With text, movement, actors, sets.
From today, it is not Leeuwarden, Amsterdam, Utrecht or The Hague that is our country's cultural capital, but Den Bosch. For eleven days during Theatre Festival Boulevard, there will be more to see in that city than all to follow. Lots of new and unique work for Den Bosch, but also some performances that have already played in other places. Herewith our five recommendations. Have...
Cabaret artist Marjolijn van Kooten (43) has an anxiety disorder. With her book 'Schijtluis', she wants to break a taboo: if you suffer from an anxiety disorder, you should not be ashamed of it. Van Kooten writes extensively about her fears in 'Schijtluis'. It makes for a quirky and disconcerting book. Schijtluis is a diary. Openly and honestly, Van Kooten describes...
There was an air of more expensive perfume in the foyers than at a Dutch gala premiere. The women were younger and smoother, or had a better botox doctor than usual. The jewellery looked very expensive, as did the dresses. Russian sounded everywhere. It seemed as if Amsterdam's Stadsschouwburg had been moved for a while to PC Hooftstraat, a few hundred metres away....
Last night, Nazmiye Oral, together with a large group of Turkish colleagues, played the performance Niet Meer Zonder Jou for the third and, for now, last time. It is an intimate and overwhelming theatre production by Adelheid Roosen, Female Economy & Zina, co-produced by and performed during the Holland Festival at Broedplaats De Vlugt, far west in Amsterdam-Slotermeer. Tearing die Nazmiye Oral calls...
Theatre maker Corinne Jaber received nothing from her father about his roots, except his passion for cooking and good food -she says in an interview. The outbreak of the Syrian civil war made her curious about her father's background. Together with Palestinian author Amir Nizar Zuabi, Jaber interviewed Syrian refugees in refugee camps. The result is this monologue, in which a fictional, half-Syrian-half...
2014 was the year of Ayn Rand's The Fountainhead, award-winning stage adaptation by Ivo van Hove. This year, that performance has been outstripped by 'Passions Humaines', written by Erwin Mortier, magisterially designed by Guy Cassiers. Again at the Holland Festival, confirming its place as a stage for the great debate on art. Two plays in which architecture, artistry and...
Power and leadership, can one exist without the other? Toneelgroep Amsterdam presented a sampling of three types of leaders on Sunday 14 June at the Holland Festival with 'Kings of War'. Three historical plays by Shakespeare about the struggle for power between the Houses of Lancaster and York together provided the fuel for this performance. With large black letters on a white...
Every company 50,000 euros more. Youth theatre in the Netherlands should be very happy with the letter culture minister Bussemaker sent to the chamber last Monday. After years of squeezing under Halbe Zijlstra, finally more air for the makers. But the investment of 4 tonnes a year turns out to be a cutback. In fact, Bussemaker is only giving a gift to eight companies. Company...
Der Untergang der Nibelungen - The Beauty of Revenge at Berlin's Maxim Gorki Theatre on Wednesday, 10 June, with its duration of 2.5 hours - without intermission - did quite an assault on the sitting flesh. Granted, Wagner spared four complete operas for his version of the medieval Nibelungenlied and director Peter Jackson devoted three full-length films to the also...
For the first time in years, Robert Wilson is back on stage by himself and he proves what a sublime performer he is. In Samuel Beckett's play Krapp's Last Tape, he plays an old man looking back at his younger self. His older self is almost without language, but with cries, grimaces and gestures. Wilson manages to take the play to its bitter...
A confession. There is no other way. So: yes. I was lying between immaculate white sheets in a comfortable bed with actress Lina Issa and it was beautiful. She whispered soft words in my ear, put a hand on my hand and it was very quiet around us. Thanks to that whispering, the noise of the big city fell away. Trams...
Visiting M.U.R.S. without the app on your smartphone is a challenge. The performance by the infamous Barcelona-based theatre collective is a commentary on how people are unwittingly becoming part of a SMART society run by international corporations via all sorts of gadgets. Are you in or out? Is there actually anything to choose? According to Jürgen Müller, one of the founders of...
An old man strolls into the hospital ward with a transistor radio. 'Where did you go blind?' the blind people already present ask the newcomer. 'In a museum,' he replies. A moving conversation then unfolds about what was the last painting he saw, and the possibilities are projected onto the wafer-thin canvas that separates the audience from the sick room. This tot...
A tricky question, but Festival Havenwerk director Erik-Jan Post has an idea and likes to bad some sacred cows. About arts education. About the concept of 'amateur'. About how big you should want to be as a festival. 'We are much less a festival in the classic sense. Havenwerk is more of a meeting place, with the participants at the centre. This year, therefore, the entrance fees are...
Three Sisters by Chekhov directed by Theu Boermans is back with the Nationale Toneel. Two and a half years after its original performance, the play will play nine times exclusively at the Royal Theatre in The Hague. There is news about all three "sisters". Anniek Pheifer (Masja), Ariane Schluter (Olga) and Sallie Harmsen (Irina) talk about their careers and about Chekhov....
Theatre group Vis à Vis, based at Almere Strand since 2007, has been around for 25 years. In all those years, the group has mainly made accessible, successful open-air theatre performances such as PICNIC, Silo 8 and HaRT. Visual comedies with lots of spectacle, where solid themes are treated in a light-hearted way. EXIT is their anniversary performance. A dozen questions to Arjan Anker, artistic director of Vis à Vis:...
Europe's biggest hangout. That's the best way to describe the roof of that half-sunken car park in the heart of Rotterdam. Transformed fifteen years ago into the impression of a ship's deck, that 'Schouwburgplein' is now mostly owned by groups of skaters, vagrants, street urchins and other metropolitan troublemakers. Visitors to the Schouwburg usually rush without looking around too much to the...
Yes, it can be done! Less is more! I heaved the last sigh on Wednesday 13 May in response to Hector Berlioz's production Benvenuto Cellini, which Monty Python director Terry Gilliam made for the National Opera. Immediately the same evening, I was caught off guard at the premiere of The Peach of Immortality by Rieks Swarte at the Toneelschuur in Haarlem. It concerns a...
Berlin's Gorki Theatre won a prize this year: it was named the best theatre in the German language area by the German-language press. The company won the award partly because it employs many actors of immigrant origin. With its performance Der Untergang der Nibelungen, which can be seen in this year's Holland Festival, the group also thematises the...
De snelste, en mooiste, manier om door Leidsche Rijn te fietsen, is langs de Groenedijk, en dan helemaal tot het eind. Op 20 minuten peddelen van Utrecht Centraal ligt daar sinds kort, en sinds 2000 jaar, Castellum Hoge Woerd. Het is een nieuw gebouwd idee van een Romeins fort dat hier de oude grens van het Romeinse Rijk bewaakte, langs…
At Amsterdam's Stadsschouwburg, Hans Kesting will once again play the title role of Shakespeare's Othello, in a legendary version by top director Ivo van Hove, already 12 years ago. A stone's throw away, at De Balie, is the equally impressive actor Kenneth Herdigein in David Mamet's play Race. Why connect the two? Hans Kesting, the...
The 1970s have for some time been the target of what we shall conveniently call the up-and-coming generation. And so we are talking about the 1970s as the glory years of hippy-dom, the jubilant times of the left-wing church and everything else that, with today's knowledge, is dirty and dirty. They were the years when...
Nederlandse Reisopera, Gluck: Orphée et Eurydice (opera), 1 May to 6 June Dazzling debut by director Floris Visser at the Nederlandse Reisopera. Rather than showing a centuries-old opera about an even much older myth, he exposes the core of Gluck's opera. It results in a heartbreaking performance about mourning and the inability to accept that your loved one is no longer there....
A girl stands waving and around her a rain of soap bubbles descends, so many that it almost seems as if the girl is taking off. She stands swaying and her ecstasy and tears of joy slowly turn to deep despair and disbelief. What she sees cannot, cannot be true, because it destroys everything she is - to what she...
Adam and Eve. Noah. Babel. Joseph. An entire book of the Bible Johan Doesburg casts in his farewell performance with the Nationale Toneel. 'Genesis' lasts 6 hours including intermissions, has 65 speaking characters and plays with the space of Scheveningen's Zuiderstrandtheater. But above all, the outgoing director wants it to tell two stories. In conversation with Johan Doesburg and actor Dries Vanhegen, whose character Jacob plays a special role in the play.
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