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IN PERSPECTIVE 6: The meter case and media art

In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: media art. Aan het Haagse Spui It were tough negotiations. The battle for the meter cupboard symbolised that. The chairman of the Hague Filmhuis, a former alderman, went hard at it. And the board of the World Wide Video Centre & Festival... 

Louise LeCavaliers Stations is a dialogue with space and the limits of the body

Expectations are high for Stations, the latest work by dancer and choreographer Louise Lecavalier. She has been a household name in the dance world for decades, first as dancer and muse of Edouard Lockes La La La Human Steps, and since 2006 with her own Fou Glorieux. Her intensity and athletic abilities are impressive, she terrifies the limits of her body. Also. 

Getting rich off corona: Rick Engelkes makes a bid for top prize with non-existent musical

Nice scoop from the Noord Hollands Dagblad today. Rick Engelkes, the perpetually wobbly soap opera actor who learnt the trade as a successful producer at Joop van den Ende, devised a musical that was never performed because of coronasteun. It earned him millions. Read the story here. Tl;dr: Engelkes announced in 2020 that he was working on a musical to... 

Rotterdam heading for 'new triangular relationship' with culture

There has been quite a lot going on around Rotterdam's Arts and Culture Council recently. For instance, based on a ramshackle investigation, to say the least, the alderman had rather bluntly decided to abolish the independent advisory body. It is too self-serving for his officials. His decision was debated at length at a City Council meeting in late June. Redundant debate... 

And the category is: shamanism

Voguing and religion in Yishun is Burning at Julidans Joke: A policeman from the US says he once got three armed drug dealers in handcuffs at the same time. A firefighter from England brags that he rescued 10 people from a burning flat. A Singaporean says he lives in Yishun. Everyone claps for the Singaporean. Yishun is the dystopian suburb... 

Peter Brook died. He gave theatre the ability to be universal

It was announced today that the great theatre innovator Peter Brook has died. He was 97 years old. In those years, he became one of the world's most influential directors and theatre innovators. He sought world-wide stories and told them through actors who were as diverse as the stories he told. I visited his theatre a few times,... 

IN PERSPECTIVE 5 - From order and power to student and power - On mergers and discomfort in arts education

"Miss, please give me the minister!". Henk Vonhoff's voice sounded as commanding as it was eloquent as he addressed his secretary over the intercom. Vonhoff was commissioner of the Queen in Groningen, but also chairman of the supervisory committee of the Groningen State University of Applied Sciences, the only college still directly under the minister. We, faculty directors, were at... for the umpteenth time. 

Jelinek's Kein Licht offers extra suffocation in already dark times. #HF22

Actually, it was too bad to persevere. Perhaps I should indeed have followed my impulse to walk away hard, but I stayed with Kein Licht. Indeed, this play, written by Elfriede Jelinek, composed by Philippe Manoury and directed by Nicolas Stemann, was technically quite good. Only that little dog, I so did not like that. Animals and... 

Perhaps we are all ready for low-incentive art

4 million Dutch people have a brain disorder. The Brain Foundation comes up with that figure in a campaign to make people more aware of the consequences of brain injury. Often that injury leads to extreme sensitivity to stimuli. Then loud noise, bright light or sharp smell is suddenly a big problem. People affected by these can find it difficult to go outside. That is why ... 

Carlos Gonçalves (Rotterdam Arts and Culture Council): 'According to the alderman, we have committed mortal sins.'

When he was appointed chairman of Rotterdam's Arts and Culture Council in December 2021, nothing seemed wrong. But less than six months later, he is virtually on the street now that Arts alderman Said Kasmi (D66) has decided to disband the Rotterdam advisory council. After 17 years. Gonçalves is baffled, certainly... 

Three hours of vogue in Harrell's Porca Miseria might be a little too much of a good thing. #HF22

There is at least one reason to go see Porca Miseria, Trajal Harrell's latest work. The Holland Festival hosts the American choreographer best known for his Vogueing work this weekend, and the soundtrack to his trilogy is nothing short of stunning. Starting with Willie Nelson and ending with the Lamento della Nimfa with which Claudio Monteverdi... 

Moby Dick

Moby Dick for the twenty-first century, genderqueer and layered #HF22

Moby Dick; or, The Whale is the latest gesammtkunstwerk by artist collective Moved By The Motion, Schauspielhaus Zürig and Wu Tsang. Her adaptation of the great American classic as layered as the book. Where Herman Melville uses accounts, scholarly sources and monologues, Tsang deploys film and music. In a collage of theatrical performance, dance, found footage, animation and documentation nature footage,... 

Persuasive theatre on theatre about climate crisis - A play for the living in a time of extinction

On the day a group of Dutch climate scientists announce that we are not going to make 'Paris', A Play for the living in a time of extinction premieres. How do you make a play about the biggest crisis threatening us? How do you make sure you keep making theatre and not agitprop? Or maybe it's not so bad at all.... 

Turning against the dying of the light at the direction of Katie Mitchell #HF22

If humanity goes extinct, there has been a woman somewhere who was the last not to have a child. To whom does that honour belong? At the Holland Festival, an ensemble of 12 performers now perform a requiem for that last non-mother. Actress and singer Joy Wielkens is the extraordinarily disarming high priestess in this at times quite heavy evening, in which the end of... 

Yemandja, in setless version, is very much neatly American though.

It shows either enormous guts, or boundless naivety, to make a musical in which a slave trader in Africa is converted by a song to a life of love and respect for fellow human beings. Yet Yemandja, the play that was performed in a setless performance at the Holland Festival, is actually just that. I could also explain... 

IN PERSPECTIVE #4: International solidarity.

In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: international solidarity. When Hans van Manen does want to receive Russians Scene 1. White House lawn On the lawn in front of the White House, first lady Pat Nixon1 walks past the assembled choirs singing to her. Suddenly, during a silent moment, the... 

Zeruya Shalev wrote a beautiful novel about mourning: 'I felt the pain as if it happened to me'

With a fine, precise pen, Israeli Zeruya Shalev (63) writes about human relationships. Her new novel Lot is about what binds and drives loved ones apart, and about the different faces of grief. Sentences that want to be written For some writers, a book begins with an image, a pressing question or a character that presents itself. For Zeruya Shalev, a... 

Wallen, the grande dame of French R&B world, returns for exclusive performance in Amsterdam

"You know, I am just a little man, I want to introduce you my wife," France's Abd al Malik told the Holland Festival audience. Right he was, as his Moroccan wife Wallen was undoubtedly one of the queens of the French R&B world from 2001 to 2008. This set the tone, as the acclaimed singer shone 18... 

Hearing and seeing pulled apart in fascinating project by C de la B at Holland Festival #HF22

What does trauma do to people? A lot, I can say now, after hearing and especially seeing Le Moindre Geste at the Holland Festival. The performance is very special in its conception, and for that reason alone beautiful to experience, and confronting, for both the amateurs who performed it, and the fans who watched it. Le Moindre Geste can be... 

In Perspective #2 - Centres for the arts, threatened and promising, part 2: beyond the A7

(What preceded. In the previous chapter, I thought back to my father. Who sought support from a predecessor of today's Cultuurconnectie to set up a creativity centre. And how he himself later downsized an arts centre precisely. Most municipalities now focus on cultural education in education, not on individual amateurs. What is the best model? And can you... 

In Perspective #2: Centres for the arts: threatened and promising - urban facilities

My father had received a visit from Amsterdam. It was a gentleman from the Association for Creativity Development VCO. He came to advise on how to set up a creativity centre and how to apply for a subsidy from the municipality. Goldsmithing was my father's hobby - secretly the profession he had hoped for as a boy - and in our... 

Moving during Bolojo star Zeynab Abib's performance at Holland Festival

Benin singer Zeynab Abib had some making up to do. And she did. As a guest artist in the opening performance of the Holland Festival last week, she performed in the limelight with Holland Festival associate artist Angélique Kidjo, but didn't quite pan out. This time, not in the big Carré but in the more intimate Great Hall 

Altamira 2042 makes you realise how powerless we are against the madness of progress. #whereisdomphillips #whereisbrunopereira #hf22

How do you play a rainforest? I was once told that the rainforest makes deafening noise especially at night. On 7 June, I got to hear the same thing in the installation Altamira 2042, thanks to the Holland Festival. In that performance, Brazilian artist cum documentary filmmaker Gabriela Carneiro da Cunha managed to make the sound of the tropics tangible. In a... 

Sami Yusuf overwhelms packed Concertgebouw with cinematic music spectacle

It's quite something, what Sami Yusuf brings to the stage: his own accompanying group of seasoned pros, the heavenly voices of Cappella Amsterdam and the traditionally Mediterranean sounds of the Amsterdam Andalusian Orchestra. Together, this results in a sound experience that moves from calm ponds with a gurgling fountain, to dry steppes winds, raging seas and overwhelming mountains. There could effortlessly be a... 

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