From small dance schools to large dance companies, the Dutch dance world is daring to expose itself on a stage again. Dance lovers can get back into the studios or theatres, or both, thanks to protocols, and bookings are being made enthusiastically as many performances are already sold out. After all, nothing beats dance art in the flesh. In the words of dance dramaturge Jochem Naafs: 'If you...
My story about cultural big earners turned out to be the talk of the town in the cultural sector. Not publicly, i.e. mainly behind the scenes, I was approached. One of the few people who did speak out publicly was Henk Scholten. On Facebook, he responded to a column by journalist Aukje van Roessel about the questions raised by The Hague city council
Just like in the world outside culture (call it capitalism), in the cultural sector itself you also see a huge payment gap between creators and 'the plush'. Only you can't talk about that taboo without being seen as a traitor.
'The world around us is changing, after this period we will speak about a period BC and AC'. Words from a wise dance maker from the Hofstad, referring to the period before and after the Coronavirus. However, you can also relate it to the news from the Hague dance world. What is the news? Sol Léon and Paul Lightfoot decided that...
Canadian Emily Molnar is the new artistic director of Nederlands Dans Theater (NDT1) from season 2020/2021. Looking at her track record, she has everything going for her: a loyal ten years as artistic director of Canadian BC (British Columbia) Ballet, a good reputation as a choreographer, acclaimed as a visionary, innovator and coach and she has a...
You have those performances where, as an unsuspecting spectator, you are invited on stage and, once there, get completely blocked. SOUL #3 Co-Creation is not one of those. Well almost. Indeed, in this work, dancer Claire Hermans explains that fear is a blockade to creativity. The four performers therefore do not urge you to take to the floor to...
Paul Lightfoot, artistic director of Nederlands Dans Theater, announces his departure from 2020. A remarkable decision. Just recently, the energetic leader was on stage at Zuiderstrandtheater to properly wave off Gerald Tibbs, former artistic director of NDT2 to his retirement. But there are some questions. 1: Why the day after a departure of his own...
Moving. Before Significant Moments begins, the brisk Fernando Hernando Magadan presents himself as the new artistic director of NDT2. Applause in the auditorium. But the reason he stands behind a lectern with a huge flower arrangement is to pay tribute to the retiring artistic director: Gerald Tibbs. Gerald Tibbs. The peerless dancer everyone could walk away from
Even abroad, it is noticeable that Jiří Kylián's work is not showing at NDT. Even though the so-called embargo is expiring and this is his anniversary year. No Kylián past three years The Financial Times reported. Laura Cappelle describes a fine performance by Nederlands Dans Theater in Paris and concludes that Kylián's work is not among the...
In the wings of Nederlands Dans Theater, the new generation of dance makers is ready. Medhi Walerski and Johan Inger are both former dancers of the company and have previously created pieces there. In NDT2's Shearing the Wolves programme, they each surprise with a world premiere full of intense, pure dance. In comparison, an older work by house choreographers Sol Léon and...
Bodies are dragged away to loud applause and cheers: a more symbolic beginning Nederlands Dans Theater could not have imagined. With Start Again, the international ballet company highlights an exile until 2019 at the harbour in Scheveningen. A tricky location, because remote. But also a dynamic place. A Dutch choreographer would surely invent a choreography there with ferries, cutters and lifeboats. NDT, however, chooses the...
Got that. Do I get increasingly impressed during the National Ballet's evening Cool Britannia, turns out it's not that good at all. Because connoisseurs react lukewarmly afterwards. Am I that dumb, or are they that smart? There is actually very little British about Cool Britannia. Except that the choreographers are from there. An obvious...
Recently, a choreographer in England lay under fire. As artistic director, he would not be able to judge his own work objectively. Promptly afterwards, a debate ensued under the title Do choreographers need editors? On seeing Strike Root of NDT, that question lingered: do choreographers need a dramaturge?
On the day that a vote was to be held in The Hague on the new Spui Forum, it has been announced that Robert van Leer is leaving as business director of Nederlands Dans Theater. Van Leer is resigning for purely "personal reasons", according to the press officer of the renowned dance company.
Being active on social media like Facebook or Twitter is now a must for any dance company. But broadcasting a dance performance (live) via 600 cinemas worldwide is no mean feat either. NDT (The Hague) has been chosen by Pathé theatres to join the illustrious list of The Metropolitan Opera (New York), The National Theatre (London) and the Bolshoi Ballet (Moscow) as a partner in high-level performing arts.
It was predictable. Now that the Culture Council has given the secretary of state a go-ahead for massive and very deep cuts in dance, the first press releases are appearing with the outraged reactions. The National Ballet and Nederlands Dans Theater are aggrieved: 'How
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