You have those performances where, as an unsuspecting spectator, you are invited on stage and, once there, get completely blocked. SOUL #3 Co-Creation is not one of those. Well almost. Indeed, in this work, dancer Claire Hermans explains that fear is a blockade to creativity. The four performers therefore do not urge you to take to the floor to...
In contemporary dance, artistic leaders are often in place for decades, at least in the Netherlands. This week, Leo Spreksel announced his departure from Korzo, as of September 2017. After 29 years, the director and programmer of dance at the theatre and production house in The Hague is calling it a day, because "in the Netherlands, commercialisation pushes away the voice of artists: procedures and formats are...
The Performing Arts Fund announced the awards for the 2017-2020 period. What does this mean for the dance sector? Pluralism and 'bleeding through'. While everyone is on holiday, the Performing Arts Fund announced the grant awards for the performing arts for the 2017-2020 period. And it was reiterated: the fund is facing a previously initiated budget cut of 30 per cent. That would...
The first weekend of October saw the Netherlands Dance Days (NDD) take place in Maastricht. As Ruben Brugman reported, important prizes for the dance world are awarded there. But the Dance Days seem mainly intended to promote Dutch dance, more than being a critical evaluation or artistic boost. At the Dance Days, no pithy speech on the State of Dance as...
During a festive dinner at Theater aan het Vrijthof in Maastricht, 'Zwanen' were awarded to dancer Jorge Nozal of NDT 1, Ann Van den Broek for The Black Piece and to Roel Voorintholt (Gouden Zwaan), artistic director of Introdans. The annual highlights festival De Nederlandse Dansdagen hosted this successful 'Swan Dinner': posh sponsors and stakeholders ate side by side with messy dance artists. This is how it should be...
Last week, the planned dance performance Q61 Cemetery at a cemetery in Alkmaar caused a stir. After threats, it was cancelled. Still, we have to get used to theatre in the cemetery. Because it is changing. A reaction from a bereaved person and the cemetery manager. It was big news. And it started with summary proceedings. Relative Leen Spaans objected to a dance performance at...
It is a special year for Ann Van den Broek as she celebrates a 15-year anniversary as a choreographer. That the performance Q61 Cemetery of dance collective WArd/waRD would cause so much noise she probably did not foresee.
'Don't let anyone leave the room without having experienced or felt something.' That is surely and surely the mission with Flemish Ann Van den Broek's work. If the mood swings in The Red Piece don't do much to you, your retinas will burn out from the changes in lighting design. You might just think you are being manipulated as an audience. But you gladly allow it.
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