Anything for which people enter a stage.
That's at least one mistake you can make: booking for a Christoph Marthaler performance and then expecting something new to happen. Yet I did it, on my last visit to this year's Holland Festival. Someone had said that the Swiss playwright, who has been creating performances in which lost souls are...
'Love is poison' Mortimer sings to the king in the first scene of Lessons in Love and Violence. The military adviser denounces his relationship with Gaveston, whom he showered with favours while his subjects went hungry. 'Don't bore me with the price of bread' ripostes the king. Rather than worry, he treats his lover to poetry and music...
French-Austrian theatre maker Gisèle Vienne is showing her latest work Crowd at the Holland Festival. Vienne takes the rave party as a starting point for subtle observations on what moves people during a night out. Besides the ecstatic pleasure of dance and trance, the performance also stages all kinds of nocturnal self-loss, awkwardness, loneliness and aggression. Acid The wonderful mix of acid, trance and...
Then suddenly there is a very different audience in Amsterdam's Muziekgebouw aan het IJ. Gamers. Or rather developers. And hardcore new-music aficionados. 'I only come for Maze,' said my neighbour petulantly. He came for the music ensemble. Not for the games, that is, not for the computer graphics. And maybe not even for Claron McFadden. That famous, hyper-pliable opera singer who appeared in...
That George Benjamin is this year's Holland Festival court composer makes perfect sense. And I say that as a non-expert. After all: the way contemporary classical music is often written and talked about scares laymen like me. Would I ever have enough knowledge to appreciate those gourmet sounds? On Saturday night, I made my first live acquaintance...
Johann Sebastian Bach and Kate Moore in one concert programme. With this choice for the fifth episode of her 'Cello 020' series, cellist Lidy Blijdorp once again outdoes herself in originality. And the effect of this choice is phenomenal. Enhanced interaction Not only does she bring together works by two completely different composers, she further enhances the interaction by playing their...
After the smashing finale of Ishtar by Dima Orsho, the audience stands up as one and erupts in an ovational applause. I am almost stunned by the loud cheers and shouts that overwhelm the members of Hewar and the Gurdjief Ensemble. Bewildered, I look around me: surely there would be another song? But no, there...
Pizza Napolitana is not going to taste the same again. After all, mozzarella can be anything. We owe this enrichment of our lives to De Warme Winkel, the anarchic theatre company hired by the Nederlands Kamerkoor to enhance their Holland Festival programme. We knew it. And you can go and check that out for yourself, because after that...
Occasionally it chafes at Playful Arts, an intimate festival that brings play and art together. It's all about interaction, doing it yourself, experiencing it. Some visitors have to cross a threshold. But then something does happen. Those dancers must be in really good shape," I hear someone behind me mutter reverently. On the other side of the street, a man points to...
First of all, the chairs have to leave the auditorium of the Muziekgebouw aan 't IJ. Then some discomfort, those two hours that Octavia E. Butler's The Parable of The Sower lasts. At least it would make for some shared sorrow, and possibly some awkward swinging. Because the way things were going, that first night of Toshi Reagon's debut at the Holland...
The Association of Theatre and Concert Hall Directors and Festival de Nederlandse Dansdagen announce the annual nominations for the VSCD Dance Awards (the Swans). Nominated for the Swan 'most impressive dance production' are: Rule of Three, choreography: Jan Martens, by GRIP The hidden floor, choreography: Franck Chartier, by Nederlands Dans Theater We Are Nowhere Else But Here, choreography: Stephen Shropshire, by Stephen Shropshire Foundation,...
A sizable group of women, their skin all shades of brown, white and black, their breasts and chests hopping briskly to the beat of stepping and running movements on the spot, swirls around its own axis upon entering the auditorium at the Brakke Grond. Legacy is an intimate performance that moves loosely up and down between concert, performance,...
Nothing defines us like our taste. And especially taste in music. We find that music taste defines exactly who we are and can easily distinguish us from people who have distinctly different, and therefore lesser, tastes. Pinkpop, a pop festival with several world-famous headliners, experienced this. Each world star plays to their own audience, which schi...
Neues Stück 1 Seit sie - Ein Stück von Dimitris Papaioannou is a long title for an overwhelming piece, which Tanztheater Wuppertal is bringing to the Holland Festival this year. Nine years ago, on 30 June 2009, a month before she was to turn sixty-nine, Pina Bausch died suddenly. The world-famous and highly influential choreographer of experimental, haunting and unparalleled dance theatre left behind a...
Wiek Hijmans (b. 1967) is tirelessly promoting the use of the electric guitar in contemporary composed music. He also likes to be influenced by jazz and rock in his own pieces. On Electric Language, his latest CD, he presents music by eight composers alongside his own Victus. Six pieces were composed especially for him. The disc appeared on the label...
It is the spatial arrangement that immediately impresses in The Way You Sound Tonight, choreographer Arno Schuitemaker's ninth performance. There are roughly 25 seats too few. The last Holland Festival visitors to walk onto the Rabozaal stage during the premiere have to find their own place on the still-scented wooden floor. Pijpela Schuitemaker has, to my...
Of course, we have Chriet Titulaer. But it kind of ends there. And to say we took those very seriously, back in the day? No. The future, and fantasising about it, is not really a thing in the Netherlands, at least not with the big publishers and broadcasters. A writer dealing with science fiction will never join a big...
The Holland festival has a tradition of combining film with live music. Whether it's the post-punk band Mogwai at Mark Cousins' Atomic Cinema or a live accompaniment to a silent film, something magical usually happens. That was certainly the case at the screening of Fritz Lang's Der Müde Tod (1921), accompanied by composer in...
Menno Pols, reporter for De Gelderlander, was denied accreditation (free ticket and other benefits) for the three-day Manana Manana festival in Vorden this year. Reason: an article he wrote last year about the money flows within the club behind the festival. That club earns millions mainly from Zwarte Cross, the biggest festival in the Netherlands with 220,000 tickets sold. The accreditation...
Panic. On the tram between Leidseplein and Amsterdam Centraal, I suddenly lost the Dutch translation of 'string quartet'. So I typed 'violin quartet' into my facebook update, trying to make a connection between a blow job and Ligeti. Joking, perhaps, but there was something much deeper behind it, in that tram, after the music and theatre event 'The String Quartet's...
Our Thea Derks sat watching a traffic light for a few hours on Thursday 7 June and observed that the music was better. It happened during the opening of the 2018 Holland Festival. In the tradition of Ruth Mackenzie, the opening was of mixed reception, and that is actually a good thing. Even at a time when the Amsterdam Arts Council is in a...
The Holland Festival presents Hyena, in which Mollena Lee Williams-Haas recounts how she kicked her alcohol addiction. Her husband Georg Friedrich Haas wrote the music to accompany her blood-curdling account. She is accompanied by Klangforum Wien and conductor Bas Wiegers, who also performed the world premiere two years ago. Hyena can be heard once at Muziekgebouw aan het IJ on Wednesday 13 June....
What a grandiose invention to think of breakdance as martial arts dance! In a sense, of course, it has been so from the beginning. Young people in New York's poor neighbourhoods developed their spectacular dance techniques in the 1980s. These were a means for them to express themselves in their own unique way. This was a necessity of life in a society that...
The miracle happened right at the first location. On a bare piece of dune in front of beach café Oscars there are rocking benches. From one of those benches I looked, swaying, over a slope of marram grass, then a couple of terraces and beyond that the sea. As it was a weekday, but summer warm, some bathers had already settled into beach chairs. Crowded it was...
'You simply cannot, as a big company, just bring journalistic theatre.' So says Jeroen de Man, who now directs the watery spectacle performance Ondine at the National Theatre. 'A bit of diversity is just fine.' So not everything in The Hague has to be as socially relevant as The Nation of Othello. Sometimes it can also just be about the...
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