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Princess Christina Competition 2016: varied repertoire at a high level

Even before the welcome applause has died down at the Zuiderstrand Theatre on Saturday 23 April, pianist Manuel Sanguino begins Bach's Partita BWV 826. Crystal-clear runs sound in his right hand, while his left hand shapes the contrapuntal counterpoints just as smoothly. Even the faster passages are beautifully phrased and distinguishable note by note. Sanguino is one of the... 

Composer Julia Wolfe: 'John Henry symbolises the struggle of man versus machine'

Last year, Julia Wolfe (1958) won the Pulitzer Prize with her oratorio Anthracite Fields. In this poignant piece about the plight of miners, she draws on American folk music. She composed it for the co-founded Bang on a Can All-Stars, a New York ensemble that became known for its rousing mix of rock, mimal music and... 

Violinist Vadim Repin: 'The score is our bible!'

At five, he started playing the violin, and after only six months he gave his first performance. At 17, he was the youngest participant ever to win the prestigious Queen Elisabeth Competition. In 2002, Vadim Repin, born in Novosibirsk in 1971, played at Willem-Alexander and Máxima's wedding concert, together with the Royal Concertgebouw Orchestra. Three years ago, Repin started his own... 

Ursula Mamlok: atonal music with heart

With the death of Pierre Boulez on 5 January, modernism seemingly came to an end, but the two-year-old Ursula Mamlok (1923) is still alive and kicking. Although the German-American Mamlok hopes to turn 93 on 1 February, she is steadily composing.# In 2009, she wrote Aphorisms II for two clarinets, in which, as in all her pieces, she manages to couple atonality with a warm-blooded... 

Opera Eichmann without Eichmann

You have to dare to do it: name an opera after the main organiser behind the mass deportations and extermination camps of Jews in World War II and then not perform him as a character. Composer Alejandra Castro Espejo and librettist Bo Tarenskeen did it: their opera Eichmann, a production of the Diamond Factory, will premiere at the Muziekgebouw aan 't IJ on Wednesday 9 December. Adolf Eichmann was... 

Soprano Katharine Dain highlight Seven Bridges Festival

During the Seven Bridges Festival, from 29 September to 4 October, you could enjoy chamber music concerts in beautiful historic buildings in Amsterdam. One concert, on 1 October, we highlight. Compositions by Haydn and Beethoven resounded in Museum Geelvinck Hinlopen. This included a straining Haydn sonata on pianoforte grand piano and sparkling 'Volksliederen' by Van Beethoven by the expressive soprano Katharine... 

7 bridges - 5 concerts

Next Tuesday, 29 September, the 7 Bridges Festival begins in the heart of Amsterdam. It is an initiative of pianist Edward Janning, driving force behind the Erard Ensemble playing on authentic instruments. In five concerts, he will take us past the Amstelkerk on the Amstelveld, Museum van Loon and Museum Geelvinck on Keizersgracht, the Stadsarchief on Vijzelstraat and the Goethe Instituut... 

70,200 samples in 33″ - music of the future at Gaudeamus Music Week Academy

Just after the end of the Early Music Festival, the Gaudeamus Music Week, the Mecca of cutting-edge notes for seventy years, starts in Utrecht. Five nominated composers under thirty compete for the coveted Gaudeamus Award, previously won by now established composers such as Unsuk Chin, Yannis Kyriakides and Michel van der Aa. For the second year, the... 

We can escape the world - but ourselves? - Lucas Wiegerink composes opera Ik Vertrek

Previously, he created the show Being Arthur for Kameroperahuis Zwolle, in which the famous knights of the round table travel across the country by coach. On Friday 4 September, during the Stadsfestival Zwolle, you will sail by boat to the premiere of his latest opera, Ik Vertrek. A love couple leaves the hectic world behind and returns to nature, where... 

Wonderfeel successful despite summer storm

Three days of classical music among the trees and cows. Festival Wonderfeel presented a unique classical music festival last weekend from 24 to 26 July, under the smoke of 's-Graveland. Top musicians from home and abroad gave dozens of concerts. Lectures were given and, as befits a festival, there was also plenty to eat, drink and... 

'A drunken panda who wants to have a tussle' - The Loom of Mind on HF15

In The Loom of Mind, Icelandic folk singer Mugison, his bosom friend Pétur Ben, and Flemish baroque ensemble B.O.X. join forces. What does that sound like: melancholic Icelandic blues with 17th-century instruments? Like a stand-up storytelling concert performance? Or like a drunken panda who wants to have a game? How did you find each other? Pieter Theuns, lutenist and founder of B.O.X.: "I found Mugison... 

Scene from 'Clubbing' by Keren Levi and Tom Parkinson

'Clubbing' an unusual world of freedom and fantasy

Watching with your ears Is this a performance to watch or to listen to? This question may come to mind with 'Clubbing' by choreographer Keren Levi and musician Tom Parkinson. Are the dance moves the main thing or the sounds produced by the club of six women? A dancer/performer opens a suitcase and sets up a 'sounds kitchen'. [Tweet "A... 

Composer Henryk Górecki: art or kitsch?

This Saturday, 14 February 2015, Reinbert de Leeuw will conduct the Radio Philharmonic Orchestra in Polish composer Henryk Górecki's (1933-2010) Fourth Symphony at the NTR Saturday matinee. Górecki established his name overnight in 1992, when the CD of his Third Symphony shot to the top of the classical charts like a flare. The recording of this Symphony... 

Samir Calixto, Paradise Lost (photo by Joris Jan Bos)

Opening CaDance: Milton's 'Paradise Lost' according to Samir Calixto

More than 10,000 lines of verse comprise Englishman John Milton's poem Paradise Lost (1667). It cannot be easy to capture that in an hour-long dance performance and yet that is what choreographer Samir Calixto set out to do. Earlier, the young Brazilian cut his teeth on Schubert's Winterreise and Vivaldi's Four Seasons. On Friday, he opened with Paradise Lost the... 

The best CDs of 2014

What would the end of a year be without favourites lists? Therefore, herewith my choice of the three best CDs/DVDs of 2014. Unsuk Chin: 3 Concertos Korean-German composer Unsuk Chin is considered one of the most important composers of our time. She has been awarded many times, including the prestigious Grawemeyer Award (2004) and the no less important South Korean Ho-Am... 

Plastic Junkies by Antonin Comestaz, photo Robert Benschop

Squeaky plastic and schizophrenia in Here We Live And Now by NDT and Korzo

Among the audience at Korzo theatre in The Hague at the performance 'Here We Live And Now' are a striking number of dancers from Nederlands Dans Theater (NDT). No wonder, as many of their colleagues are involved in this performance. This annual programme featuring young choreographic talent is a co-production of NDT and Korzo. The addition 'Hague' talent, by the way, may be taken with... 

Bare Joris-Jan Bos

The most fun concert ever is Bare, a choreography for six musicians

In Bare, choreographer Kenzo Kusuda shows portraits of six musicians of the New European Ensemble as in a choreographic documentary. These come at you in the dark and finally climb over your seat. You can't make your message any clearer.

Thousands of hours they have to study, those musicians. But for them, music is the most beautiful thing there is. Hence, they even want to take out a second mortgage on their musical instrument. It is the struggle of the musician that is at the centre of Bare. The ...

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Gaudeamus organises seminar on music criticism

Tonight begins the international Gaudeamus Music Week, in which five composers under 30 compete for the coveted Gaudeamus Music Prize. The jury, consisting of Vanessa Lann, Oscar Bianchi and Wim Henderickx selected them from eighty entrants from all over the world. It is the fourth edition in Utrecht of the competition, which started in 1951 in Bilthoven; the new TivoliVredenburg serves as the festival centre.... 

Sparkling Candide at Canal Festival

The 300-strong audience stood up as one after Leonard Bernstein's infectious performance of Candide at the Hilton Hotel in Amsterdam last night. The performance of this 'pocket version' of Bernstein's cheerful musical/opera about the incorrigible optimist Candide, produced by the Nationale Reisopera, took place indoors, in the hotel's ballroom, due to the weather conditions. After all, the Grachtenfestival has to be... 

Four opera myths shattered @Oerol festival

Is a performance opera if not a note is sung? If the audience sits on a stand in a car park with headphones on their heads? Or if a man cries out like a dog with a tongue out of his mouth throughout the performance? The definitions of opera are stretched quite a bit at five Oerol performances. Interestingly, hardly anyone calls the performance opera. By necessity, musical theatre is often used, but that term does not really fall into a warm bath.

About five years ago, ...

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5 lessons from a Tilburg riot: superficial newspaper determines superficial cultural politics

Regional newspapers hardly do any real cultural journalism anymore. We know this because it was the reason we once founded Culture Press. Just how bad things are now, five years later, with art in the region and the way newspapers deal with it, was evident this month in Tilburg. A local journalist from the Brabants Dagblad had written a piece on questions raised by a PVV MP in the province. In the news story, this former sports journalist qualified...

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Deep in the belly of the Icelandic cello @hollandfestival

Holland Festival Holland Festival

It's a tricky genre, which drone, or ambient. Or, what do you call the avant-garde cello experiments of the Icelandic Hildur Guðnadóttir (1982). Very slow, very repetitive, very minimalist. Abstract sound art that leans heavily on loops, resonations and buzzing, über syrupy tones that swell into a large, layered sound collage.

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