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4 Reasons why theatre performance Light in Leidsche Rijn is not all that nice by chance

Light is the name of the latest production by NUT, a theatre company with close ties to Utrecht's Leidsche Rijn district. It is theatre in a bubble in Utrecht's largest city park, and it starts with good food and drink. I went to see it, and again became even more of a fan than I already was. A few reasons, why that came about.

Inez Wolters creates family performance with Strawinsky circus: 'I believe ten-year-olds can handle a lot' #festivalcircolo

Tilburg-based chamber orchestra Kamerata Zuid, with dancer and choreographer Inez Wolters, performs Igor Stravinsky's L'Histoire du Soldat as a family performance. The performance will premiere this week at Festival Circolo, Holland's largest circus festival, also in Tilburg. Wolters is an all-rounder. With Swarmers, she stages dance on location, with audience participation. She also leads with her wild and... 

IN PERSPECTIVE #10: Tea, biscuits and a working title: Cultural Netherlands

I had coffee, tea and snacks ready. I had also asked my son, the designer, to sketch an example of a future logo for 'Cultureel Nederland'1. Although the Federation of Culture (FC)'s heyday took place at the chairman's house and not on the heath, it was meant to be a heyday. That is, an informal conversation about... 

Identity and diversity in circus: not hype but fascinating innovation #festivalcircolo

Nick van der Heyden, queer circus performer, garnered approving laughter from a room full of circus students in Tilburg. He just explained that he had found a new lease of life by doing his performances as an acrobat from now on as a drag queen. 'They thought something of that here at school. There, the new circus was mainly a matter of making it as simple as possible... 

Jesse Huygh balances high level with cystic fibrosis #festivalcircolo

When, at the end of his performance, he stands on top of a five-metre high pole, struggling to keep his balance, the audience holds its breath. As does Jesse himself, but he does not do so voluntarily. We watched him struggle for a performance with oxygen hoses and blood meters, pausing regularly to get air again. What if... 

We need to handle our last days differently, that much is made clear by POW-WOW by Minou Bosua. 

We die too late. Most of the time. After all, nobody wants to spend the last years of life leaking in a nursing home, cared for by ever-changing staff who do their stinking best but are incapable of the love that children, or close friends for want of it, could give. Better a pill than dementia, we say, but then you have to say 'Yes! 

The 59th Venice Biennale: there is so much to get behind the big and established names that has fallen away.

One might, when visiting the Venice Arte Biennale 2022, immediately shout 'woke' or 'wokism'. It's not that difficult, since the curator's choices emphasise female and non-Western artists.1 But I would find that too easy and ultimately unjustified. When you try to look fresh - forgetting all the reflections beforehand - it falls... 

Trapeze Annemieke van der Togt

Circus forms perfect backdrop for Kees Prins' tragicomic 'Trapeze'

Stop or keep going until you drop dead? And can you build on the other? Serious life questions that the occasional duo Peter Blok and Bas Hoeflaak will answer from a trapeze on the ridge of their circus, joking and snarking. The dry humour and mugshots of Peter Blok (experienced stage, film and TV actor) and actor-cabaret artist Bas Hoeflaak (Snipers) are... 

'I Say Sorry' masterfully makes tangible what a madness our slavery past is.  

Saying sorry seems to be difficult, if the songs about it are to be believed, and if we measure the time it takes Dutch governments to do it. But sorry is also very easy, if you consider how often you are not pushed aside in the queue for something or other, after the word 'sorry' has sounded behind you, or -... 

For me, the Bijlmer disaster is a grim memory that comes back every year.

It is not an everyday topic: where were you when the Bijlmer disaster occurred? But this disaster, of 4 October 1992, is discussed every year, especially by eyewitnesses. For me, it is a grim memory that comes back every year. And now for the 30th time. 'The Bijlmer disaster is the name given to the air disaster that took place on Sunday evening, 4 October 1992. A... 

Don't confuse autonomous arts with creative industries

Since the budget cuts from 2011 onwards, policymakers have been setting the so-called 'creative industries' as a model for the arts. Industrial design, architecture, graphic design and the gaming industry: the creatives have been nuked as a 'top sector'. This, I believe, is the deeper cause of the unease expressed in this newspaper's Cultural Supplement: the increasing instrumentalisation of the arts by policymakers. The piece 'Why the... 

'Sprouting dance on a bed of grass and sedum' - Carefull Art puts Utrecht artists on a very special map

"Over the past two-and-a-half years, I have started making choices. Where ten years ago I thought of going into life as a dance teacher, now the question is: do I really want to? What makes me happy, what do I want to share with the people around me?" For Lotte Willemsma, the first two years of the Corona pandemic were... 

I was in Sander Schimmelpenninck's country and didn't just see fascists

Almelo has been on the map for a few years now thanks to theatre. I went to see Van Katoen en Water on Thursday, an open-air spectacle with well-timed downpour and a full-moon rise like you can only experience in the almost gentrified old-industrial heart of Twente's poorest city. Mashed potatoes were served beforehand, with a johmas salad. Wine flowed profusely. In... 

In Perspective #9 - An IJ jump (About Production Houses Dance)

Next to the industrial complex was another large hoisting plant. Inside were some reminiscences of past activity. The factory hall in Amsterdam-North where Stork made its machines was now completely deserted, cold, bare and quite dirty. Here we stood, director and chairman of Dansmakers Amsterdam, Ger Jager and me. Was this going to be the new home for Dansmakers? And was much scepticism among our... 

'I wanted to be like Jesus'.' 6 life insights from Ellen ten Damme

Her life has become what Ellen ten Damme (54) once dreamed of: free, exciting and she can make a living from her music. Like a troubadour, she is touring the country in the coming months with her new show Barock. 'Only in my French home do I do normal things.' 1. I can take myself seriously 'As a 3-year-old, I was already hanging from the highest lamppost. I... 

This bizarre labour dispute in Zeeland is just the tip of the iceberg

Alex Mallems, the artistic director who put Zeeland on the map in this century (since 2001), has left both the Zeeland Nazomer festival and its associated production house Zeelandia. This is the outcome of a protracted conflict with the business director appointed since last year, Sylvie Dees. According to a report in Theaterkrant, according to Dees, he would 'without permission make commitments... 

Disgusting image or boomer panic? Amsterdam Fringe Festival causes a stir with campaign image

Some things that used to be fun cannot be done now. Things like smoking in class, posters of David Hamilton in the dorm room, underpaying women, driving a car with a bottle of gin behind it, you name it. This week, an interesting riot was added. The Amsterdam Fringe Festival, the naughty sister of the Dutch Theatre Festival, chose a campaign image that, to... 

What I learned from Alida Dors and the Dutch Playwriting Prize

Of the 122 stage texts read by the jury of the Dutch Toneelschrijfprijs, just under 30 were written by female authors. In a field where the number of female workers is huge, this is striking. Because, the jury rightly stated, in written Dutch theatre, the male gaze is still dominant. While the theatre audience percentage-wise more women... 

Lessons from Weimar (2): how in Germany politics and art celebrate an uneasy marriage.

"The government is demanding that we only show artists from our own region. That would be a huge loss for us, as we are an international art space. But we have found a way around it. We now invite top international artists who live here, or we offer them a residency, so they live in the city temporarily. That way, ... 

A climate code for the arts? Ticks have a hard enough time as it is!

"We firmly believe that a well-developed and widely implemented Culture, Climate & Environment Code helps the worlds of art, culture and creation to take up their role within the most pressing issue of our time. That role is one of social innovation and creativity in the service of the arts, but also in the service of society and a liveable... 

Kunstfest Weimar opens with commemoration of Buchenwald concentration camp. Why this is important for us too

"That we find today's culture of memory uncomfortable finds its cause already in the concept of 'remembering'. After all, in the strict sense of the word, we can only remember something we have experienced ourselves. But what should 16-year-old schoolchildren remember when they visit the Buchenwald memorial site? Upon them comes the call to remember something that even... 

A long and winding road to fair music rights

Paul McCartney - according to Philip Norman's biography (2016) - had discovered a nice extra source of income as an enterprising musician: the music rights of colleagues. He bought up the rights of others and the money flowed in. Friendly and naive, he tipped Michael Jackson to do the same and yes, to his shock, a few years later, music rights of The Beatles were... 

The most revealing summer festival: theatre festival Boulevard 2022 in Den Bosch

It could be because of the weather, or my mood, but 2022 was one of the best editions of Theatre Festival Boulevard I have experienced in decades. From the interesting, and also a little disruptive opening to the final night, which I experienced yesterday, I saw guts, passion and pushed boundaries. Not everywhere all at once, but... 

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