Skip to content

SPECIALS

News about events and festivals, backed by the industry but independent in content. Find out more: info@cultureelpersbureau.nl

'House without a maid' at Huis Sonneveld inspiring microcosm of light and space #dekeuze

An intimate living room conference among living works of art. That is the best way to describe 'House without a maid, a "conversation, performance and installation project" by Jorge León and Simone Aughterlony at Huis Sonneveld. In the former garage of the 1932 modernist villa, a select group of women gathered for two days to discuss the phenomenon of the maid. In other rooms of the imposing... 

Polyphonic 'Deserve' stunningly profound composition about service #dekeuze

'So, Dr Lacan, are women more susceptible to madness? ... Is the man susceptible to hysteria?' In 'Deserve', part of Jorge León and Simone Aughterlony's triptych about the maid, the makers dig deep, very deep. They follow the intriguing line of the great debunkers in our history of thought: from Hegel's master-slave analysis through Marx and Freud to French psychoanalyst Jacques Lacan. Core of... 

Introverted Choice debate at The Union: Artist as participatory sociologist #thechoice

This year's debate season in Rotterdam opened in the renovated hall of De Unie. The newly completed space has a pleasant and intimate feel. All the more remarkable the statement by discussion leader Natasja van den Berg that questions from the floor are not allowed "because they are not about anything anyway". That doesn't exactly sound like a warm welcome in a debate centre. Admittedly, it did deliver... 

René Pollesch: cancelled, but maybe too good for the Netherlands anyway

Over the next few days, the show Der perfekte Tag - Ruhrtrilogie Teil 3 by German director René Pollesch was due to play at De Internationale Keuze in Rotterdam. But unfortunately, the main actor, Fabian Hinrichs, broke his leg and the performance had to be cancelled. What are we missing now? In recent years, I saw a number of performances by René in Berlin... 

Sixteen personal stories paint a moving picture of Rotterdam's multicolour. #he Choice

She has 14 first names because her father liked to name his whole family and she was an only child. She is an in-demand actress, but Gonny Gaakeer has also been a girl with a grandmother. A beautiful grandmother, who in the last years of her 95-year-old life fell over more and more often and bore the ugly wounds of it. Gonny tells her story, and... 

Kees Hulst and Maria Kraakman win Louis d'Or and Theo d'Or at 'prize circus' Gala of Dutch Theatre #tf2010

At the Gala van het Nederlands Theater at the Amsterdam Stadsschouwburg last night, the most important theatre awards were presented. Kees Hulst won the Louis d'Or for the most impressive male leading role, the role of Jörgen Hofmeester in' Tirza' at the Nationale Toneel. Maria Kraakman won the Theo d'Or for the most impressive female supporting role, Orlando in Toneelgroep Oostpool's production of the same name. The play 'Oog om Oog', with Linda van Dyck and Victor Löw, among others, won the AVRO Toneel Publieksprijs.

Actors have ambivalent feelings about 'awards circus', or Gala of Dutch Theatre #tf2010


Een rode loper, veel champagne en nog veel meer geknuffel. Het is een warm weerzien voor theaterland, het Gala van het Nederlands Theater in de Amsterdamse Stadsschouwburg. Een spannend weerzien ook, want de belangrijkste Nederlandse stage awards worden vanavond uitgereikt.

Davis Freeman's investment show ironic reflection on money, power, individual and culture #decision

American Davis Freeman's multimedia show 'Investment' is initially reminiscent of Al Gore's PowerPoint show 'An Unconvenient Truth'. Three performers and a projection computer show the audience a whole range of investment options in a very routine and detailed manner. Initially sensible and sustainable, but soon whole other motives come into play. Piquant detail: everyone from the... 

Too much humour and not enough shuddering at De Warme Winkel's 'Poets and bandits' at Theatre Festival The International Choice #dekeuze

Snow has fallen, a thick layer of fresh snow. Fake snow admittedly, but real enough to imagine yourself in the middle of Russia. There, in the city of Sverdlovsk, or Yekaterinburg, once lived the man about whom the show 'Poets and bandits' is about. Boris Ryzhy (1974-2001) turned the raw realities of his hometown into poems. He left more than a thousand poems to the world. His breakthrough came at the Poetry International festival in Rotterdam, in the year 2000. A year later, he was dead. Boris Ryzhy, 26, had hanged himself.

Theatre group De Warme Winkel makes that link with Rotterdam if only because 'Poëten en bandieten' is played there. An old factory hall serves as a backdrop for the run-down working-class neighbourhood in which Ryzhy grew up. From behind a work table, actress Mara van Vlijmen calls Rotterdam residents. None of them are at home. But on their answering machine is now one of Ryzhy's poems, which must be a wondrous experience for the listeners. The Warm Shop does not show how the professor's son Boris ended up in that poor neighbourhood. Whereas he himself talks about an environment full of drab flats in his poems, the stage setting is more reminiscent of the outdoors, with all that vast snow. The atmosphere is cosy and warm. On a float decorated with candles, a folk ensemble comes on, singing Russian songs. Old-fashioned songs, and nothing pop or punk.

'I am Zutphenian, but also Turkish' actor Sadettin Kirmiziyüz gets jury nomination for Wilders, The Musical

Gijs Scholten van Aschat was so convincing that casting director Hans Kemna was a bit scared of him. Van Aschat did an original wilderness speech and shock went through the audience. Since he now plays the villain of villains with Orkater (Richard III), convincingly delivering a hate speech reasonably is a piece of cake for him. Two true Wilders fans found... 

'One hour listening and half an hour talking to Clinton for 100,000 euros. Or new breasts.' Concrete questions on The International Choice. #hechoice

The Dodo International Choice journal, episode 3: Hans van Dam saw 'Investment' and spoke with creator Davis Freeman, about what you can do with a tonne. It evokes associations with the famous TED talks and is reminiscent of the powerpoint documentary 'An Inconvenient Truth', with which Al Gore tried to wake up the world about climate change. What Davis Freeman does is smaller, but... 

Impressive confrontations in humorous 'K, A Society' by Kris Verdonck #decision

The Dodo International Choice journal, episode 2: Wijbrand Schaap came, saw and was overcome by Kris Verdonck's seven installations about plighted people. It should have ended with terrible bangs, a canned fireworks display a few metres from the spectators. But that's not allowed in the Netherlands since Enschede. And certainly not with Belgian fireworks. Theatre-maker, installation artist and video jockey Kris Verdonck ended up... 

Comedic and dramatic play in Mokhallad Rasem's experimental, surreal 'Iraqi Ghosts' #tf2010

In pak, met dierenmaskers op, poseren vijf acteurs op het podium. Ze stellen een beer, konijn, hert, haan en aap voor. Vanuit deze ‘freeze’ beginnen zij dierengeluiden te maken en te bewegen. Een ritmische performance volgt. Geboeid, maar verward, bekijkt het publiek de vervreemdende dans. Wat hebben die dieren toch met de oorlog in Irak te maken? Net als je je begint af te vragen of je wel in de goede zaal zit, zetten de spelers hun maskers af en geven het antwoord: ‘Heeft u zich ooit afgevraagd wat de oorlog in Irak voor de dieren daar betekend heeft? We horen nooit iets over hen in kranten of op tv.’

Apocalyptic location theatre Wunderbaum tantalising prelude to explosive 'International Choice' #he Choice

Such a cool late summer evening as Thursday 9 September 2010 is a perfect night for the try- out of actor group Wunderbaum's location play 'Natives'. Clear sky, mildly rising autumn chill and virtually windless. Location: a swampy lawn between two abandoned housing blocks in Rotterdam's Pendrecht district. Once built from post-war ideals of family happiness, convenience and accessibility, but soon too cramped, ageing and... 

Sweet feel-good musical about the drug scene and uplifting musical 'Reflection' #tf2010

 In my search for the gem of the Fringe, I stumbled across two musicals at the Rose Theatre on Wednesday night. At the Fringe Festival, anything goes, yet I was surprised by Christiane by F*K Theatre. In this musical, young people sink to the bottom of society. They drink and blow. Everyone lives in their own little world. Main character Christiane falls in love with an addicted boy and thus also comes into contact with the dark sides of the drug scene. You expect to see the raw sides of this dark world in a story like this, but from the first song Christiane far too well behaved. It reminds me of a feel good-school musical. Eight neat boys and girls sing about 'a trip with friends around you'. They do this so sweetly and in harmonious harmony singing that what you hear and see is totally inconsistent with the story.

We will be there every day at The International Choice. With text. With video. With news and reviews

Tomorrow begins The International Choice of The Rotterdam Theatre. A festival that for years has presented remarkable theatre from all over the world at the Maasstad's theatre in September. Except this year, that is, because the 'chest of quist' is being rebuilt and that will take some time. Not something with Amsterdam metro builders, but whether the official reopening on 2 October 2010 will be... 

Pictorial 'Raging heights, restless souls' for people of all ages #tf2010

Wuthering Heights is often mentioned in the same breath as other nineteenth-century classics such as Jane Eyre or Pride and Prejudice, but Emily Brontë's book is infinitely darker than those other coquettish girl books. Heathcliff and Cathy's big, dramatic passion actually connects surprisingly well with emos who are Twilight, True Blood and devour other contemporary vampire stories.

Adaptor Jeroen Olyslaegers and director Floor Huygen were well aware of this when they adapted the novel for the stage into Fierce heights, restless souls, a co-production of Dutch youth theatre company Artemis and Flemish Antigone. The show garnered high praise, can now be seen in TF, but was also nominated for two Gouden Krekels, the awards for youth theatre.

Sanja Mitrovic wins BNG theatre award of 45,000 euros with performance 'Will you ever be happy again?" #tf2010

Sanja Mitrovic has won the BNG New Theatermakers Prize 2010. She receives the prize of 45,000 euros for her performance 'Will You Ever Be Happy Again'? In which she took care of both directing and acting. She can spend the prize money on a new performance next season.

Bizarre parody of a rock star and philosophical twists at Fringe Festival #tf2010

Nik van den Berg is ongetwijfeld iemand om in de gaten te houden. In theater Bellevue geeft hij in een bizarre act een parodie op een rockster. ‘Is dit het nou,’ denk ik even, maar al snel is duidelijk hoe knap Van den Berg gestalte geeft aan dit podiumbeest in bontjas. In een onverstaanbaar taaltje speelt hij een aantal nummers waarbij hij de maniertjes en gebaren van een groot rockartiest minutieus uitbeeldt.

Langzaam drinkt hij een slok thee, neemt nog een trek van zijn sigaret, laat de as in zijn thee vallen en gooit dan, in opperste concentratie, de hele sigaret in de thee. Een geluidsband start, waarna Nik met zijn elektrische gitaar het concert begint. De nummers in NIK©#2 gaan over het leven, de problemen en moeilijkheden ervan. Maar het zou net zo goed kunnen gaan over het smeren van een boterham met kaas. Van den Bergs timing is weergaloos, net als zijn inleving. Dit werkt zeker op mijn lachspieren, al zullen er ook mensen zijn die er meer van verwachtten.

'About Animals' by Elfriede Jelinek is so unprecedentedly ruthless and dire, you wish for a way out #tf2010

‘Kontneuken tegen meerprijs.’ ‘Doen die ook pijpen zonder condoom?’ ‘Die heeft een keer aan mijn lul gezogen en toen was ze de hele nacht misselijk. ’s Ochtends heeft ze in mijn bed gekotst.’ Continu doen ze suggestieve dansjes en voortdurend kijken ze de zaal in, met een vastgebeitelde glimlach die ergens tussen geamuseerd en geniepig in zit. De zes spelers van Over Dieren zijn uitdagend en meedogenloos. Susanne Kennedy’s regie van het stuk van Nobelprijswinnares Elfriede Jelinek is ongekend naargeestig en komt aan als een stomp in je maag.

Jelinek’s schreef een tekst over hoeren en hun klanten, gedeeltelijk gebaseerd op afluistertapes van een Oostenrijks escortbureau, waarin de mannen over vrouwen praten alsof het dieren zijn, of preciezer: zoals boeren over hun vee. Kennedy legt in haar regie grote nadruk op de blik van de toeschouwer. ‘De vrouw wordt bekeken en is altijd een object, de man kijkt en is het subject. Kijken is niet onschuldig,’ zei ze in een interview. De drie mannen, in foute lichtblauwe showpakken, praten over de vrouwen; de vrouwen, in jurkjes waarop weinig subtiel de nadruk op hun tepels en kruis wordt gelegd, praten hen gedienstig na. Ze kijken uitdagend naar ons, en maken ons medeplichtig aan de vernederende situatie.

Fringe Festival continues to surprise with intimate Iris Brunette and poignant I Believe #tf2010

There is no notion of time when you take your seat. It is dark. The room looks like a café, with four tables and chairs around them. Don't expect a sit-back performance, as everyone is part of the play. The intriguing Iris Brunette doesn't let you be a spectator, but gives you a role. Do not fear that you will suddenly have to take the stage. From your seat, you are influencing the play. Actress Melanie Wilson lets you choose which way to go. Do we wait here or walk on? Do we go left or right? Do we trust this person or not? The space you're in feels safe. Fortunately. Because there is no exit; walking away is impossible. A maximum of twenty spectators witness this story that takes you through time. Wilson narrates and involves you in the story in the best possible way. A more intimate performance is hardly possible, I think.

Director Thomas Ostermeier advocates 'dramatic non-dramatic' theatre in his masterclass #tf2010

Ze is net terug van een lange vakantie in haar geboorteland Noorwegen en, al vinden veel Noren Ibsen tegenwoordig saai, zelf houdt ze van zijn werk. Maren Bjorseth is derde-jaars regiestudente aan de AHK. Haar Nederlands is vlekkeloos; het is moeilijk te geloven dat ze hier pas twee jaar woont. Maren is een van de vier regie-studenten die is uitverkoren om een masterclass te volgen van de Duitse regisseur Thomas Ostermeier, artistiek leider van Schaubühne Berlin. Vorig jaar was in de Stadschouwburg zijn Hamlet te zien (met een zich vervelende, nogal dikke Hamlet in de hoofdrol) en in december gaat Ostermeier bij Toneelgroep Amsterdam Spoken regisseren van Ibsen.

De masterclass is een samenwerkingsproject van TF met de AHK en acteurs van ACT. Het is de eerste schooldag voor de studenten en, zoals Maren zegt, ze zijn meteen het diepe in geworpen: ‘Het was heel kort en intensief, we hebben gewerkt van tien tot drie en Thomas Ostermeier is twee keer komen kijken. Het is dan ook echt een work in progress.’

Roma B. brings confrontational and contagious theatre to Amsterdam-Noord and Wouter van Oord brings beautiful piece of text theatre #tf2010

The great thing about the Fringe is the variety. On Saturday night I saw VOS, a play by Slawomir Mrozek, played sparklingly by Wouter van Oord. Dressed in a shirt of the Dutch national team, with the name VOS on the back, Van Oord plays two monologues with conviction. The tension can be read from his face before the start, but is gone as soon as the actor... 

Actors make audience laugh and gawk with intrigue in theatrical jam session 'Night Guests' #tf2010


"I am fifty-eight." Plumply, Saskia Lemming (Oda Spelbos) reveals her biggest secret to husband and jaded folk singer René Lemming (Peter Bolhuis). He married her 12 years ago, thinking she was a young blonde. In turn, he reveals that he actually wrote 'You are the cream of my crop', his number one hit, for another woman. The bomb bursts on reality show 'The Lemmings'. Or rather: on stage at De Balie, where Hadewich Minis, Peter Bolhuis, Oda Spelbos and Yorick Zwart compete in Night guests. A three-hour improvisational 'jam session'.

Private Membership (month)
5 / Maand
For natural persons and self-employed persons.
No annoying banners
A special newsletter
Own mastodon account
Access to our archives
Small Membership (month)
18 / Maand
For cultural institutions with a turnover/subsidy of less than €250,000 per year
No annoying banners
A premium newsletter
All our podcasts
Your own Mastodon account
Access to archives
Posting press releases yourself
Extra attention in news coverage
Large Membership (month)
36 / Maand
For cultural institutions with a turnover/subsidy of more than €250,000 per year.
No annoying banners
A special newsletter
Your own Mastodon account
Access to archives
Share press releases with our audience
Extra attention in news coverage
Premium Newsletter (substack)
5 trial subscriptions
All our podcasts

Payments are made via iDeal, Paypal, Credit Card, Bancontact or Direct Debit. If you prefer to pay manually, based on an invoice in advance, we charge a 10€ administration fee

*Only for annual membership or after 12 monthly payments

en_GBEnglish (UK)