Five authors have a chance to win the 2021 Golden Noose, the award for the best suspense book. The nominees are: René Appel - Overschot (Ambo|Anthos) Bernice Berkleef - Bloedsteen (The House of Books) Toni Coppers - De moord op Arno Linter (Manteau) Hugo Luijten - Undercover. All or nothing (Lannoo) Saskia Noort - Bonus child (The House of Books) The five nominees...
Writers and translators hit by the corona crisis can now apply for three support schemes set up especially for them. They can apply for up to €5,000 for a project grant or income support. The first submission deadline closes on 30 September 2020. Membership of the Authors' Association or affiliation to Lira is not compulsory.
Creators in the cultural and creative industries affected by the Corona crisis will soon be able to appeal to the Rights Sector Support Fund. Agreement was reached on Wednesday 27 May on the establishment of the support fund, which has a budget of 10 million euros available. Members of the Authors' Union can also start appealing to the fund. Where will the support fund...
There I stood. Next to THE RED LOPER. In THE PRESS box. Everything you must have done once in your life and this was MY MOMENT. THE BOOKBALL at THE CITY BURY which was renamed ITA because of the boss' career. To my left TEAM VOLKSKRANT, to my right a cute KRULLENBOL from the LINDA and in between them a journalist....
That publishers and writers are struggling is not news. That something needs to change in connecting with readers too. But what? That is the big question no one has an answer to yet. Publishers have rapidly lost their prestige, their monopoly and often their canal houses. On the other hand, the phenomenon of...
In the week when defenders of the Dutch language are flying into each other's hair over whether or not a schoolgirl should read Multatuli in the original language, the Council for Culture comes out with its advice for the literary sector. Already in the first chapter, it reads: 'those who start reading at a young age become more language literate, start liking reading more....
Last month, RTL investigated how badly libraries in the Netherlands were doing. An article on this site then made it clear that writers are more than necessary victims of this. Indeed, by moving library collections to schools, libraries would escape the obligation to pay a fee (the so-called 'lending right'). This, of course, called for a...
You can watch television again without guilt. After a two-and-a-half-year conflict, television broadcasters, producers and cable companies are coming to terms. This is going to make for a lot of happy TV, because after two years of waiting, the makers, actors and writers of television programmes will finally get the money they were entitled to all this time. And more. So does the lobby just make sense...
Tonight many drunk screenwriters on the streets, and in Leiden a few very happy older journalists. Lira, the organisation that has to collect money for them from the big, wealthy, and non-paying guys, has won twice. They already had, of course, but the cable companies didn't want to get rid of the gold plating on their luxury yachts. So they ignored the judge's ruling and...
The producers of film and television, who colluded with cable companies not to pay writers for their work, are coming up with a plan. Unwilling to agree to the creators' just demand to just do what the courts have ordered, they set up a fund. Into that, they put the money they feel should...
We reported earlier. Worldwide, the Netherlands is Crazy when it comes to protecting the creators of books, films, journalism, art, theatre, dance and so on. And no, IT IS NOT ABOUT SUBSIDY NOW. It is about archaic legislation that does protect the middlemen, but leaves the creators outlawed and disenfranchised. That middlemen are paid extremely well, have...
Wijbrand Schaap: 'Next hot issue. Copyright is mentioned in a few passages of the Cultural Exploration. I am also affected by that in various ways. There is, of course, that new author's contract law, which is going to be discussed in the chamber one day, maybe. Nice about that is that the creator's position in that law has been strengthened.' Joop Daalmeijer: 'Rightly so.' Wijbrand Schaap: 'But.
We reported on it earlier. Because it was too crazy for words. Cable companies refused to pay writers since 2012. They did pay broadcasters, producers and men in suits like that with a BMW out front, but not writers. And neither did journalists. While a large part of those clubs' billions in profits comes from the very makers of the...
The noble art of cable pulling is one of the most profitable activities in Dutch media land. This was evident on Tuesday 15 April in the Amsterdam court. There, Dutch writers, represented by Lira, versus the major cable companies and producers, represented by some very expensive lawyers, from the office towers on Amsterdam's nearby Zuidas.
Just imagine being a screenwriter. Or a journalist for a documentary programme. So you won't get a penny for your work in the Netherlands. Really. The broadcasters are already not generous. But then. Indeed, all the money that cable companies earn from the television viewers of the Netherlands disappears into the pockets of a few US companieswho in turn share it with a few broadcasting bosses, producers and some other big earners. All those bosses have nothing to spare for the people who think up and write all that. This makes it very easy to make a profit.
A while back, there was a fuss in the Netherlands about the BUMA, the club that collects copyrights for musicians and publishers. Money had been lost in speculation and a director was engaging in nepotism. These cases do not appear to be isolated. At least, they are also mentioned in an overview of all known cases of abuse of power and corruption at collecting societies worldwide.
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