After the annual lists, the recommendations for the new year. All dailies participate in it. Problem: much is not yet known. Festivals and companies present their programmes sometime in February, March. So we cannot yet give the tips for the whole of 2015. But we do have the tips for the coming month, in chronological order, because ranking performances we still have to...
For fine art, you go to the museum, especially in Amsterdam and especially now that all the museums have reopened. But there is also another option: the opera. There you see visual art that doesn't fit in any museum, not even in the largest room of the Rijksmuseum. Take the Greek sculptor Jannis Kounellis. From today, his work is a...
I had promised to check out a session with Benjamin Zander. Me as a non-expert, together with someone who finds classical music downright soporific. To see if Zander works, as he promises to work: "Everyone loves classical music, they just don't know it yet". The man is in the Netherlands and that doesn't happen very often. Not so long ago...
Two years ago he was acclaimed for his staging of A Dog's Heart by Alexander Raskatov, now he is lavishly believed for his production of Mozart's Die Zauberflöte. It premiered last week at The Netherlands Opera and last night too, the sold-out audience responded enthusiastically. Yet the high expectations were not quite met.
Amsterdam, 26-11-2012 - Last Saturday died Moniek Toebosch (1948-2012), the sparkling multi-artist who startled our country from the 1970s onwards with contrary performances. Some of you may remember her scandalous performance in the 1983 Holland Festival. Toebosch presented the programme 'Attacks of Extremes' live for VPRO television from Theater Carré. After half the Broadcasting Orchestra had quit in protest,...
At two-thirds, the lump shoots in to not go out until the end. It happens at every Alain Platèl performance. Heartfelt sobs from the audience, lots of swallowing around you and the inevitable tears welling up like a natural disaster. To call the Flemish choreographer's work predictable because of this is going too far. What he and his company Les...
"Programmatic ingenuity goes hand in hand with Fischer's ebullient and finely crafted performances". So when someone says that about you, you have earned a prize. So that is what the jury of formerly the Classical Music Prize thought of Iván Fischer, the Hungarian-born conductor who was therefore awarded the 'Ovation' on Monday 17 October 2011. And so then the 'Ovation'...
"Kinder!, macht Neues!, Neues!, und abermals Neues!" wrote Wagner to Franz Lizt. And after the very first Festival, he concluded that next year everything had to be different. Even an entirely new theatre he did not consider out of the question.
For another 15 years, the Delft Chamber Music Festival, so named to reflect its international character, has encompassed 15 years. Violinist Isabelle van Keulen handled the chamber music festival's programming for the first ten years, Lisa Ferschtmann - also a violinist - took over from her five years ago. But even this already successful festival fears the upcoming budget cuts. A pity, because what...
Papageno showed off without his feathers last night. Indeed, the entire direction of Une flûte enchantée was an unadorned pleasure. Sober. Integral. You can't get a Dutch audience wilder than with such an approach. Compliments, then, to Peter Brook. At the Muziekgebouw aan het IJ was the Dutch premiere of Brook's adaptation of Mozart's Die Zauberflöte. The production turned...
We were at a debate day in The Hague that was as inconspicuous as it was historic on 13 December 2010: it was about the budget of the Ministry of Education, Culture and Science of the (first?) Rutte government, and that was the budget in which, at the request of the supporting party PVV, the amount to be cut in the arts budget was set at 200 million, with heritage and museums having to...
By Wijbrand Schaap Once in a while, a theatre director stands up who wants to expose the emptiness around him or her. That it is about the emptiness within him (or her) himself, this young director usually finds out some 20 years later, once it has become a little less empty. That's how these things go. We...
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