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Nuance! VVD The Hague won't cut 50 million from culture budget for 'political abuse' after all

This post has been updated following a response from VVD The Hague. Yesterday I wrote: But so that was misunderstood. Today the VVD called. A transcript of the conversation can be found below: With Frans Schuyt fraction chairman The Hague VVD. I think two things have been mixed up. You have the programme in the budget, Culture and Library, of 102 million,... 

Fanny Mendelssohn: in the shadow of Felix

Fanny Mendelssohn (1805-1847) was the four-year older sister of Felix Mendelssohn. They both received a solid musical education, with her surpassing him in virtuosity at the piano. Her relationship with Felix was intense, but also suffocating. At his hands, Fanny Mendelssohn failed to build an independent career as a composer. To this day 

Publiciteitsbeeld Gesualdo. Foto: Sofie Knijff

At the Holland Festival, Mackenzie is opening the doors to a new avant-garde among the audience.

The neat couple next to me, in the front row at the Holland Festival press conference, hadn't counted on it for a moment. Four members of the Nederlands Kamerkoor starting to undress one by one down to their pecker-sized nakie. A giggle, a small cough, but hey, this is the Holland Festival, they said to each other. So too... 

Marijke Muoi alone is a reason to come to Leeuwarden. Why the Netherlands should have a new Capital of Culture every year.

Bouke Oldenhof. Where was he all this time? Writing, but mostly in Frisian (which also meant he had no time to work on his website). And so you can't get through to the rest of the Netherlands. The man who won countless hearts with the unique gem 'Rolbrug'. Mine too, and... 

Why it's good that the Holland Festival is putting the focus on Africa, rather than opting for a single artistic director.

William Kentridge and Faustin Linyekula. Remember those names, if you didn't already know them, because they are going to help shape the face of Holland in the coming year. They have been appointed by the Holland Festival as 'associate artist'. In doing so, the festival puts the phenomenon of 'artistic director' out of business. A necessary choice at a time when the price for that kind of figure is faster... 

Winternachten 2018 ended up being a beautiful ode to anger. #wu18

She is 14, heavily veiled and bespectacled, with a voice that can be heard in the farthest corners of The Hague. She wants to be a surgeon but first she wins the preliminary round of the school competition for young poets at Winternachten. What anger there is in that person. What maturity sounds from her cry... 

Is Emmanuel Macron's long arm sowing discord at a Hague Literature Festival? Just barely. (But should we all speak French again someday?) #wu18

Leïla Slimani, the Moroccan-French author whose novel A Soft Hand won the prestigious Prix Goncourt, has cancelled at the eleventh hour for Winternachten. The reason was not Thursday's storm. THE reason was personal. But could also be due to something else. The chief guest of the International Literary Festival in The Hague, Alain Mabanckou,... 

Last 7 Words Dutch Don't Dance

'This is God'. Choreographer Thom Stuart sets Haydn's Last 7 Words to dance.

First there was Kinder Matteüs: an interactive musical production with the Holland Baroque Society and the Nieuw Amsterdams Kinderkoor. Now The Dutch Junior Dance Division with the Matangi Quartet brings Last 7 Words to music by Haydn. You came to church every day, didn't you?" I ask Thom Stuart. No, the choreographer firmly denies. 'I never come to church.' 

Carmien Michels, European Poetry Slam champion: 'I hope I can give many people that extra push to go on their own journey of discovery'

The best performers are a few heads taller on stage than in real life. This also applies to Carmien Michels. I knew the writer, performer, slam poet and jack-of-all-trades in cultural life mostly from her legendary performances at the 2016 NK Poetry Slam and the Night of Poetry in September 2017. Radiance and presence, which... 

When words become weapons, listening is pointless. Frank Westerman at festival Winternachten on negotiating with terrorists.

In the 1970s, a wave of terror swept through Europe. A wave that claimed far more victims in our regions than the Islamic violence to date. During literature festival Winternachten, from 18 to 22 January in The Hague, it is about the struggle for freedom, about us against them. On Saturday afternoon 21 January, Frank Westerman and Mohsin Hamid will discuss the... 

José Maria Sánchez-Verdú composes musical Hell's Gate for choir and string quartet

The string quartet is considered Joseph Haydn's invention; Goethe considered it the nec plus ultra of instrumental music. 'One hears four intelligent people conversing with each other' said the poet. 'One believes to understand something of their conversation and to know the idiosyncrasies of the instruments.' We get plenty of that opportunity from 27 January to 3 February, during... 

Our readers' list. What we should all never forget from 2017.

Well, we're not big on hypes and traditions here, but still. The dark days around Christmas are very dark this year, so why not something with lists. This year, no list of toppers from the editors, but random entries from random readers, in random, if slightly alphabetical order. Motto of the readers' question was: which things... 

Number of overnight stays and good luck city branding as highlights for the Capital of Culture. Goodbye AARHUS2017, hello LEEUWARDEN2018. And: VALLETTA2018, may I have my potato back?

An ancient melody floats, crackles and drones through the town hall of Aarhus, Denmark. The city is close to being European Capital of Culture. That is why we hear the same song at the handover ceremony as when it was launched on 21 January. Then Aarhus celebrated the start of Aarhus, European Capital of Culture and 'Jeg drømte mig en drøm i nat' thundered through the Aarhus streets.... 

Winternachten Festival offers the best chance to see great writers up close. And Francis Broekhuijsen.

From 18 January, The Hague will be all about Winternachten. We think this is the most fun literature festival in the west of the Netherlands. This year, it is about Freedom, Equality and Brotherhood, the motto of the French Revolution, among other things. But also about Karl Marx. Under the motto 'we the people', Winternachten is therefore about populism and secession,... 

Leila Slimani and Fatma Aydemir: two young writers who are really changing my view of the world. You can meet them at Winternachten 2018

During the upcoming edition of Writers Unlimited/Winternachten in The Hague, two writers who are making exciting news with their work and their success will drop by. Fatma Aydemir, journalist from Berlin, wrote with 'Ellebogen' an abrasive debut about a Turkish girl who is a bit less prepared for her future than everyone would like. Parisian author Leila Slimani won in... 

Scene uit The Place To Be. Foto: Jochem Jurgens

Rolling stones, screaming kitchen maids, smoke bombs and noble punk: why the upstarts in Theatre Frogs Winter Collection offer so many surprises.

Two men. Not even very muscular, not even very tough. But what dockworkers. And what simplicity to tell something really beautiful. One rolls himself up like a stone and the other rolls that stone up a mountain. That mountain consists of stage sections that are each at least half a metre in height from each other.... 

Kate Moore wins Matthijs Vermeulen prize - as first woman ever

On Saturday 2 December, Australian-Dutch composer Kate Moore (b 1979) will receive the Matthijs Vermeulen Prize for her composition The Dam. The prize money is €20,000, made available by the Performing Arts Fund. The prize was established in 1972 and named after the Dutch composer and critic Matthijs Vermeulen (1888-1967). Until now, it invariably went to men, some even getting it two... 

(Farida & The Iraqi Maqam Ensemble - Foto: Melanie Marsman)

5 Reasons why Le Guess Who? is the best festival in the whole world

During the 11th edition of Utrecht's Le Guess Who? (LGW) festival, more than 150 acts from 34 countries found a home in the city of Dom in a long weekend. Fraternisation in listening manages LGW that may definitely go into the books as the best festival in the whole world. And for these five reasons. 1. The whole world comes... 

Suddenly feeling the urgency at Dancing on the Edge

As soon as I, as an art consumer, begin to suspect arbitrariness in the artist or his creative process, I drop out. Incidentally, this observation now surprises me. After all, I am no fetishist of form, nor am I a canon junkie, and I am not qualified in any of the standard artistic disciplines. Not a composer, not a performing musician and not an actor. Neither filmmaker nor director, nor a lyricist graduate.... 

New leaders in arts and culture: fourth generation of LinC graduates.

A new generation of leaders in culture rose in the Utrecht Academy Building on Thursday 9 November. The 39 leaders come from the Stedelijk Museum Amsterdam to Schunck in Heerlen and from the VPRO in Hilversum to the Utrecht festival Le Guess Who. In a year and a half, they discovered new working methods and formulated new vistas for the arts. That could ... 

Amersfoort, O Amersfoort. My cultural vision of lack

In a lost hour, I read the Cultural Vision Amersfoort 2030. Not reading material to sit on the edge of your seat, but perfectly suitable for a train journey. I am not used to reading policy documents. It struck me that the tone of the Amersfoort Cultural Vision was confident, focused and determined. Firm language. No room for doubt. I asked myself... 

Goeyvaerts and Ustvolskaya: man and woman with hammer

In February 2017, The Collective combined the radical music of Galina Ustvolskaya with the heavenly chants of Hildegard von Bingen. Less strange than it seems, as both were deeply religious and composed from inner necessity. On Thursday 26 October, Spectra Ensemble places Ustvolskaya alongside Karel Goeyvaerts at Muziekgebouw aan 't IJ. Ustvolskaya is well enough known here in the country by now, but who was... 

Films at ADE: The rock doc as an IKEA package.

On the fringes of Amsterdam Dance Event, I saw two music documentaries that expose why this genre is often problematic for the cinephile. Both films have their fine moments, but ultimately fall short for those who desire more than mere information transfer in television format. A sympathetic Goth Are 'friends' electric? is title and big hit (1979) by British synth-pop pioneer Gary Numan,... 

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