the cultural sector can learn from. There...
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