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PODIUM ART

Anything for which people enter a stage.

How a Martian looks at opera

Or: the familiar becomes utterly alien here. Or: embracing meaninglessness as the first principle. One hundred years after his birth, John Cage takes centre stage in HF weekend.

Ever since Reinbert de Leeuw played it in the fastest talk show on Dutch television, John Cage's 4'33" has been a well-known composition in our country. For exactly four minutes and thirty-three seconds, the musician does not play a single note and the audience hears nothing but the ambient sounds.

No-nonsense audience does not care for tour de force of anti-pale dance in Révolution

Eleven poles are atmospherically lit like a nightclub. Dancers enter and make their way to their work stations. They will walk around their poles in a two-hour shift. They are not the only ones: audience members also start walking, towards the exit. Yet the dizzying repetitions of the hard-working ladies are effective. However, the transcendental minimalism will turn into a... 

Enfant terrible Boris Charmatz puts finger on sore spot with confrontational choreography about the elusive child

 With enfant, choreographer Boris Charmatz broaches a difficult topic: how do we as adults deal with ourselves, and how do we deal with children? Charmatz draws on the French philosopher Lyotard, who pondered the "inhumanity" of adults and saw real people in children. The current image about physical contact with children is distorted and it is... 

Micha Hamel's Requiem is beautifully spatial but lacks substantive urgency #hf12

In his Requiem for tenor, narrator and ensemble, Micha Hamel makes the most of the space of Amsterdam's De Duif church. Musicians play on the altar, from the balconies, mingle among the audience and push out a piano. - But what does Hamel really want to say? In front of a sold-out house, Micha Hamel's Requiem premiered last night. He ... 

Rare and exceptional performance "Lang" by Kat Válastur knocks you out with wonder and sucks you into maelstrom

Kat Válastur claimed that it is almost impossible to describe the dynamics of her performance with words. She is right. It is rare skill how with only two dancers in one place, so much can be depicted and the audience is sucked into a maelstrom. In the small hall of Theatre Kikker, mechanical thuds sound and two giants appear in the middle of the stage. They turn out to be dancers:... 

SYLPHIDES

Imaginative artwork SYLPHIDES looks at what moves people, starting with the breath

Every festival begs for volunteers, and in the early days of Springdance, there were not even any paid staff at all. That's also saying something. As Springdance merges with Festival aan de Werf after 30 years, the theme of this latest edition is 'scupltured bodies & body sculptures'. At SYLPHIDES, this aptly applies. "How people move doesn't interest me, I want... 

Young dance makers meet and develop talents in travelling dance workshop Europe in Motion

 Europe in Motion is a travelling talent development programme and acts as a battleground and meeting place for young choreographers. What is urgent in dance is discussed for a week to encourage dance makers in their artistic development. This second edition, with partners Dance4 (Nottingham), iDans (Istanbul) and Imagetanz (Vienna), ends in Utrecht. Springdance previously featured dance from high-tech laboratories in Israel (Batsheva Dance... 

Two young female choreographers fulfil promise with Batsheva Dance Company at Springdance Festival

With two performances, "The Toxic Exotic Disappearance Act" and "House", Batsheva Dance Company shows impressive, sublime dance mastery and fresh dynamics. But also restlessness, searching and confusion. The era of happy, harmonious dance is over. A lecture on dance, prior to the performance, emphasises that contemporary dance need not compulsively oppose other dance movements. This artistic... 

Springdance Journal: "Dutch dance is very well behaved compared to what we have seen here"

Our team agrees: Springdance really took off on Saturday. With Ibrahim Quraishi's installation 'Wildlife Take Away Station' for sure. Reviewer Daniel Bertina made his own recordings, which will appear in his review. And it was even more tasty for him at '(M)imosa. Twenty Looks or Paris is Burning at The Judson Church (M).... 

Ruben Brugman interviews Russel Maliphant on the Rodin Project

"I love it when movement moves people," says British choreographer Russel Maliphant in this interview after the performance of The Rodin Project. In the Hekman foyer of Utrecht's Stadsschouwburg, our colleague from Danspubliek.nl put the creator ven the Rodin Project through his paces. It is interesting what Maliphant has to say about the first part of... 

The Dodo will once again monitor Brave Dancers

This year, Springdance will be held for the last time. After almost 30 years, it was time for something new, if only because the wind in The Hague is suddenly coming from the right and that is bad for business. At least if you want to show innovative art. That is why Springdance is merging with the other Utrecht-based... 

How two orchestras sold an international revenue model as regional

Recap: There are too many orchestras in the Netherlands, the government thinks, and so a few have to go. Or merge. Now that forced merging doesn't seem to go very heartily. But you can make money out of it. In Gelderland and Overijssel, this leads to bizarre scenes. It would have been comical if it hadn't cost so much money.

To bring in an extra five tonnes, the Netherlands Symphony Orchestra and the Gelderland Orchestra are pulling together. And with success: the provincial governments of Overijssel and Gelderland are absorbing the state's subsidy cut. However, it now turns out that the plans used to rake in that bailout are dubious. Politicians have hardly looked into it. Questions about the business plan came mainly from the PVV in Overijssel, but in Gelderland that same party enthusiastically agreed to the injection of millions after a - remarkably damning - counter-expertise.

Orchestras in eastern Netherlands go slating

Nearly thirteen million The Gelderland Orchestra (HGO) asked for the province of Gelderland. It got three-and-a-half. Just enough to absorb the reduction in the state subsidy for the next two years and to work towards a new organisational structure and a new revenue model, as described in a very ambitious business plan, which...... wait for it. We have already written about this, haven't we?

Amsterdam takes Netherlands Symphony Orchestra to court

We already wrote extensively about the name change of the Orchestra of the East in the Netherlands Symphony Orchestra (NSO). The curious opera grant application based on a business plan that carries huge risks had our full attention. Regular partner the National Travel Opera was not amused.

'Ajax states' in sudden war between Netherlands Symphony Orchestra and National Travel Opera

This week, the National Travel Opera begins rehearsals of Mozart's Le nozze di figaro. In the bin, the brand-new Netherlands Symphony Orchestra conducted by Jan Willem de Vriend. Business as usual, as both companies have been working closely together for years and are united in the National Music Quarter Enschede. Only: orchestra and opera company have not been talking to each other since last week.

Miraculous play on age-old techniques mirrors Stravinky's music in 50,000 litres of water and 50 minutes

Thai and Vietnamese puppetry. Acrobats, Chinese shadow play and Japanese costumes. A Chinese conductor for a Dutch orchestra, a Canadian directing team and, as the main work, a scant 50-minute opera by a Russian composer, based on a fairy tale by a Danish writer who took his inspiration from China. Loosely.

Even if they quit, Halbe Zijlstra is cracking down on culture clubs

Letters from Culture Secretary Zijlstra are dangerous, especially when they are about figures and schemes. And we haven't seen the latest one for now. So right now, it is about 'friction costs' for the cultural sector. These are the costs that subsidised institutions have to incur when their existence ends due to the subsidy freeze. Think redundancy payments, damages, flower arrangements for funerals of suicides and selling real estate at a loss.

Sports sponsor pays top price, culture sponsor sits front row for a pittance and expects no less

The smallest opera company in the Netherlands beats the biggest. Not in visitor numbers, not in subsidy received, but in bringing in sponsorship money. On closer inspection, however, it becomes painfully clear once again that there is no giving culture in the Netherlands and sponsorship is limited to a pittance. A rattling giving law will not change that.

"Battle of the Orchestras" kicks off with name change Orchestra of the East Netherlands Symphony Orchestra

The Netherlands has a new orchestra: the Netherlands Symphony Orchestra. At least, new in name. The Orkest van het Oosten does not seem to be waiting for possible forced mergers, and is already claiming its position as the national orchestra outside the Randstad by means of this striking name change that was announced today before the start of a concert with the Jussen brothers.

Letter Zijlstra is just a request for information. But it does include a tickable invitation to suicide

Has state secretary Halbe Zijlstra the Lower House lied or misled in June when he stated that rushing through the culture cuts was necessary to absorb friction costs? Or does it just turn out to be improper governance?

Siegfried at Reisopera: a sword is a sword, a spear a spear and a dragon an er... storage tank with claws

The dragon remains tricky. Truly terrifying you never get him, of course, but what looked like a cross between a storage tank and an underground tube was laughable even before kitchy claws emerged from the wall. No wonder young Siegfried had the forchten does not learn and stands there smiling.

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