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PODIUM ART

Anything for which people enter a stage.

Podcast. Love cures in Scheveningen. You don't need LSD or magic mushrooms for transcendence.

The miracle happened right at the first location. On a bare piece of dune in front of beach café Oscars there are rocking benches. From one of those benches I looked, swaying, over a slope of marram grass, then a couple of terraces and beyond that the sea. As it was a weekday, but summer warm, some bathers had already settled into beach chairs. Crowded it was... 

Podcast: Sometimes it's also just allowed to be about love, in The Hague. Although: in spectacle Ondine, nothing is ordinary.

'You simply cannot, as a big company, just bring journalistic theatre.' So says Jeroen de Man, who now directs the watery spectacle performance Ondine at the National Theatre. 'A bit of diversity is just fine.' So not everything in The Hague has to be as socially relevant as The Nation of Othello. Sometimes it can also just be about the... 

Richters Patterns @Hollandfestival: Traffic light jumps to red, traffic light jumps to green

Music and images, it remains a tricky combination. Do you see a picture with music, or do you hear music with a picture? That question was not answered unequivocally at the opening concert of the Holland Festival. The slowly changing colours of Gerhard Richter's canvases were matched by Marcus Schmickler's slowly fading sounds. While Richter's Patterns soon became boring,... 

TWOOLS 18 van Scapino Ballet Rotterdam

TWOOLS 18 reflects contemporary worldview (and that's not good)

If you want to see a do-nothing dance programme, TWOOLS 18 by Scapino Ballet Rotterdam is the wrong place. If you want to see how young creators live their world, you're in the right place. TWOOLS the 18th edition TWOOLS is an occasional platform that offers young choreographers the chance to work with a top company. All the makers participating in the 18th edition of TWOOLS... 

The Netherlands is festivalised. And why that is a very good thing. Collaborating festivals come out with a pamphlet (and ask for money)

Grandpa tells. In 1989, a committee of experts chose a different theatre course in my city, Utrecht. The just-risen festival Theater aan de Werf would get more money, the marching theatre would disappear from 't Hoogt and the rest would have to take care of the newcomer with fewer days of programming. Then we took to the streets against the so-called 'festivalisation',... 

Ruth Mackenzie's latest Holland Festival promises to be just one of the most exciting

Here it is. The one and only interactive Culture Press Holland Festival Special. A special that has already been deployed over the past few months, and will be added to in the coming month. During the festival, we have regular reviews and reports, and podcasts. A new edition of this Special will appear every week. On Mondays. And then you can also subscribe via... 

Arno Schuitemaker @hollandfestival: 'I want to find a new way, a new vocabulary, that has not yet been seen in my previous work.'

With 'The Way You Sound Tonight', which will have its world premiere at Holland Festival 2018, choreographer Arno Schuitemaker takes the next step in his creative development. He describes his performance as an 'acoustic ballroom'. I speak to the 1976-born dance maker, who once studied at Delft University of Technology, about his work and his motives. 'In the trilogy 'WHILE... 

Touching each other is taboo. Anne Nguyen brings breakdance and capoeira, vulnerable men and video games in Kata @hollandfestival

In Kata, the latest work by French breaker and choreographer Anne Nguyen, hip-hop men transcend the clichés of hip-hop. Toughness, untouchability and the usual frontal relationship with the audience are exchanged for indirect gestures, delayed effects, diagonals and laterals, double entendres and irony. Nguyen, herself an adept practitioner of capoeira, ming chun and breakdance, challenges her dancers to show their... 

Martin Crimp on Lessons in Love and Violence at the @hollandfestival: 'The past is a playground, in which I can escape from the rolling news.'

No love without power relations. And certainly not when that love takes place in a royal bedroom. That bedchamber is now the setting for a tragic love triangle between a king, his lover and his wife in Lessons in Love and Violence, the third opera by English composer Georges Benjamin and playwright Martin Crimp. The Elizabethan drama Edward II... 

A tense conversation about anxiety and sex early Sunday morning: The String Quartet's Guide to Sex and Anxiety @HollandFestival

It feels like a variation on a scene from a farce. On stage: Birmingham REP's public relations officer, a journalist flown in from the Netherlands for the premiere and the director's assistant rushed in. Location: an upmarket hotel in the heart of Birmingham. Time: Sunday morning a little after ten o'clock. The subject: sex and the all-encompassing concept of anxiety. Go! The big absentee is director Calixto... 

Four men were given the task: invent a festival you want to go to yourself. That became TREK, a mishmash of food trucks, mayor and pastor.

You must be a serious misanthrope not to have a good time in Stadspark Maastricht that Friday. The sun is shining. It is subtropical warm with a light spring breeze. The location, next to a pond embraced by ramparts and turrets, is perfect. Under the ancient oaks, some 40 food trucks and bars with simmering kitchens await you. Oh... 

Hope for the Metropole Orchestra. Thanks to News Hour.

Minister Ingrid van Engelshoven will 'do something' for the Metropole Orchestra this autumn. She made this known in a letter to the House of Representatives today. Literally it says: 'I will include the solution to the Metropole Orchestra's problem in my consideration around the deployment of the 2019 coalition agreement funds tranche. My consideration in this regard is that in the coalition agreement,... 

Theatre boards want more money for 'difficult' offerings.

More operas and classical concerts are offered in Dutch theatres and concert halls. More theatre was also offered for young people. Nice developments, but the increase in supply (3 per cent) did not directly lead to a proportionate increase in audiences. That increased by only 1 per cent. The number of spectators for theatre and cabaret even fell. Therefore. 

Maya Fridman: Prokofiev's Fire Angel with hard rock attitude

Russian-Dutch Maya Fridman (Moscow, 1989) plays classical and contemporary music as well as rock, jazz, folk and flamenco. Communication with the audience is now her main aim. So why limit yourself to a particular style or genre? The Cello Biennale website rightly describes her as a 'musical jack-of-all-trades'. She scored highly in 2016 at this... 

Gesualdo project at @hollandfestival by De Warme Winkel: 'We want to anoint and flog the ears' #HF18

Say 'Carlo Gesualdo' and you say 'heavenly music', and 'cruel disposition'. This Renaissance composer's name is inextricably linked to the gruesome double murder he committed on his wife and lover when he found them in flagrante delicto. Who else but The Warm Shop could make an appealing performance of this thought Tido Visser, artistic director of the Netherlands Chamber Choir. So. 

Film concert featuring West Side Story, Bernstein's indictment of discrimination

Leonard Bernstein would have turned 100 this year. The AVROTROS Friday Concert puts his most popular piece, West Side Story, on the programme on Saturday (!) 26 May. The Radio Philharmonic Orchestra will play the electrifying music full of ecstatic melodies and vital dances live at the integral screening of the original 1961 film. The whole thing is conducted by the young American conductor 

Rainer Hofmann (SPRING): 'After the populist attack from the right, the performing arts now face an attack from the left.'

Thursday 17 May opens SPRING Performing Arts Festival in Utrecht with, among others, Sic Transit Gloria Mundi by Dries Verhoeven and to come (extended) by Mette Ingvartsen. Over ten days, over twenty-five international dance and theatre productions, installations and performance works will be on show in public spaces and urban environments. A week earlier, festival director Rainer Hofmann looks relaxed. 'Until now... 

René Ten Bos tells on SPOT-Live why we play stage: 'On four legs we don't look it.'

'I recently spent a day working with municipal administrators. It was about bureaucracy. Well, if anything is about bureaucracy, it is the work of Samuel Beckett. So I also invited theatre people to illustrate what I was talking about with Becketian texts.' Philosopher René ten Bosch, currently Denker des Vaderlands, is one of the three curators of the... 

German Anna Karenina in @hollandfestival as seventies disco show: 'We were sometimes worried whether we were going too far. But then we always had the music.'

Germans and humour. I have a bad experience with that. Will largely be because I don't get the finer nuances of the language, especially if it is meant for laughter. So it's not that the German sense of humour is wrong. In fact, sometimes something can just happen in German theatre that makes you laugh. I want... 

Composer Marijn Simons: 'Everything is about timing'

Although the press picks it up only sparsely, not only the NTRZaterdagMatinee pays much attention to Dutch composers. Indeed, they are also well represented in the AVROTROS Vrijdagconcert (formerly De Vrijdag van Vredenburg). In 2014, for instance, Joey Roukens wrote The building of the temple to mark the reopening of TivoliVredenburg. Two years later, the season opened with Atlantis by Robin... 

La clemenza di Tito: scorching performance by Teodor Currentzis & musicAeterna

Classical music matters again. - At least if we judge by the protests against the Stockhausen project and the fierce polemics about opera directors' interventions. Teodor Currentzis and Peter Sellars' La clemenza Di Tito, for instance, caused controversy even before its Dutch premiere. They deleted the interminable recitatives and added music from Mozart's Mass in... 

Resolved(?): Ombudsman Allegiance admits carelessness.

This was the email from the editors of Trouw, dated 9 May 2018: "Mr A. Bakx has had the phone number and email address we now have from him under this name since 2014. We therefore assume that he is A. Bakx." Was supported by an email to Erwin Roebroeks, which mentioned a telephone conversation with... 

Everyone is welcome at Pitfest. 'Bands playing at our place should be especially hard, or dirty and grimy.'

The Drenthe village of Erica was rocked on the last weekend of April by the cosy noise festival Pitfest. And that attracted a motley mix of people. I walked around there for a day. A golf cart zooms across the roundabout of the 4-star resort in the outskirts of the Drenthe town of Erica. To the right of the tarmac are tightly mowed golf courses, to the left is a plot of land... 

Daria Bukvić holds up a mirror to theatres and companies on SPOT Live: 'I don't shy away from new forms of marketing.'

'With my performances, I always try to make people feel that they are really going to miss a happening. 'The first performance with personal stories of four Moroccan-Dutch actresses in the big theatres of the Netherlands, the newest this, the most surprising that.' Daria Bukvić is one of the most exciting creators to enter the theatre world in recent years. She is not only... 

'Saigon' director (@hollandfestival) seeks extreme emotions: 'I don't want any more distance between the story and the audience.'

'Never, never would I make a performance about my mother, or about myself. Jamais.' Caroline Guiela Nguyen, child of 'a marriage between a Vietnamese mother and a 'pied-noir' (Algerian colonial) is not into personal stories. The theatre-maker captured audiences' hearts at last year's Avignon Festival with the play Saigon. This moving, deeply human play... 

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