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Vivaldi

Long-winded Juditha Triumphans at DNO

Oratorios are notoriously undramatic, because they only tell a story for one second and do not zoom in on human emotions. Juditha Triumphans is no exception and the narrative itself has little to it. To rid her town of its assailants, Judith gets their general drunk and then cuts off his head. This could make for a compelling story, were it... 

Camilla de Rossi in NTRZaturdayMatinee: three centuries late premiere

After years, my harping on the invisibility of female composers is starting to bear fruit. Thanks in part to the #MeToo movement, composing ladies are also finally being taken seriously and performed. The NTRZaturdayMatinee is even making them a spearhead of its programming this season. This post is more than a year old, and so may have been overtaken by time by now.Last Saturday, we sounded... 

Amsterdam Sinfonietta shines in shadow play with Kurtág and baroque

The Great Hall of the Muziekgebouw aan 't IJ is pitch dark. Then a spotlight flashes on the first side balcony on the right. There, Alexander Sitkovetsky, Maria Milstein, Rosanne Philippens and Jacobien Rozemond play three movements from Telemann's Concert for four violins. They end in a freeze, after which the whisper-soft, fragile tones sound from Treasures by György Kurtág. We only see... 

Han de Vries: delving through four centuries of oboe music

It will happen to you. At 70, they honour you with a CD box set, five years later you are offered a compilation twice the size. It happened to Dutch oboist Han de Vries (The Hague, 1941), who celebrated his 75th birthday last August. In 2011, his former student Peter Bree collected the radio recordings on nine CDs, this time he filled a... 

Kian Soltani is the Great Discovery of the Cello Biennale 2016

Every morning Maarten Mostert, spiritual father and artistic director of the Cello Biennale Amsterdam, is squeezing oranges at half past seven in the Muziekgebouw aan 't IJ. The early birds among cello lovers then flock to the place to be for a free croissant with orange juice, followed by a top-notch performance of one of Bach's six Cello Suites in the Bach... 

Publicity image Hexagon Ensemble

Maartje van Weegen brings sole movement to 'Diary of a cello'

Taking an idea from Marieke Stordiau, bassoonist in the Hexagon Ensemble, Joost Galema, journalist and programmer, writes texts that deal with tree dreams, music and time. This creates Diary of a Cello, a piece that challenges the listener to think about the connections between nature and music. The premiere of Diary of a cello took place at the Amesfoort theatre De... 

Joseph Puglia shines in music Luciano Berio

American-Dutch violinist Joseph Puglia is a passionate advocate of contemporary music. Last year he scored highly with his rendition of the Violin Concerto by Anders Hillborg, together with the young musicians of the NJO Symphony Orchestra. He is first violinist of Asko|Schönberg, with whom he presented the world premiere of the violin concerto composed especially for him earlier this year Roads to Everywhere By Joey Roukens.

Wicked souls in dark times - baroque opera in Saturday Matinee

Baroque specialist and conductor Andrea Marcon, together with his La Cetra Barockorchester, manages to weave a fine lace work in Vivaldi's opera seria Catone in Utica (1678 - 1741), on which, among others, German soprano Anett Fritsch, Swedish mezzo-soprano Ann Hallenberg and striking Italian mezzo-soprano Francesca Ascioti shine like precious jewels. The international cast of Catone in Utica... 

A scene that sticks with you in: Spectre. A psalm as a warm-up for sex.

Every stage show, film, or concert has a scene that touches you. A moment that evokes emotion, amazement, or perhaps disgust. Even in director Sam Mendes' James Bond film Spectre, there is such a moment that stays with you. It concerns the excerpt in which classical music, namely the aria Cum dederit from Antonio Vivaldi's Nisi Dominus RV 608,... 

Scene from Extremalism (Emio Greco and Pieter C. Scholten). photo Alwin Polana

Extremalism: liberating mass dance?

There is something crushing about the massiveness. Choreographers Emio Greco and Pieter C. Scholten have brought the dancers of the Ballet National de Marseille and of ICK Amsterdam to the stage in Extremalism, thirty in all. A huge 'corps de ballet'. Greco and Scholten and the dancers take root in classical ballet, but also break away from it. The classical footwork with... 

Samir Calixto, Paradise Lost (photo by Joris Jan Bos)

Opening CaDance: Milton's 'Paradise Lost' according to Samir Calixto

More than 10,000 lines of verse comprise Englishman John Milton's poem Paradise Lost (1667). It cannot be easy to capture that in an hour-long dance performance and yet that is what choreographer Samir Calixto set out to do. Earlier, the young Brazilian cut his teeth on Schubert's Winterreise and Vivaldi's Four Seasons. On Friday, he opened with Paradise Lost the... 

New choreographer award from BNG Culture Fund

The Netherlands has added a new award for young choreographic talent. The BNG Culture Fund, in collaboration with Korzo in The Hague, has established the BNG Bank Excellent Talent Dance Award, provisionally for a period of three years. Dance in the Netherlands is a thriving sector, in which many beautiful and surprising things happen. Due to budget cuts, much of this is in danger of being lost. One production house after another is dying or its very existence is threatened. The new award, which offers production e...

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The Dodo spreads its wings in dire times for subsidised art

Then you just have to have Twan Huys. The presenter of Nova who managed to kill all Job Cohen's election ambitions in a few schoolmaster questions. He will be able to play the same trick on Sunday 29 August with a few left-wing politicians and art bobos in the traditional Uitmarkt debate in Paradiso. This year, it is dominated by the cultural subsidies threatened with elimination by the new right-wing coalition. And that is something many people are worried about.

From the moment ...

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