Usually without lyrics, often with music, always with movement
The first weekend of October saw the Netherlands Dance Days (NDD) take place in Maastricht. As Ruben Brugman reported, important prizes for the dance world are awarded there. But the Dance Days seem mainly intended to promote Dutch dance, more than being a critical evaluation or artistic boost. At the Dance Days, no pithy speech on the State of Dance as...
Those who go to a dance performance want to enjoy beautiful movements, expression, movement composition and a fine stage setting, wrapped in music or a soundscape. But there is something, which is always overlooked: the sound of dance itself. Dancer and choreographer Eline van Ark discovered that this forgotten aspect holds great richness and subtle expressiveness. The sound...
During a festive dinner at Theater aan het Vrijthof in Maastricht, 'Zwanen' were awarded to dancer Jorge Nozal of NDT 1, Ann Van den Broek for The Black Piece and to Roel Voorintholt (Gouden Zwaan), artistic director of Introdans. The annual highlights festival De Nederlandse Dansdagen hosted this successful 'Swan Dinner': posh sponsors and stakeholders ate side by side with messy dance artists. This is how it should be...
Bodies are dragged away to loud applause and cheers: a more symbolic beginning Nederlands Dans Theater could not have imagined. With Start Again, the international ballet company highlights an exile until 2019 at the harbour in Scheveningen. A tricky location, because remote. But also a dynamic place. A Dutch choreographer would surely invent a choreography there with ferries, cutters and lifeboats. NDT, however, chooses the...
A Korean in a military suit singing karaoke, a crotchety dancer mewling with her knees kneading the floor, eight elderly people sweeping in and a son who turns out to be the father. Don't try to interpret this performance, the line of believability is miles behind you. Welcome to Father. 'Nothing is taken for granted anymore, boundaries blur, the old...
From 22 November, the five-part NTR series ADO danst can be seen. This is not the first time football and dance have merged. Surely the most famous example of football and dance is Schijnbewegingen: an NOS film by Piet Erkelens and Pim Marks about the similarities between the two different worlds. They showed this through interviews with...
Two choreographers exploring how a dancer and the eye of the audience interact. Dance makers who rattle common ideas about identity and sexuality. Artists who confront us with the dreams of perfection and glamour that advertising and marketing throw at us. The famous Cullberg Ballet made a striking choice by performing choreographies by the...
Got that. Do I get increasingly impressed during the National Ballet's evening Cool Britannia, turns out it's not that good at all. Because connoisseurs react lukewarmly afterwards. Am I that dumb, or are they that smart? There is actually very little British about Cool Britannia. Except that the choreographers are from there. An obvious...
Manger, the new performance by Boris Charmatz and Musée de la Danse, gives spectators all the space they need. Where you line up to watch or just to listen, who or what you watch and for how long, is up to you. The Purification Hall on the Westergasfabriek site, majestically empty and echoing, creates a wondrous atmosphere in this for Charmatz'...
Emio Greco and Pieter Scholten rehearse their new performance Extremalism in Marseille. The two dance companies under their direction, ICKamsterdam and Ballet National de Marseille, have merged for this occasion: 30 dancers on stage, six authors and designers in the auditorium, and the crew of technicians is also made up of Amsterdamers and Marseillais. They are working together on the biggest production that Greco and...
Last week, the planned dance performance Q61 Cemetery at a cemetery in Alkmaar caused a stir. After threats, it was cancelled. Still, we have to get used to theatre in the cemetery. Because it is changing. A reaction from a bereaved person and the cemetery manager. It was big news. And it started with summary proceedings. Relative Leen Spaans objected to a dance performance at...
It is a special year for Ann Van den Broek as she celebrates a 15-year anniversary as a choreographer. That the performance Q61 Cemetery of dance collective WArd/waRD would cause so much noise she probably did not foresee.
It's dance, but not as we know it. That's the best way to describe the current edition of Korzo and Nederlands Dans Theater's dance festival Spring Awakening. With two wonderful standouts, by choreographers Tom Weinberger and Kenzo Kusuda.
Nederlandse Reisopera, Gluck: Orphée et Eurydice (opera), 1 May to 6 June Dazzling debut by director Floris Visser at the Nederlandse Reisopera. Rather than showing a centuries-old opera about an even much older myth, he exposes the core of Gluck's opera. It results in a heartbreaking performance about mourning and the inability to accept that your loved one is no longer there....
The only thing really old-fashioned about La Dame aux Camélias is the cheering applause, as if you were in Milan's Scala. And it's not even premiere night. Director Ted Brandsen did a hit with this classic with the Dutch National Ballet. We have proof of it. With Periscope.
Festival Rumor 80, an irregular regular in Utrecht at three different locations each time, will show choreographer Marc Vanrunxt's new work Real, So Real this Friday at Theater Kikker. Starting point is Three Voices, a 1982 composition by Morton Feldman. A wonderful Flemish collaboration by Kunst/Werk and ChampdAction. Dancer Marie De Corte and singer Els Mondelaers shine in Real, So Real. The...
In June, Boris Charmatz comes to the Holland Festival with manger. He introduced the theme of adults touching children at the former papal palace in 2011. A statement on a tricky current issue. Why don't choreographers speak out more often on poignant topical issues? Pass by new works from recent months and it strikes you that there are hardly any choreographers among them who...
Watching with your ears Is this a performance to watch or to listen to? This question may come to mind with 'Clubbing' by choreographer Keren Levi and musician Tom Parkinson. Are the dance moves the main thing or the sounds produced by the club of six women? A dancer/performer opens a suitcase and sets up a 'sounds kitchen'. [Tweet "A...
Miracles happen underground near Geneva. Or rather, those miracles happen every second around us, but underground at Geneva, they are being recorded. In 2013, they discovered God, or at least, a gate of light that betrayed the existence of the Higgs boson, the most elementary particle of elementary particles, which provides mass to everything around us. On 18...
In a chock-full DeLaMar theatre, deputy director Robert Guijt presented the 2014 Dance Audience Award and Dance Photo of the Year on 23 February 2015. This fitted well with the festive premiere of Crazy Blues by winner International Dance Theatre. Many acquaintances from the dance world performed at the DeLaMar. 'Hans van Manen is sitting beautifully on Princess Beatrix's chair,' joked Guijt. The same...
Ukraine, Boko Haram, IS, the economic crisis. The world resembles a borderline patient, as Ricardo Semler states. Dance festival CaDance also likes to hold a mirror up to politicians and power. With Exhausting Space by Spanish choreographer Iván Pérez succeeds just fine.
The minister was there. Of course because Introdans is an important company, but it was nice to be able to present two awards at this evening of three world premieres. And that that then got a ministerial touch. Proud of. Roel Voorintholt, artistic director of Introdans was chosen by the audience as the winner of the Oeuvre Prize for his work with...
Recently, a choreographer in England lay under fire. As artistic director, he would not be able to judge his own work objectively. Promptly afterwards, a debate ensued under the title Do choreographers need editors? On seeing Strike Root of NDT, that question lingered: do choreographers need a dramaturge?
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