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Diversity, schmiversity (my reservations about the CCD Award)

Brief summary. On Wednesday afternoon, I went to the presentation of the important award (actually two: audience award and jury award) called Code Cultural Diversity Award. I did not see a single fellow journalist(s). What I did see were lots of professional advocates speaking on behalf of people who were barely present themselves in the Galaxy. NB: the author is of Aruban-Chinese-Dutch descent and in no way wants to undermine the urgency of the issue of diversity... 

Huub van der Lubbe and Christine Otten on love in times of racial hatred

We Had Love, We Had Guns by Christine Otten is about black resistance fighter Robert F. Williams, who fought for black equality. In the theatre adaptation of the same name, white actors - including Huub van der Lubbe - play black characters and vice versa. Double talk about personal sacrifice, skin colour and connection. Idlewild It is a remarkable coincidence. America is taking... 

Edward Snowden and Oliver Stone make a resounding statement

In the presence of Amnesty International and Edward Snowden - via a video link from Moscow - Oliver Stone's new film Snowden premiered at Tuschinski on Thursday night. The dramatised story of the young, gifted public servant who is troubled by conscience and decides to go to the press is not very original or compellingly portrayed. But on the wave of... 

ISH Fonds Podiumkunsten toekenningen

Performing Arts Fund cuts dance subsidies. Not enough, according to some.

The Performing Arts Fund announced the awards for the 2017-2020 period. What does this mean for the dance sector? Pluralism and 'bleeding through'. While everyone is on holiday, the Performing Arts Fund announced the grant awards for the performing arts for the 2017-2020 period. And it was reiterated: the fund is facing a previously initiated budget cut of 30 per cent. That would... 

These are the winners, losers and newcomers in Amsterdam arts

Diversity in the Amsterdam art world is not yet flourishing. The Amsterdam Fund for the Arts, which announced its grant awards today, is getting a bit tired of it: "Across most disciplines, committees note that cultural diversity of audiences, staff and governance is disappointing, as are efforts to change this. Outside specialised organisations for which cultural diversity is a core business, ambitions are still not high, despite two decades of cultural policy in this area. If the ambitions are there, organisations do not always manage to give them hands and feet. There often seems to be a certain discomfort or 'not knowing how'."

So to start with the good news: Marmoucha grows 398 per cent compared to the previous grant round. The capital's producer and promoter of performing arts in the field of North African and Middle Eastern arts and culture in the Netherlands was severely cut back in 2013, but the Amsterdam Fund for the Arts found its work over the past four years to be so good that the grant has been more than deserved. In the new round of awards which became known on 1 August they rise from 25,070 euros to a tonne, adding that perhaps they should not be so ambitious.

'Poetry is always political'. Poetry International explores 'framing'

Is the language of poetry still free from ideology and manipulation? Or is it nonsense to think that poetic language escapes framing, the ideological loading of words? That is the main theme of this year's Poetry International poetry festival, which kicks off on Tuesday 7 June.

In advance, 5 reasons why no one needs to apologise to Halbe Zijlstra.

According to the VVD, all artists and art lovers in the Netherlands should say 'sorry' to Halbe Zijlstra. Because they were so angry with him when he abolished 30 per cent of art subsidies without any underlying idea. After all, according to the Ministry of Culture, things were going fan-tas-tically with the arts in the Netherlands. Anyone who reads the press release the ministry issued yesterday on that... 

One and a half million for art. Provided it is directly demonstrably useful

One and a half million euros sounds quite a lot. So a cry of joy will be heard here and there now that Jet Bussemaker is allocating that extra amount to culture. After all, this is yet another make up after the almost 300 million her ministry took from the sector earlier. However, the conditions the culture minister attaches to the money tell a different story: the money is only for art that is demonstrably useful.

Bonnie Doets (foto: Antoinette Mooy)

Modern dance wins prizes at Dutch Dance Days

During the 16th edition of the Dutch Dance Days, several dance awards were presented: the 2013 Dutch Dance Days Prize, the Swans and the Dioraphte Dance Award. Respective winners are choreographer Giulio D'Anna, dancer Medhi Walerski, Club Guy & Roni for Midnight Rising, dancer Bonnie Doets of Scapino Ballet Rotterdam and Keren Levi with The Dry Piece.

Art breaks the rut of Hoog Catharijne in Call of the Mall

You don't really give it much thought, how weird standing still in a shopping centre like Hoog Catharijne is. At least: if you don't stand still with your head towards a shop window or your fingers in a bowl of fast food. The code for glancing around a shopping mall is so common that it takes some getting used to even for yourself when something forces you to suddenly

Fiction in dance films, (how) does it work? Good question at festival Cinedans

Fransien van der Putt, together with choreographer and dance film-maker Angelika Oei, saw five new Dutch dance films during Cinedans. Some of the results were promising. The films all transcended the level of visual gimmick. In its place is a struggle with fiction and physical credibility.

Two young female choreographers fulfil promise with Batsheva Dance Company at Springdance Festival

With two performances, "The Toxic Exotic Disappearance Act" and "House", Batsheva Dance Company shows impressive, sublime dance mastery and fresh dynamics. But also restlessness, searching and confusion. The era of happy, harmonious dance is over. A lecture on dance, prior to the performance, emphasises that contemporary dance need not compulsively oppose other dance movements. This artistic... 

Finally answers pressing questions from theatre history

Ever known that 'The Wedding of Kloris and Roosje' was first performed in 1707, and that it is the forerunner of today's New Year's Eve conference? Thanks to the theatre encyclopaedia, which will be available online from 1 September, these and many more facts can be found. The Theaterinstituut Nederland (TIN) is the initiator and provides much of the content of... 

#HF11: They're going to make another big cut to the Russians at Toneelgroep Amsterdam

Cologne and Paris may not have been built in a day, but it took less than three days to fly to the moon. A warped comparison to say that a show that rattles three days before its premiere can turn out to be an unimaginable hit on the premiere itself. So something like that could happen with The Russians, the latest show 

Over three million for The best of both worlds

The Fund for Cultural Participation has awarded grants to eight multi-year projects by professional arts organisations as part of the Best of Both Worlds programme. The total amount involved is €3,397,333. With the programme The best of two worlds, the Fund for Cultural Participation wants to give an impulse to the cooperation between professionals and amateurs in the field of culture. There are three... 

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