BPP Kaputt (6): All theatre awards and collective marketing discontinued
Not a cent more goes to the annual theatre awards and all other collective marketing activities, such as the performing arts congress, also go to 0 euros or very little. Says one chairman to another director, who is also chairman, and is actually the same. Because that's how it goes at the Association of Theatre and Concert Hall Directors:
Happy jerk or depressed bacteria? Biodesign is the future, according to William Myers
What idiot could come up with that, one of the attendees wondered: that you can make electrical circuits by combining the DNA of an algae with that of a hamster? Just a question that comes to mind when walking around the exhibition Biodesign, on show in Rotterdam from 27 September to 5 January (2014). And then there's...
'Diaries of an elephant' best debut at NFF 2013
The Dutch Film Festival not only kicked off tonight with the slavery drama How expensive was the sugar, but also with the presentation of the first awards. Janina Pigaht received the Filmprijs van de Stad Utrecht, the award for best debut, for her documentary Diaries of an elephant. In it, Pigaht goes in search of SS past
Tristan und Isolde at Reisopera, something special happens here
A Brünhilde who does not burst into flames but endures the Götterdämmerung with a baby in her arms, a Senta who does not jump off a cliff but is shot by Erik together with the Holländer. No one really looks surprised anymore. And Isoldes who do not die in the Liebestod are no exception, but Tristan who rises from the dead, as it were, by Isolde's notes reaching into heaven, stands diagonally behind her and sings along soundlessly?
Tristan und Isolde is the ultimate declaration of love
"That sounds different. A bit sad."
I just played F, B, D♯ and G♯. Better known as the Tristan chord. But on guitar. My audience consists of 15 toddlers.
Subtle but dull Fokine fine lead to Van Manen's 'Corps' and promising premiere of EGPC at the Dutch National Ballet
The bodies of Fokine, Van Manen and EGPC in the Dutch National Ballet's new programme 'Corps' are vastly different, though they all dance a form of ballet. It is the differences in stakes (decorative or expressive, stylised control or individual surrender, full of symbolism or stripped of it) and the key role for the ensemble that make the programme extremely interesting. Besides the fact that EGPC seems to be on its way to an artistic breakthrough.
Les Nabis from Hermitage Petersburg on display in full glory on the Amstel
Oppressive (audience) manipulation in The Red Piece
'Don't let anyone leave the room without having experienced or felt something.' That is surely and surely the mission with Flemish Ann Van den Broek's work. If the mood swings in The Red Piece don't do much to you, your retinas will burn out from the changes in lighting design. You might just think you are being manipulated as an audience. But you gladly allow it.
Yannick Nézet-Séguin turns Rotterdam Doelen into a swirling sea of sound
In a letter to Franz Liszt in 1852, Wagner stressed that in his Der fliegende Holländer should be shown as realistically as possible, full of violent waves. One hundred and sixty years later, Yannick Nézet-Séguin takes that advice very much to heart in port city Rotterdam. Nothing about this Holländer ripples, from the first notes it storms, culminating in a third act at hurricane force, with a leading role for the Netherlands Opera choir.
Mondrian, Verhoeven and human rights in Netherlands-Russia year
With all the critical coverage of Russia that Putin and his supporters are provoking, we would almost forget that we are in the middle of the Netherlands-Russia year sitting. A screening of Paul Verhoeven's war film will take place tonight at the Pioner Gorky Park in Moscow Black Book, as a kick-off to
More art supply does not create more demand, but free helps
More seats do not bring more spectators. The only way to get more spectators to venues and museums is: drop the price. This is according to figures from the Central Bureau of Statistics.
Dream team comes to save Utrecht Games
Thibaud Delpeut, up-and-coming talent in theatre land, has been appointed artistic director of The Utrecht Games. Jacques van Veen has been appointed as managing director to exude sufficient confidence in the business field as well. He previously won his spurs at the Holland Festival and Groningen City Theatre.
Armando Navarro (1930-2013): Scapino Ballet for more than just children
Armando Navarro (Argentina, 1930 - Amsterdam 2013), former artistic director of Scapino Ballet, passed away last Sunday. Together with his wife Marian Sarstädt formed Navarro one of the Netherlands' best-known dance couples, alongside Han Ebbelaar and Alexandra Radius (Het Nationale Ballet) and Jiří Kylián and Sabine Kupferberg (Nederlands Dans Theater).
BPP kaputt (5): what exactly is a dead body in the closet, or: is 4 million enough?
The dissolution of the Performing Arts Promotion Office continues to stir minds. So another piece, although we are actually supposed to be walking around the Uitmarkt to expensive advertising leaflets to sell.
Enfin.
BPP Kaputt (4): 1.7 million available for international performing arts promotion: who has plans?
The Performing Arts Fund is taking over the international promotion of the performing arts from the Performing Arts Promotion Office, which will soon be disbanded for lack of funds due to mismanagement. The fund will continue to do so until 1 June 2014. In the meantime, they are looking for a new party there to take over. Also, the programme through which important visitors from abroad can be invited will be...
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