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The best woman in the best place: Ellen Walraven director Rotterdam Schouwburg

This was a possibility not many people initially thought of. After all, after her tropic years as director of the Amsterdam debating centre De Balie, Ellen Walraven was in need of some more substantive work and peace and quiet on her mind, So we suspected she would stay on in her new position as dramaturge with the country's first company Toneelgroep Amsterdam for a while. But apparently - and not entirely unexpectedly - she did not like working under Ivo van Hove as much as she liked the mog...

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Ivo van Hove is God. According to New Yorkers.

Anyway: while Amsterdam's city newspaper Parool was embarking on a campaign against the Dutch capital's city company at the behest of the Flemish publishing board, the same Toneelgroep Amsterdam was winning the hearts of New York audiences with a production of the already years-old 'Roman Tragedies', which a few here did not even like overall: http://www.wijbrandschaap.nl/2007/06/romeinse-tragedies-hf2007ta/

No sour sounds in America so far. This sam...

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Der Schatzgräber II: Van Hove exposes core and weaknesses

"That fairytale world has never been my world," director Ivo van Hove declared before the premiere of Schreker's fairytale opera Der Schatzgräber. Remarkable, as Van Hove and his regular scenographer Jan Versweyveld were previously responsible at De Nederlandse Opera for Tchaikovsky's Iolanta and Janáček's The Makropulos Case - also fairy tales rather than grand dramatic works.

Tchaikovsky's last opera is all about Princess Iolanta. Everyone knows she is blind, but keeps...

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Photo: Monika Rittershaus

Der Schatzgräber I: blistering music, freezing dry staging

The Netherlands Opera opens the season with a rarely performed opera by Franz Schreker, in which pagan and Christian themes intermingle. The gorgeous music is countered by the chilly direction, preventing identification with the characters.

At the end of the nearly three-hour Schatzgräber, the Netherlands Philharmonic Orchestra and chief conductor Marc Albrecht were clapping the loudest at the Muziektheater last night. At his instigation, De Nederlandse Opera pulled out...

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Tjitske Reidinga launched as star of new summer programming Amsterdam Delamartheater

The general public knows her as the rock-hard lawyer Claire from Gooise Vrouwen. Tone lovers have known her longer as that actress with the striking voice. A diplomat's daughter, born in Africa, later raised in Bussum. Tjitske Reidinga now dares to come forward:

5-hour marathon Roman Tragedies favourite with spectators Toneelgroep Amsterdam

Photo: jan Versweyveld We were somewhat mildly ironic about it, but hats off, meanwhile, to Toneelgroep Amsterdam's PR department and the audience, who responded remarkably well to the 'choose the reprise' campaign the company launched a few weeks back. We have the hard numbers we feared we would never see. And they are credible. We quote the press release:.... 

Top or flop: audience picks repertoire first theatre company in the Netherlands

We got another press release, and wondered: top or flop? How does idiosyncratic artistry rhyme with audience-determined repertoire choice? Andne: do all those people who chose the winning piece also get a free-or at least discounted-ticket to the performance of their choice? Andne: who checks the results, as there is no notary. Enne:. 

That could well be a big event next weekend

We are not big on copying press releases directly, but this one accidentally slipped in. For those who didn't know it yet, but tout art is going loopy on Sunday and Monday for the preservation of sanity in the Netherlands. Although that will have no effect on the architect of the cut, PVV member Martin Bosma. Even the cultural sector in Limburg (Geert... 

A few solid misses, interspersed with plenty of indispensable beauty in week 3 of the Holland Festival #hf11

The Dodo was busy, this third week of the Holland Festival. Thankfully, again with an exciting mix of beautiful, weird and extraordinary. As it should be, really. What makes the Holland Festival all the more exciting is that such extremes can sometimes take place within one programme, as with the National Ballet, or even within one performance, as with The Russians... 

#HF11: They're going to make another big cut to the Russians at Toneelgroep Amsterdam

Cologne and Paris may not have been built in a day, but it took less than three days to fly to the moon. A warped comparison to say that a show that rattles three days before its premiere can turn out to be an unimaginable hit on the premiere itself. So something like that could happen with The Russians, the latest show 

A Don Giovanni without Don before it, without scruples and without illusions, but with a few naked women. #hf10

 By Wijbrand Schaap Once in a while, a theatre director stands up who wants to expose the emptiness around him or her. That it is about the emptiness within him (or her) himself, this young director usually finds out some 20 years later, once it has become a little less empty. That's how these things go. We... 

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