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PODIUM ART

Anything for which people enter a stage.

Carlo Boszhard as a gnome: 3 reasons why 'Maestro' does suck

Tonight (Thursday 18 December), the second season of TV programme 'Maestro' will have its finale. Dutch celebrities such as schlager singer Frans Duijts and presenter Sylvana Simons try to conduct a symphony orchestra under supervision. They will be judged by conductor Otto Tausk, violinist Isabelle van Keulen and double bassist Dominic Seldis. Letter writers and columnists tumble over each other in condemning the programme. 'Maestro' would be a knee-jerk... 

Anne Teresa De Keersmaeker and Brian Eno during rehearsals for Golden Hours, 12 December 2014, photo © Anne Van Aerschot

Rosas away from Brussels? The political game has begun.

Choreographer Anne Teresa De Keersmaeker sends out an alarming press release. Following the decision by the Brussels theatre De Munt/La Monnaie to stop programming dance, she wonders whether Rosas is still welcome in Brussels. "The news that the management of La Monnaie is scrapping all dance fills me with disbelief. Historically, ... 

Questions, stillness and resistance: choreographer Nicole Beutler's new Echo and earlier work on tour in the Netherlands

5:Echo, choreographer Nicole Beutler's most recent production, is a curious show. All focus is on two famous pioneers of Dutch dance in the 60s and 70s: Ellen Edinoff and Bianca van Dillen. Yet Echo mainly shows how impossible (and perhaps undesirable) it is to want to revive past glories. Dancer Kelly... 

La bohème 2: verismo of the highest order

After the premiere of Puccini's perhaps most beloved opera La bohème at De Nationale Opera last Thursday, critics were divided in their reaction. Trouw praised conductor Roberto Palumbo, who 'can maximise Puccini's masterful effects', Place de l'Opéra chided the Italian for taking 'too much freedom in the phrasing of the melodies'. Culture Press colleague Henri Drost did not keep it dry 

The Hague takes the lead in rejuvenating theatre landscape: De Vroedt not going to Rotterdam

Eric de Vroedt will succeed Theu Boermans at the Nationale Toneel in The Hague in 2018. The company announced this in a press release today. This puts an end to speculation surrounding the future of theatre-maker De Vroedt. Indeed, he had long been mentioned as Alize Zandwijk's successor at the ro Theater in Rotterdam,... 

Open, flexible and on top of everything: 9 expected and unexpected tasks for the theatre of the future

What does the theatre of the future look like? That question Odeon De Spiegel Theatres posed to the FMT Workforce, the online brainstorming environment of our partner Fast Moving Targets. We also brought the message here. Odeon and De Spiegel are two theatres in Zwolle. Well-run theatres, but always looking for the new opportunities offered by new technologies and developments.... 

La Bronkhorst and very young Van Noten dance Ende der Zukunft: bold initiative with ditto outcome

Dancer and choreographer Truus Bronkhorst initiated a collaboration between Antwerp-based Kunst/Werk and Tilburg-based T.R.A.S.H. The double programme and duet combines choreographies by Marc Vanrunxt and Kristel van Issum. Ende der Zukunft has become a wondrous staging of gaping gaps: of time of life, of artistic experience, but above all of artistic conception. Intergenerationality (oui, c'est un mot) concerns relationships that... 

Bird twittering instead of revenge

Saturday 6 December sees the start of the first edition of Music Theatre Days, the successor to the annual Babel Festival. To present the work of young makers, the Ostadetheatre and production core Diamantfabriek joined forces again, for a programme that offers flash performances by conservatory students alongside world premieres by professional makers. Splendor's monthly Salon also takes place at the Ostadetheatre. Red thread... 

Camerata Trajectina 40 years young

In a sold-out Geertekerk in Utrecht, Camerata Trajectina exuberantly celebrated its fortieth anniversary yesterday. In those four decades, the ensemble has worked tirelessly to put the Dutch song repertoire from the Middle Ages to the Golden Age on the map, not only on stages, but also on sound carriers. Entirely in style, attendees were treated to a varied... 

Stefan de Walle and Ariane Schluter in Friday, photo Kurt van der Elst

Living on with indigestible guilt to each other's ruined existence: National Theatre plays Hugo Claus' Friday

Georges Vermeersch comes home early from prison, where he was serving a sentence for incest with his daughter Christiane. In the meantime, his wife Jeanne has had a child by younger neighbour Erik. So how to move on? Casper Vandeputte directed an intense, haunting version of Hugo Claus' play Friday at the Nationale Toneel. Lead actors Stefan de... 

Brian Ferry, Send in the clowns: don't bother, they're here

Brian Ferry covers Stephen Sondheidm's Send in the clowns on his new album Avonmore. But his version above all else illustrates the sigh that follows 'Isn't it rich? Isn't it queer?' follows: 'Losing my timing this late in my career.' It seems so easy. You don't have to write a good song yourself, but you take one from someone else.... 

dance church

How a dance house in Amsterdam is now succeeding

While Amsterdam languished for years with a plan for a Dance House, Chassé Dance Studios will open its doors in December. The former Chassé church has been transformed into a multifunctional centre with eight professional dance studios, 45 hotel rooms, a gym in the ridge, and a grand café. Lenny Balkissoon, ex-dancer and actor (Zeg 'ns Aaa) financed, designed and organises the construction. Cultural entrepreneurship in turbulent times. It can be done.

The Amsterdam municipality made 1.8 million euros available...

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Plastic Junkies by Antonin Comestaz, photo Robert Benschop

Squeaky plastic and schizophrenia in Here We Live And Now by NDT and Korzo

Among the audience at Korzo theatre in The Hague at the performance 'Here We Live And Now' are a striking number of dancers from Nederlands Dans Theater (NDT). No wonder, as many of their colleagues are involved in this performance. This annual programme featuring young choreographic talent is a co-production of NDT and Korzo. The addition 'Hague' talent, by the way, may be taken with... 

Google and facebook take over role of galleries, publishers and impresarios

For most artists, it is an ideal. Being represented by a gallery. Writers have their sights set on a contract with a publisher. Musicians eye labels eagerly and theatre-makers queue up for an impresario. Creators have a love-hate relationship with such intermediaries. Because while the average creative professional would be willing to spare a toe in exchange... 

Austin Peralta has been dead for 2 years. But he gave us the jazz of the future

Stories about jazz are more often about dead heroes than about the future. If they do reflect on jazz's prospects, they are usually bleak. The genre has been declared dead more than once, and if jazz is not dead, it has at least moved or smells funny. British essayist Geoff Dyer published a decade... 

Roos Rebergen surprises with translation Bowie classic at party in Paradiso

Five years. You have to get through it. Not everyone is always charmed by the petite girl diction of Roos Rebergen (Roosbeef). But what a throat. And what a presence. So it is more than ok that Roos Rebergen did something daring at David Bowie's career anniversary party: perform a translation of Five Years, the opening track of David Bowie's classic album... 

Forget that swan. But where is Lohengrin? ****

Those stars at reviews. Now I'd like to know how you got those. Explain.

Good. The first thirty minutes of Wagner's Lohengrin at De Nationale Opera are unforgettable. First the Vorspiel with the curtain closed, played heartbreakingly beautifully by the Netherlands Philharmonic Orchestra which, under Marc Albrecht's direction, does justice to every nuance. We haven't heard it this impressive and...

But will they maintain that level?

Yes indeed! It only gets better. The orchestra z...

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Bowie turns his career around. And it works

Starting with the most recent issue. And then chronologically go back in time to somewhere deep in the 1960s. And then titling it 'Nothing has changed'. Brilliant move by David Bowie. All biographers can immediately throw their work in the bin. After all, anyone who grew up with David Bowie's music chronologically could not help but be continually bewildered... 

See monumental visual art? Go to the opera!

For fine art, you go to the museum, especially in Amsterdam and especially now that all the museums have reopened. But there is also another option: the opera. There you see visual art that doesn't fit in any museum, not even in the largest room of the Rijksmuseum. Take the Greek sculptor Jannis Kounellis. From today, his work is a... 

Keeping is no good, throwing away is wrong: comical lesson in self-reflection from Firma MES

Twenty-five per cent of people have a room they can no longer enter because it is too full of stuff. This is oppressive and it is no wonder that some resort to the other extreme: radical consumerism. In TROEP, theatre group Firma MES follows Barbara, a woman who wants to live with no more than eight objects. Just like Buddhist monks. This results in a delightful, witty play that is seriously thought-provoking and shows how renouncing is just as bekl...

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4 lessons you can learn from Stromae: everything is about connection

We usually don't think about it, but marketing is all around us. And that while we can learn a lot from all those good examples. And certainly also from the not so good ones. Recently, I saw on TV an interview with the world star Stromae. This young Belgian rapper and musician has been very successful in recent years. Whether you... 

The Danes don't get it. What orchestra dares to put the pepper where it belongs?

Update: text amended after tips from our observant reader Sebastiaan Smits. The Danish National Chamber Orchestra is quitting as of 31 December. Economised away. But not because of this video, then, Sebastiaan Smits managed to report. @culturepress Is not a protest, but a promotion for chilli. http://t.co/GfsyPJUF2k- Sebastiaan Smits (@sebastiaansmits) November 7, 2014 @sebastiaansmits Thanks for the addition then. We will correct it. To be sure:... 

Maas Theatre and Dance's Greeks: compelling and bewildering for young and old alike

First story. A naked king crawls at the feet of a woman. She is much taller than him, a goddess. High above him, she holds a bunch of grapes in her hand. Hungry he is! He wants those grapes, all of them. His body is vulnerable. It seems to shiver in the open air. But when it comes to the coveted food, he fetches... 

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