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In his new novel When I Come Back, Italian writer Marco Balzano reveals a hidden world: that of female migrants hired by prosperous Westerners to care for their demented elderly, children and household. In Eastern Europe, there is a word for the burnout affecting millions of Eastern European domestic and care workers: 'the Italian disease'. Migration is often portrayed as...
Argentine writer Aurora Venturini was 85 when she received the Premio Nueva Novela for The Cousins, which she had submitted anonymously. She finally got the recognition she craved, with this eccentric, fascinating story with equally eccentric and fascinating characters. In The Cousins, Yuna tells of her monstrous family of 'misfits'. Yuna herself is retarded and her younger...
The night of the sweet-soft child's voice of Marieke Lucas Rijneveld, of course; but also the night of Joke van Leeuwen; of Maria Farantouri and Mikis Theodorakis; of 'illusory poet' Hans Klok even; and of the families of Nisrine Mbarki and Ivo de Wijs. I will try to explain the latter in a moment, in my unpoetic style, forgive me. On my...
Fourteen years after the death of her Jewish mother, presenter Dieuwertje Blok found her war diary. With her debut Dragging Lightness, Blok pays a warm tribute to the woman who gave her life. A profession in the spotlight - Dieuwertje Blok is no stranger to it. Her grandmother Saartje, who as the daughter of fishmongers grew up in the Joden Houttuinen...
In Brengschuld, Jan Siebelink returns to his familiar Sievez family, adding a new chapter to the story of the downfall of their nursery. Ever since his biggest success novel Knielen op een bed violen, writer Jan Siebelink has regularly returned to his characters Hans and Margje Sievez, their son Ruben, and especially to their nursery in Velp. Also...
For her new novel The Taxman, Ariëlla Kornmehl did not have to look far for her inspiration. From one day to the next, she herself became a protagonist in a story, as it turned out that her tax consultant harboured a silent obsession for her. "When I read all those observations about myself, I was in shock," she says. After the publication
On 8 October 2022, ILFU will organise the Night of Poetry in Utrecht for the 39th time already. It is almost sold out which means that two-thirds of the cost is borne by visitors. "The night costs roughly 100,000 euros. If we sell out, the vast majority of the revenue already comes from tickets and about a third...
Mountains and Molehills is the name of the exhibition EYE has dedicated to Fiona Tan. A video artist who often works with archive footage. From EYE's image bank came the raw material for Footsteps: a personal document and also a look back at the Netherlands as we rarely see it.
Stop or keep going until you drop dead? And can you build on the other? Serious life questions that the occasional duo Peter Blok and Bas Hoeflaak will answer from a trapeze on the ridge of their circus, joking and snarking. The dry humour and mugshots of Peter Blok (experienced stage, film and TV actor) and actor-cabaret artist Bas Hoeflaak (Snipers) are...
Saying sorry seems to be difficult, if the songs about it are to be believed, and if we measure the time it takes Dutch governments to do it. But sorry is also very easy, if you consider how often you are not pushed aside in the queue for something or other, after the word 'sorry' has sounded behind you, or -...
It is not an everyday topic: where were you when the Bijlmer disaster occurred? But this disaster, of 4 October 1992, is discussed every year, especially by eyewitnesses. For me, it is a grim memory that comes back every year. And now for the 30th time. 'The Bijlmer disaster is the name given to the air disaster that took place on Sunday evening, 4 October 1992. A...
Since the budget cuts from 2011 onwards, policymakers have been setting the so-called 'creative industries' as a model for the arts. Industrial design, architecture, graphic design and the gaming industry: the creatives have been nuked as a 'top sector'. This, I believe, is the deeper cause of the unease expressed in this newspaper's Cultural Supplement: the increasing instrumentalisation of the arts by policymakers. The piece 'Why the...
The Netherlands Film Festival Conference also addressed the theme of diversity. How do we really make Dutch film for everyone? There is no ready-made answer. But there is the incentive to keep raising it. Speak out!
Two museums for the price of one. With a Mona Lisa in the making. 20 km from the Dutch border. Which is more beautiful? The building or the collection? Last weekend, Antwerp's Royal Museum of Fine Arts reopened after no less than 11 years. And that resonates far beyond the port city. I walk inside with a Danish art historian,...
Zeldzame hervertoning van Olow Seunke’s hooggeprezen debuut ‘De smaak van water’ ter gelegenheid van 40 jaar Kring van Nederlandse Filmjournalisten. Gerard Thoolen en Dorijn Curvers zijn adembenemend als de cynische ambtenaar en het meisje in de kast. Alsof Seunke de problemen in de jeugdzorg had voorzien.
Almelo has been on the map for a few years now thanks to theatre. I went to see Van Katoen en Water on Thursday, an open-air spectacle with well-timed downpour and a full-moon rise like you can only experience in the almost gentrified old-industrial heart of Twente's poorest city. Mashed potatoes were served beforehand, with a johmas salad. Wine flowed profusely. In...
Haar leven is geworden zoals Ellen ten Damme (54) ooit droomde: vrij, opwindend en ze kan leven van haar muziek. Als een troubadour toert ze de komende maanden door het land met haar nieuwe show Barock. ‘Alleen in mijn Franse huis doe ik normale dingen.’ 1. Ik mag mezelf serieus nemen ‘Als 3-jarige hing ik al aan de hoogste lantaarnpaal. Ik…
Alex Mallems, the artistic director who put Zeeland on the map in this century (since 2001), has left both the Zeeland Nazomer festival and its associated production house Zeelandia. This is the outcome of a protracted conflict with the business director appointed since last year, Sylvie Dees. According to a report in Theaterkrant, according to Dees, he would 'without permission make commitments...
Sommige dingen die vroeger leuk waren, kunnen nu niet meer. Dingen als roken in de klas, posters van David Hamilton op de studentenkamer, vrouwen onderbetalen, autorijden met een fles jenever achter de kiezen, you name it. Deze week kwam daar een interessant relletje bij. Het Amsterdam Fringe Festival, het ondeugende zusje van het Nederlands Theaterfestival, koos een campagnebeeld dat, naar…
Of the 122 stage texts read by the jury of the Dutch Toneelschrijfprijs, just under 30 were written by female authors. In a field where the number of female workers is huge, this is striking. Because, the jury rightly stated, in written Dutch theatre, the male gaze is still dominant. While the theatre audience percentage-wise more women...
"The government is demanding that we only show artists from our own region. That would be a huge drain for us, because we are an international art space. But we have found a way around it. We now invite top international artists who live here, or we offer them a residency, so they live in the city temporarily. That way, ...
“Wij geloven stellig dat een goed ontwikkelde en breed geïmplementeerde Code Cultuur, Klimaat & Milieu de werelden van kunst, cultuur en creatie helpt om hun rol te pakken binnen het urgentste vraagstuk van deze tijd. Die rol is er een van sociale innovatie en creativiteit in dienst van de kunsten, maar ook in dienst van de maatschappij en een leefbare…
“Dat we de huidige herinneringscultuur ongemakkelijk vinden, vindt zijn oorzaak al in het begrip ‘herinneren’. In de strikte zin van het woord kunnen we ons immers alleen iets herinneren wat we zelf hebben meegemaakt. Maar wat moeten zestienjarige scholieren zich herinneren wanneer ze de gedenkplaats van Buchenwald bezoeken? Op hen komt de oproep om zich iets te herinneren wat zelfs…
We take stock halfway through this edition of Theatre Festival Boulevard in Den Bosch. Host Wijbrand Schaap does so together with Dana Kibbelaar, since this year a member of the two-headed management (with Tessa Smeulers), writer and journalist Jowi Schmitz, dance critic Helen Westerik, and makers Oscar Kocken and Jellie Schippers. We talk about what is so special about...
A dance concert with a standing audience promises to be something new. Because how often does it happen that in the audience, whipped up by music and dance, you have to sit on your hands. This sounds like the outcome! We get to watch and move ourselves to Krautrock, mixed with trance-like repetitive parts. Lisbeth Gruwez and Maarten van Cauwenberghe invite us...
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