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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

Order of Tax Advisers severely criticises VAT increase for performing arts: 'theatres will be in exceptional position'

The Rutte government is defending the VAT increase on admission tickets to theatres and concerts, claiming that it will straighten out an exception for the arts. However, this does not appear to be true, according to a response from the Order of Tax Advisers to the proposal. "The Bar Association additionally points out that the explanatory memorandum notes that for the performing arts on... 

How much darkness can a theatre-goer handle? Alize Zandwijk tests it with 'Dog days'.

Beppe Costa. Who doesn't know him. And who wouldn't go to a show he plays in without thinking for a minute? After all, the little Italian musical jack-of-all-trades is capable of winning hearts with his music. And with his presence. Well. Director Alize Zandwijk must have thought: we're going to change that image completely this autumn,... 

Sometimes a story is beautiful enough when told: Autoroute du Soleil by Leen Verheyen demonstrates that

Once upon a time, a very long time ago in a different country from today, there was a play about a boy from Bosnia who made crowds cry. Ad de Bont had not only written a sensitive story with Mirad, a boy from Bosnia, but he also found the perfect way to deliver that story. It from letters to and from a... 

GDMW: Seven learning moments about literature, Rotterdam, Utrecht and partying

GDMW festival comes from the tube of the only literary magazine still doing a bit in the Netherlands: Passionate Magazine. A bit contrary, youthful but not juvenile and with an open eye to the many cultures in the city where it was founded: Rotterdam. The festival is a happy combo of literary content, happy poets, embarrassing displays and beer,... 

Art world via Facebook in action against culture cut even before Rutte-Verhagen cabinet installed

It was a pleasantly out-of-control flashmob: according to the police, there were around 3,000 people on The Hague's Malieveld at around noon. Young people, mostly: students from The Hague Art Academy and the Consevatorium. But that is not enough to make the Malieveld feel crowded. From all corners of the country, young art students were... 

French theatre nerds do droll version of the Big Bang at reopening Rotterdam Schouwburg

Ok, a few people might have been a tad disappointed. Who had hoped that Rotterdam's theatre would reopen with real bang, after the extremely successful upgrade of the interior by scrap artist Jan Versweyveld (suspended ceiling, marble and carpet on the stairs). But that, of course, cannot happen. After all, the Rotterdam Schouwburg only does bangers when International Choice boss Annemie Vanackere is there... 

Getting a whiff of Lotte van den Berg's special approach, fresh back from Africa

What she does is vulnerable to the point of confrontation. Theatre-maker Lotte van den Berg has such a personal view of the world that, outside the safe context of theatre, it can come across as absurd. Or alienating. On Sunday 26 September, she returned with the members of her Dordrecht-based location theatre company OMSK back from a four-month stay in the Congo capital Kinshasa. A full house in Rotterdam's Gouvernestraat then got to be there when they unpacked their bags a few hours after landing.

Cultural world in action on September 24

Art-goers take note: the joint unions and professional organisations in the cultural sector are calling Friday 24 September a national day of action. So on that day, visitors may be confronted by talking musicians and dancers. On the website 'Stop the cultural barrenness', numerous artists' organisations (from FNV Kiem to the Art Directors Club) are calling on Hague's opnderhandelers to abandon... 

Sixteen personal stories paint a moving picture of Rotterdam's multicolour. #he Choice

She has 14 first names because her father liked to name his whole family and she was an only child. She is an in-demand actress, but Gonny Gaakeer has also been a girl with a grandmother. A beautiful grandmother, who in the last years of her 95-year-old life fell over more and more often and bore the ugly wounds of it. Gonny tells her story, and... 

'I am Zutphenian, but also Turkish' actor Sadettin Kirmiziyüz gets jury nomination for Wilders, The Musical

Gijs Scholten van Aschat was so convincing that casting director Hans Kemna was a bit scared of him. Van Aschat did an original wilderness speech and shock went through the audience. Since he now plays the villain of villains with Orkater (Richard III), convincingly delivering a hate speech reasonably is a piece of cake for him. Two true Wilders fans found... 

Impressive confrontations in humorous 'K, A Society' by Kris Verdonck #decision

The Dodo International Choice journal, episode 2: Wijbrand Schaap came, saw and was overcome by Kris Verdonck's seven installations about plighted people. It should have ended with terrible bangs, a canned fireworks display a few metres from the spectators. But that's not allowed in the Netherlands since Enschede. And certainly not with Belgian fireworks. Theatre-maker, installation artist and video jockey Kris Verdonck ended up... 

Director Thomas Ostermeier advocates 'dramatic non-dramatic' theatre in his masterclass #tf2010

She has just returned from a long holiday in her native Norway and, although many Norwegians find Ibsen boring these days, she herself loves his work. Maren Bjorseth is a third-year directing student at the AHK. Her Dutch is flawless; it is hard to believe she has only lived here for two years. Maren is one of four directing students chosen to take a master class from German director Thomas Ostermeier, artistic director of Schaubühne Berlin. Last year, the Stadschouwburg showed his Hamlet (starring a nasty, rather fat Hamlet) and in December, Ostermeier will direct Ibsen's Spoken at Toneelgroep Amsterdam.

The master class is a collaborative project of TF with the AHK and actors from ACT. It is the first day of school for the students and, as Maren says, they were immediately thrown into the deep end: 'It was very short and intensive, we worked from ten to three and Thomas Ostermeier came to watch twice. So it really is a work in progress.'

True theatre is like Storm and Cappuccino: irresistibly sublime, says Adelheid Roosen on #tf2010

'It is a wonderful thing, for instance, that every day, my body exhibits the same eager desire for a keigoeie kappoetzjino. That every 24 hours the desire to 'want to taste' is born in me and wants to hit me again. And I don't have to do anything for that, that desire drags me into the shower and saliva starts foaming... 

NNT's 11 minutes not only makes you lose the desire to laugh, but all lust. My wife regrets that. #tf2010

Ola Mafaalani. That's a very fierce one. So you can never ignore that. The human is so full of passion and emotion that all her stage work, because she is a director, cannot possibly leave you cold. At least, so it was until recently, with me personally finding her last play at Toneelgroep Amsterdam 'Hemel boven Berlijn' the most beautiful, because it was also the most... 

Opening #TF2010: 'Theatre should be at the forefront of discussion on society, instead of being dictated to by prevailing mores.'

On 2 September 2010, actress, writer, theatre and television producer Joan Nederlof opened the Dutch Theatre Festival with a speech that was as entertaining as it was provocative. As it was her turn to pronounce the annual 'State of the Theatre', Nederlof, born in 1962, seized the opportunity to call on her own generation to take a stand in the social debate. She did so in her own relatable way, known for her roles on TV (Deer Park) and in the theatre (Inside Out):

Benjamin Verdonck opens Flemish Theatre Festival: artists must be environmentally aware #tf2010

We had completely forgotten about the environment. While the streets in the Netherlands are flooded and some Dutch people are already talking about Pakistani conditions, here the talk is mainly about looming austerity measures and disintegrating Christian Democrat power blocks. 'Artists of today must relate to environmental issues' is therefore a comment we do not expect to hear from an artist in the Netherlands. We... 

This is my father: flaming stab at anti-Semitism to be seen on #tf2010

In This is my father, young theatre-maker Ilay den Boer (1986) literally puts his own father in the spotlight. He does so by giving his father the lead role in a performance that is all about him. This results in intimate and voyeuristic theatre.
Before the performance, you will be given a booklet describing the life of Gert den Boer. Based on dates and events, visitors can ask questions to the men on stage. Father and son answer, open doors and tell anecdotes. But what if it turns out that they handle some events very differently? Where Jewish Ilay sees signs of anti-Semitism, his own reformed father recognises an innocent incident. How differently do father and son view issues like discrimination or hatred?

Branden: legendary top theatre to be seen again in Amsterdam #tf2010

The destructive power of war and hatred

Writer Wajdi Mouawad (b. 1968) fled his native Lebanon at the age of nine. At the time, a brutal civil war had been raging there for years. Together with his family, he ended up in Canada via France.

There, he develops into an internationally renowned playwright. His work is now performed all over the world. The Ro Theatre introduced Mouawad to the Netherlands for the first time this theatre season.

Director Alize Zandwijk chose the play Fires and puts on a bold and convincing version. Assisted by a talented cast of actresses and actors. You see the mother Nawal Marwan and her twins Jeanne and Simon. Nawal is dying.

Spectacle group Vis à Vis gives every space to the imagination and outdoes itself in dream show Silo8

Flying nurses. We don't look up to that anymore. We have all seen Mary Poppins. The fact that at Vis a Vis, near Almere beach, instead of invisible strings they deploy a 50-metre-high construction crane for such a special turnout is spectacular and fun then, but nothing more. Matter of money and resources. The next show does have... 

A Don Giovanni without Don before it, without scruples and without illusions, but with a few naked women. #hf10

 By Wijbrand Schaap Once in a while, a theatre director stands up who wants to expose the emptiness around him or her. That it is about the emptiness within him (or her) himself, this young director usually finds out some 20 years later, once it has become a little less empty. That's how these things go. We... 

Shukshin's Stories: a 'gypsy boy-with-trane' painting by a grand master. #hf10

The Russian soul. So there is something about that. And you get something from that when you see a Chekhov play (if done well), or read one of his short stories. Or when you read the works of Tolstoi, Dostoevsky or any other inhabitant of that vast nothingness east of Poland. Or seeing the paintings, which a few... 

Teleac course on muezzin singing delivers little deeper insight #hf10

 Above, fun audio from the Holland Festival. We went to watch and listen at this performance. Afterwards, we talked to actor Sabri Saad el Hamus and reviewer Martin Schouten. They had their own views on this play, which was announced as follows: Cairo is the city with thirty thousand minarets. Here you can hear five times a day above the... 

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