We are not big on copying press releases directly, but this one accidentally slipped in. For those who didn't know it yet, but tout art is going loopy on Sunday and Monday for the preservation of sanity in the Netherlands. Although that will have no effect on the architect of the cut, PVV member Martin Bosma. Even the cultural sector in Limburg (Geert...
Actually, there was only one compliment for the cabinet, which is in the process of cutting an average 30% from a sector that employs tens of thousands of Dutch people. At the hearing convened by the second chamber on Monday 20 June, only cultural sociologist Arjo Klamer was positive about the decisiveness shown by State Secretary Zijlstra. That he did subsequently think that...
'Your audience will love it.' That was the last thing Liz Lecompte of the Wooster Group heard from the heirs of playwright Tennessee Williams shortly before the premiere of Vieux Carré. Since then, the trustees of the estate of this American monument have been keeping quiet about the performance Lecompte created. It was the end of a long period in which...
Cover of Spalding Gray At the Holland Festival, two minds wander. The loudest is that of Christoph Schlingensief, Germany's most independent filmmaker, theatre-maker, activist and enfant terrible, always good for controversy. After being diagnosed with lung cancer in 2008, he processed his anger and fear in Eine Kirche der Angst vor dem Fremden in mir, presented in 2009 at...
How bad is it really? A few lied lines in a Ministry of Education, Culture and Science booklet? Pretty bad. Because it's an outright lie, and a government that lies is not to be had. Because: how can you trust them anymore?
It's easy to cycle past it as a Utrechter, the Basis voor Actuele Kunst (BAK) in Lange Nieuwstraat, but internationally few can ignore it. BAK is big. Under the leadership of artistic director Maria Hlavajova, who is as ineffable as she is sympathetic, the centre has become a leading centre in the world of contemporary art. A few years ago,...
State Secretary Halbe Zijlstra does not like whining. Don't come to him with email bombardments, Twitter campaigns, angry letters and abusive language. He is not only insensitive to it, it even backfires on him. At least that is what he told
Jens van Daele concludes his series of choreographies on the seven deadly sins with the performance Brides for Peace. The piece is based on the art performance Brides on Tour by Italian artists Pippa Bacca and Silvia Moro. Hitchhiking and dressed in wedding dresses, with a text 'Peace' on their chests, they travelled from Milan to Jerusalem in 2008. The journey went...
After the cry, now the official piece. With a fitting, tad Den Uyl/Van Agt-like title: 'Less where it can be done, better where it must be done.' But let's not laugh too hard. It is quite brave what they have done. Gitta Luyten, Marianne Versteegh, Joke Hubert, Henk Scholten, Siebe Weide and Ben Holvast, together as bosses of arts umbrellas and cultural sector institutes also...
It looked like a party. Coffee and flan, a Maastricht song, brass band music and a speech by Prince Carnival. Optimism surrounded the launch of the website nadeschreeuwnudestem.nl on 21 February. Surely the cry for culture in November was mainly a voice of dissent. Now there is a chance to take forward-looking action. 'Mobilise everyone you know to join the March 2...
The International Film Festival Rotterdam celebrates its fortieth edition with a fitting XL programme. That Roman numeral XL not only indicates respectable age. It also says something about size: this fortieth also bursts with the intiguing programme, with screenings at no less than forty locations throughout the inner city of Rotterdam. Inside the festival walls is...
If you work at a municipality or province and/or know the exact measures your government organisation will take in the coming years in the field of culture, we would like to have those figures. It may be anonymous, of course, if you don't want your exact cuts or investments to be out on the street, and it saves us a lot of wob...
Fransz Litszt, born in 1811, explored every nook and cranny of the piano in his work, trying to incorporate every conceivable technique. As this contemporary of Carl Czerny, Niccolo Paganini and Richard Wagner was born 200 years ago this year, so there is a Liszt year. The Rotterdam Philharmonic Orchestra bit the bullet of that on Friday 28 January,...
We were at a debate day in The Hague that was as inconspicuous as it was historic on 13 December 2010: it was about the budget of the Ministry of Education, Culture and Science of the (first?) Rutte government, and that was the budget in which, at the request of the supporting party PVV, the amount to be cut in the arts budget was set at 200 million, with heritage and museums having to...
What she does is vulnerable to the point of confrontation. Theatre-maker Lotte van den Berg has such a personal view of the world that, outside the safe context of theatre, it can come across as absurd. Or alienating. On Sunday 26 September, she returned with the members of her Dordrecht-based location theatre company OMSK back from a four-month stay in the Congo capital Kinshasa. A full house in Rotterdam's Gouvernestraat then got to be there when they unpacked their bags a few hours after landing.
An intimate living room conference among living works of art. That is the best way to describe 'House without a maid, a "conversation, performance and installation project" by Jorge León and Simone Aughterlony at Huis Sonneveld. In the former garage of the 1932 modernist villa, a select group of women gathered for two days to discuss the phenomenon of the maid. In other rooms of the imposing...
This year's debate season in Rotterdam opened in the renovated hall of De Unie. The newly completed space has a pleasant and intimate feel. All the more remarkable the statement by discussion leader Natasja van den Berg that questions from the floor are not allowed "because they are not about anything anyway". That doesn't exactly sound like a warm welcome in a debate centre. Admittedly, it did deliver...
Art-goers take note: the joint unions and professional organisations in the cultural sector are calling Friday 24 September a national day of action. So on that day, visitors may be confronted by talking musicians and dancers. On the website 'Stop the cultural barrenness', numerous artists' organisations (from FNV Kiem to the Art Directors Club) are calling on Hague's opnderhandelers to abandon...
Snow has fallen, a thick layer of fresh snow. Fake snow admittedly, but real enough to imagine yourself in the middle of Russia. There, in the city of Sverdlovsk, or Yekaterinburg, once lived the man about whom the show 'Poets and bandits' is about. Boris Ryzhy (1974-2001) turned the raw realities of his hometown into poems. He left more than a thousand poems to the world. His breakthrough came at the Poetry International festival in Rotterdam, in the year 2000. A year later, he was dead. Boris Ryzhy, 26, had hanged himself.
Theatre group De Warme Winkel makes that link with Rotterdam if only because 'Poëten en bandieten' is played there. An old factory hall serves as a backdrop for the run-down working-class neighbourhood in which Ryzhy grew up. From behind a work table, actress Mara van Vlijmen calls Rotterdam residents. None of them are at home. But on their answering machine is now one of Ryzhy's poems, which must be a wondrous experience for the listeners. The Warm Shop does not show how the professor's son Boris ended up in that poor neighbourhood. Whereas he himself talks about an environment full of drab flats in his poems, the stage setting is more reminiscent of the outdoors, with all that vast snow. The atmosphere is cosy and warm. On a float decorated with candles, a folk ensemble comes on, singing Russian songs. Old-fashioned songs, and nothing pop or punk.
In suits, wearing animal masks, five actors pose on stage. They represent a bear, rabbit, deer, rooster and monkey. From this 'freeze', they start making animal noises and moving around. A rhythmic performance follows. Fascinated, but confused, the audience watches the alienating dance. What do these animals have to do with the war in Iraq anyway? Just when you start to wonder if you are in the right audience, the actors take off their masks and answer: 'Have you ever wondered what the war in Iraq has meant to the animals there? We never hear anything about them in newspapers or on TV.'
"We are artists. Acting is a vocation. Not everyone understands that. Sometimes it's a lonely existence." Understanding, almost motherly, Shelley Mitchell addresses a group of Dutch actors at De Balie. The American actress and founder of The Actors Centre of San Francisco introduces them to 'method acting' during a three-day master class. Not pretending, but becoming one with your character. A way of acting that has won many famous actors an Oscar. Think of Robert De Niro, Juilette Binoche, Al Pacino and Kate Winslet.
We had completely forgotten about the environment. While the streets in the Netherlands are flooded and some Dutch people are already talking about Pakistani conditions, here the talk is mainly about looming austerity measures and disintegrating Christian Democrat power blocks. 'Artists of today must relate to environmental issues' is therefore a comment we do not expect to hear from an artist in the Netherlands. We...
Then you just have to have Twan Huys. The presenter of Nova who managed to kill all Job Cohen's election ambitions in a few schoolmaster questions. He will be able to pull the same trick on Sunday 29 August with a few left-wing politicians and arts bobos in the traditional Uitmarkt debate in Paradiso.
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