With Michelangelo Antonioni - Il maestro del cinema moderno, EYE has once again managed to put together a flawless and solid film exhibition. George Vermij visited the exhibition on the Italian master filmmaker and looks back on his influential oeuvre. In Dino Risi's road movie Il Sorpasso (1962), the passionate and extroverted Vittorio Gassman takes on a young and reserved Jean-Louis Trintignant...
Today, imagine a small, strikingly dressed man flying through Paris in a hot-air balloon, or a circling the Eiffel Tower. Aviation pioneer Alberto Santos-Dumont did it, dreaming that one day everyone would have their own hot-air balloon. In his new historical novel The Winged, Arthur Japin reawakens the colourful Brazilian inventor...
Two choreographers exploring how a dancer and the eye of the audience interact. Dance makers who rattle common ideas about identity and sexuality. Artists who confront us with the dreams of perfection and glamour that advertising and marketing throw at us. The famous Cullberg Ballet made a striking choice by performing choreographies by the...
In the halls of the Gemeentemuseum Den Haag, Mark Rothko has made way for photographer Anton Corbijn. A bigger difference hardly seems conceivable, but an exhibition with lots of pop photographs fits seamlessly into the museum's mission to bring 20th-century avant-garde art, stresses director Benno Tempel. Corbijn, who celebrates his 60th birthday this year, will be honoured with a double exhibition; besides...
Chris Nauta breaks through. The Amersfoort-based artist makes new clothes from old blankets, tents and other unlikely materials. She was prominent at Oerol and can count stars including Gregory Porter among her fans. 'My customers get a unique piece of art and reduce waste.' Chris Nauta is Central Netherlands' recycling artist. She makes winter coats from used blankets, brightly coloured bags from...
The Tropenmuseum has been saved, we already knew that, but the House of Representatives still wanted to know where that was paid from. After all: the government is not going to spend more money, we have to do that. Anyway. Culture minister Jet Bussemaker's answer to the parliamentary questions shows that museums will be able to spend 5.5 million less on art purchases in 2016 at least....
Holland Festival
Simon Stone (28) wrote a new play based on Henrik Ibsen's 1884 stage classic The Wild Duck. The Swiss-born Australian provided the Norwegian play with entirely contemporary language and dressing. The actors sit
I Like To Watch Too: abundance of performances shows that dance and performance are powerfully connected to modern society. The dance steps rain down on you even before you have entered Paradiso. Tim Boerlijst tap-dances on the pavement. This infectious welcome immediately draws visitors into the atmosphere of 'I Like To Watch Too'. This festival showcases dance and performance from...
"For me, opera is much more than just music," says Israeli director Sjaron Minailo. "It may sound a bit pompous, but my internet opera is completely in the tradition of Richard Wagner. Soul Seek is really a multimedia gesamtkunstwerk, in which fashion, web design and digital media, play, cinema, theatre, dance and experimental music merge into one. Without one element...
Festival Grenswerk was told on Tuesday 21 February that it must stop after three successful years because it does not match the ambitions of Stichting Enschede Promotie. The festival set up in 2009 was given a thick set of demands by the alderman that it could not meet after a scathing report by this revamped VVV.
That was a bit of a grind for British theatre critics. The celebrated director Deborah Warner (1959) recently pulled Richard Brinsley Sheridan's The School for Scandal out of the closet. A play from 1777, and an untouchable part of the British theatre canon. Building on the style of her earlier production Mother Courage (2009) Warner also indicated The School for Scandal - goddamn - a quirky, contemporary twist.
"With many video, light, music and noise - like a rock concert, " grins Warner in the office of the Barbican Theatre In London. "Mother Courage had an incredibly populist, exciting atmosphere. I love that arrogant theatricality immensely, and I wanted to continue that style in The School for Scandal. For me, the big challenge was to explore the Brechtian theatre style of Weimar - which I got through Mother Courage had discovered again - to collide with an eighteenth-century theatre text."
The International Film Festival Rotterdam celebrates its fortieth edition with a fitting XL programme. That Roman numeral XL not only indicates respectable age. It also says something about size: this fortieth also bursts with the intiguing programme, with screenings at no less than forty locations throughout the inner city of Rotterdam. Inside the festival walls is...
If you see someone wearing a yellow ribbon one of these days, it is in protest against the cuts to arts and culture. As might be expected, Ally Derks, director of the International Documentary Film Festival Amsterdam, in her speech at the opening of the 23rd edition of the film event, took a hard line against the impending attack on the arts....
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