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Lightness was in the genes. Dieuwertje Blok discovered her Jewish mother's war diary

Fourteen years after the death of her Jewish mother, presenter Dieuwertje Blok found her war diary. With her debut Dragging Lightness, Blok pays a warm tribute to the woman who gave her life. A profession in the spotlight - Dieuwertje Blok is no stranger to it. Her grandmother Saartje, who as the daughter of fishmongers grew up in the Joden Houttuinen... 

Met elke roman legt Jan Siebelink een nieuw stukje van de puzzel van zijn jeugd

In Brengschuld keert Jan Siebelink terug naar zijn vertrouwde familie Sievez, en voegt een nieuw hoofdstuk toe aan het verhaal over de ondergang van hun kwekerij. Al sinds zijn grootste succesroman Knielen op een bed violen keert schrijver Jan Siebelink geregeld terug naar zijn personages Hans en Margje Sievez, hun zoon Ruben, en vooral naar hun kwekerij in Velp. Ook… 

'When I read all these observations about myself, I was in shock.' Ariëlla Kornmehl on her new novel 'The taxman'

For her new novel The Taxman, Ariëlla Kornmehl did not have to look far for her inspiration. From one day to the next, she herself became a protagonist in a story, as it turned out that her tax consultant harboured a silent obsession for her. "When I read all those observations about myself, I was in shock," she says. After the publication 

Night of Poetry already two-thirds borne by receipts

On 8 October 2022, ILFU will organise the Night of Poetry in Utrecht for the 39th time already. It is almost sold out which means that two-thirds of the cost is borne by visitors. "The night costs roughly 100,000 euros. If we sell out, the vast majority of the revenue already comes from tickets and about a third... 

Trapeze Annemieke van der Togt

Circus vormt perfect decor voor tragikomisch ‘Trapeze’ van Kees Prins

Stoppen of doorgaan tot je er bij doodvalt? En kun je op de ander bouwen? Serieuze levensvragen die gelegenheidsduo Peter Blok en Bas Hoeflaak vanaf een trapeze in de nok van hun circus grappend en grollend tot een antwoord brengen. De droge humor en smoelwerken van Peter Blok (ervaren toneel-, film- en tv-acteur) en van acteur-cabaretier Bas Hoeflaak (Sluipschutters) zijn… 

'I Say Sorry' masterfully makes tangible what a madness our slavery past is.  

Saying sorry seems to be difficult, if the songs about it are to be believed, and if we measure the time it takes Dutch governments to do it. But sorry is also very easy, if you consider how often you are not pushed aside in the queue for something or other, after the word 'sorry' has sounded behind you, or -... 

For me, the Bijlmer disaster is a grim memory that comes back every year.

It is not an everyday topic: where were you when the Bijlmer disaster occurred? But this disaster, of 4 October 1992, is discussed every year, especially by eyewitnesses. For me, it is a grim memory that comes back every year. And now for the 30th time. 'The Bijlmer disaster is the name given to the air disaster that took place on Sunday evening, 4 October 1992. A... 

Don't confuse autonomous arts with creative industries

Since the budget cuts from 2011 onwards, policymakers have been setting the so-called 'creative industries' as a model for the arts. Industrial design, architecture, graphic design and the gaming industry: the creatives have been nuked as a 'top sector'. This, I believe, is the deeper cause of the unease expressed in this newspaper's Cultural Supplement: the increasing instrumentalisation of the arts by policymakers. The piece 'Why the... 

KMSKA

KMSKA: Antwerp's 'new' museum: 'a muscle-white spaceship descended through the roof, after which the old building closed again like an oyster.'

Two museums for the price of one. With a Mona Lisa in the making. 20 km from the Dutch border. Which is more beautiful? The building or the collection? Last weekend, Antwerp's Royal Museum of Fine Arts reopened after no less than 11 years. And that resonates far beyond the port city. I walk inside with a Danish art historian,... 

I was in Sander Schimmelpenninck's country and didn't just see fascists

Almelo has been on the map for a few years now thanks to theatre. I went to see Van Katoen en Water on Thursday, an open-air spectacle with well-timed downpour and a full-moon rise like you can only experience in the almost gentrified old-industrial heart of Twente's poorest city. Mashed potatoes were served beforehand, with a johmas salad. Wine flowed profusely. In... 

'I wanted to be like Jesus'. 6 life insights from Ellen ten Damme

Haar leven is geworden zoals Ellen ten Damme (54) ooit droomde: vrij, opwindend en ze kan leven van haar muziek. Als een troubadour toert ze de komende maanden door het land met haar nieuwe show Barock. ‘Alleen in mijn Franse huis doe ik normale dingen.’ 1. Ik mag mezelf serieus nemen  ‘Als 3-jarige hing ik al aan de hoogste lantaarnpaal. Ik… 

Dit bizarre arbeidsconflict in Zeeland is slechts een topje van de ijsberg

Alex Mallems, de artistiek leider die in deze eeuw (sinds 2001) Zeeland op de kaart zette, is vertrokken bij zowel het festival Zeeland Nazomer, als bij het bijbehorende productiehuis Zeelandia. Dat is de uitkomst van een langdurig conflict met de sinds vorig jaar aangestelde zakelijk directeur, Sylvie Dees. Volgens een bericht in Theaterkrant zou hij volgens Dees ‘zonder toestemming toezeggingen… 

Walgelijk beeld of boomerpaniek? Amsterdam Fringe Festival baart opzien met campagnebeeld

Sommige dingen die vroeger leuk waren, kunnen nu niet meer. Dingen als roken in de klas, posters van David Hamilton op de studentenkamer, vrouwen onderbetalen, autorijden met een fles jenever achter de kiezen,  you name it. Deze week kwam daar een interessant relletje bij. Het Amsterdam Fringe Festival, het ondeugende zusje van het Nederlands Theaterfestival, koos een campagnebeeld dat, naar… 

What I learned from Alida Dors and the Dutch Playwriting Prize

Of the 122 stage texts read by the jury of the Dutch Toneelschrijfprijs, just under 30 were written by female authors. In a field where the number of female workers is huge, this is striking. Because, the jury rightly stated, in written Dutch theatre, the male gaze is still dominant. While the theatre audience percentage-wise more women... 

Lessons from Weimar (2): how in Germany politics and art celebrate an uneasy marriage.

"The government is demanding that we only show artists from our own region. That would be a huge drain for us, because we are an international art space. But we have found a way around it. We now invite top international artists who live here, or we offer them a residency, so they live in the city temporarily. That way, ... 

Een klimaatcode voor de kunsten? De vinkjes hebben het al moeilijk genoeg!

“Wij geloven stellig dat een goed ontwikkelde en breed geïmplementeerde Code Cultuur, Klimaat & Milieu de werelden van kunst, cultuur en creatie helpt om hun rol te pakken binnen het urgentste vraagstuk van deze tijd. Die rol is er een van sociale innovatie en creativiteit in dienst van de kunsten, maar ook in dienst van de maatschappij en een leefbare… 

Kunstfest Weimar opent met herdenking concentratiekamp Buchenwald. Waarom dat ook voor ons belangrijk is

“Dat we de huidige herinneringscultuur ongemakkelijk vinden, vindt zijn oorzaak al in het begrip ‘herinneren’. In de strikte zin van het woord kunnen we ons immers alleen iets herinneren wat we zelf hebben meegemaakt. Maar wat moeten zestienjarige scholieren zich herinneren wanneer ze de gedenkplaats van Buchenwald bezoeken? Op hen komt de oproep om zich iets te herinneren wat zelfs… 

Podcast! Editie 2022 baadt in zomerwarmte en vindt een nieuw hart. (lyrisch? Ja.) #tfboulevard

We maken halverwege deze editie van Theaterfestival Boulevard in Den Bosch de balans op. Host Wijbrand Schaap doet dat samen met Dana Kibbelaar, sinds dit jaar lid van de tweehoofdige directie (met Tessa Smeulers), schrijver en journalist Jowi Schmitz, danscriticus Helen Westerik, en de makers Oscar Kocken en Jellie Schippers. We hebben het over wat er zo bijzonder is aan… 

Into the open: dancing on stage and in the auditorium

A dance concert with a standing audience promises to be something new. Because how often does it happen that in the audience, whipped up by music and dance, you have to sit on your hands. This sounds like the outcome! We get to watch and move ourselves to Krautrock, mixed with trance-like repetitive parts. Lisbeth Gruwez and Maarten van Cauwenberghe invite us... 

Louise LeCavaliers Stations is a dialogue with space and the limits of the body

Expectations are high for Stations, the latest work by dancer and choreographer Louise Lecavalier. She has been a household name in the dance world for decades, first as dancer and muse of Edouard Lockes La La La Human Steps, and since 2006 with her own Fou Glorieux. Her intensity and athletic abilities are impressive, she terrifies the limits of her body. Also. 

Getting rich off corona: Rick Engelkes makes a bid for top prize with non-existent musical

Nice scoop from the Noord Hollands Dagblad today. Rick Engelkes, the perpetually wobbly soap opera actor who learnt the trade as a successful producer at Joop van den Ende, devised a musical that was never performed because of coronasteun. It earned him millions. Read the story here. Tl;dr: Engelkes announced in 2020 that he was working on a musical to... 

Rotterdam heading for 'new triangular relationship' with culture

There has been quite a lot going on around Rotterdam's Arts and Culture Council recently. For instance, based on a ramshackle investigation, to say the least, the alderman had rather bluntly decided to abolish the independent advisory body. It is too self-serving for his officials. His decision was debated at length at a City Council meeting in late June. Redundant debate... 

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