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FILM

Moving image. To be seen on TV, in a museum, in a cinema. On an iphone.

Welcome to the Jungle: a catastrophic clusterfuck at the Channel Tunnel

Maaike Engels (video artist and filmmaker) and Teun Voeten (war photographer and cultural anthropologist) made Welcome to the Jungle. A documentary about the utter chaos in the makeshift migrant camp near the canal tunnel in Calais, where some 6,000 people are now waiting in harsh misery for their chance to travel clandestinely to England. Welcome to the Jungle is a painful and bij... 

Watch tip: We Are Jung, We Are Stark

It is not often that a film about an event in 1992 is so poignantly topical. That was when a group of some 300 right-wing radicals set fire to an asylum seekers' centre in Rostock. Miraculously, no one died then. But it did scar many for life. Among them was the director of Wir Sind Jung, Wir Sind Stark. Filmmaker and son of... 

The Netherlands' most intimate film festival can be found in Leiden: #LIFF15

10 years ago, it all started. A group of recent graduates of Leiden University found that their dear Alma Mater [hints]Latin for nurturing or caring mother. Alma mater refers to the university or sometimes the school where someone received their education. In ancient Rome, the term Alma Mater was used for the mother goddess; in the Middle Ages, Alma Mater referred to... 

Peppie ate Michael Rockefeller, but no one will ever tell

On 20 November 1961, Michael Rockefeller was eaten by Peppie the cannibal. It happened on a muddy riverbank in the Asmat, a swamp area on the south coast of what is now Papua New Guinea. Shocking enough, that fact. Shocking also is that no one is officially aware of it. No perpetrators have ever been identified, no one has confessed, but there are... 

Berlin plays Tagfish, poetic documentary theatre about emptiness, and more emptiness

From today, the documentary performance Tagfish tours the Netherlands. The Belgian theatre collective Berlin has been making finely crafted theatre installations since 2004, playing on the border of documentary and fiction, television and theatre, current affairs and eternity. Tagfish is ostensibly about the perils surrounding the redevelopment of a piece of wasteland near Essen. Die Zeche Zollverein already had a monumental... 

Architecture Film Festival: Raw concrete on the big screen

From confrontational brutalism to the flowing lines of Frank Gehry and from timeless London to the Paris of Eric Rohmer. Some of the selections from the Architecture film festival that starts on 8 October in Rotterdam. We take a dive into the programme in advance. In its existence, the AFFR has managed to hold its own against other thematic... 

Chantal Akerman: 'I cannot see myself, because I am myself'

Not many directors have become very iconic very young. Chantal Akerman was, both for experimental film and feminist. She broke through in 1975 with Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, a film that is as disruptive as it is understated. It is her most important work, and also her most radical. The protagonist leads an existence of... 

Monks and hippies in search of enlightenment

Among the dozens of film festivals in this country, there is one that forms a small island of tranquillity and contemplation. The Buddhist Film Festival Europe, now in its 10th year, is a multi-day festival with, about and by Buddhists, or Buddhist-inspired. Now that everyone is all mindful, we go back to the source with festival director 

Autumn of reflection

Movies that Matter will not only see you at the festival in March. The film event, organised by Amnesty International, will also tour several film houses in the Netherlands this autumn. It kicks off in October with the screening of Hubert Sauper's documentary We come as friends. In his earlier film Darwin's nightmare, this award-winning Austrian showed... 

Dutch Film Special (3): Beauty film, eh! Dutch in Toronto

How is Dutch film doing beyond its borders? Just before the Dutch Film Festival breaks loose, its big international brother in Toronto (TIFF) kicked off. Red carpets, big stars and ditto premieres. It may be slightly less well-known here than Cannes, but the TIFF is at least as important. For example, in the run-up to the Oscars. Not a bad thing, then... 

Italian grandfather of arthouse cinema

With Michelangelo Antonioni - Il maestro del cinema moderno, EYE has once again managed to put together a flawless and solid film exhibition. George Vermij visited the exhibition on the Italian master filmmaker and looks back on his influential oeuvre. In Dino Risi's road movie Il Sorpasso (1962), the passionate and extroverted Vittorio Gassman takes on a young and reserved Jean-Louis Trintignant... 

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