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Spuiforum: copy of 181 million?

While the city has to make huge cuts in music schools, libraries, a few drama clubs and other nice things for the people, like public transport and healthcare, The Hague does build a new art building. Rather, the municipality is putting 181 million into demolishing and renovating the theatres on the Spui, because the architect who built the complex 20 years ago apparently did not do his job properly.

If you don't have Twitter in Egypt. Community Arts 'Mahatat' works from the bottom up. #vvu

The government has made little effort in recent decades to create a cultural scene  getting off the ground. There are no workspaces. No galleries. Only a very large library and a "cultural palace". Both of which opened only five years ago. There are also a few small independent initiatives. In public spaces.

'Collective copyright abuse is global problem'

A while back, there was fuss in the Netherlands about the BUMA, the club that collects copyrights for musicians and publishers. Money had been lost in speculation and a director was engaging in nepotism. These cases do not appear to be isolated. At least, they are also mentioned in an overview of all known cases of abuse of power and corruption at collecting societies worldwide.

Baldwin Live

On Wednesday 1 August 2012, the Performing Arts Fund will announce the results of the lottery that granting arts subsidies has now become. Huge cuts are looming: companies and makers that by now seemed to be a permanent part of the Dutch arts landscape will disappear. Exactly what it will look like, we know

Faustin Linyekula stages the "fundamental resemblance between Negroes and ballerinas" with "La Création du Monde" (Fernand Léger, Darius Milhaud), #HF12.

The 1923 Afro-Cubist dance classic can be seen at Music Theatre today and tomorrow, commented on by Congolese choreographer Faustin Linyekula. "Europeans have no idea that they are denying the shared history of Africa and Europe. Belgium is part of everyday life in Congo, but Belgians hardly know anything about Congo, or it is the clichés about poverty 

No-nonsense audience does not care for tour de force of anti-pale dance in Révolution

Eleven poles are atmospherically lit like a nightclub. Dancers enter and make their way to their work stations. They will walk around their poles in a two-hour shift. They are not the only ones: audience members also start walking, towards the exit. Yet the dizzying repetitions of the hard-working ladies are effective. However, the transcendental minimalism will turn into a... 

As gentle and intelligent as the very young dancers are handled, reactions to Boris Charmatz's 'Enfant' #HF12 are often wild.

Youth these days mostly evokes the thought of danger. Society suffers from a distorted ideal image that leaves real children little room to play. Eventually, therefore, they rebel in Enfant. But until then, the very young performers still mainly have the role of adjunct or capstone, complement or extension of the nine adult dancers. The new... 

Berlin Film Festival opens with a messy Versailles

The 62nd Berlinale opened tonight with Benoït Jacquot's Les adieux à la reine, a French costume piece that does not play by the rules. The dresses worn by Queen Marie Antoinette's servants get dirty and one of the main characters stumbles in her haste and passes out twice. As the film begins we write 14 July 1789, and the... 

Henk Pröpper: 'Writers Unlimited has always opposed panting and short-term ambition.'

He is now a publisher, and the man who was director of the Dutch Foundation for Literature until last year will be quite happy with that. As director of the Bezige Bij, one of the country's largest publishing houses, he will surely never again have to submissively toast the sarcastic State Secretary for Culture Halbe Zijlstra. At least the relief was audible in Pröpper's... 

Miraculous play on age-old techniques mirrors Stravinky's music in 50,000 litres of water and 50 minutes

Thai and Vietnamese puppetry. Acrobats, Chinese shadow play and Japanese costumes. A Chinese conductor for a Dutch orchestra, a Canadian directing team and, as the main work, a scant 50-minute opera by a Russian composer, based on a fairy tale by a Danish writer who took his inspiration from China. Loosely.

Library not culture, EU money for visual culture, Corbijn in The Hague, VAT implications in Maastricht

Tropenmuseum a bit exotic due to international contacts (...) "The Tropenmuseum still seems to be an issue for political The Hague, but I don't hear anything about the library service and the theatre." There seems to be no question of transfer to subsidy by the Ministry of OCW. Heemskerk also wonders whether state secretary Knapen has sufficient insight into the importance of the library. "The library service... 

Friday the 25th. Bergen puts extra money into art, while new disasters emerge for the Stedelijk Museum Amsterdam.

Amsterdam - Mayor finds cuts to Rijksakademie "beyond comprehension" During the official opening of RijksakademieOPEN 2011, Mayor of Amsterdam Eberhard van der Laan expressed his concerns about the government's severe cuts to the Rijksakademie van beeldende kunsten. "Cutbacks are necessary. Capitulating is not necessary. There are limits." The mayor stressed that a healthy art climate is important for... 

IDFA 2011 kicks off with Danish documentary stunt work: The Ambassador

The crisis rages on and the Arab world is in flux, but in the documentary world, the time for big stories is over. At least that was the conclusion drawn by festival director Ally Derks at a press conference ahead of the 24th edition of the International Documentary Film Festival Amsterdam (16-27 November). Unlike a decade ago, documentary filmmakers now focus... 

Successful Holland Festival closes record edition amid uncertainty over future

Photo: Pierre Nydegger To conclude. The 2011 Holland Festival could well be historic. Not only was it the festival that attracted the most audiences for years, it was also the festival that took place while a minority government of populists, nationalists and materialists proclaimed the end of art subsidies. We therefore look back on a festival in which we were able to meet with... 

#HF11: We chat with Jeroen Stout, Daniël Bertina, Fransien vd Putt and Wijbrand Schaap.

  In conclusion. The 2011 Holland Festival could well be historic. Not only was it the festival that attracted the most audiences for years, it was also the festival that took place while a minority government of populists, nationalists and materialists proclaimed the end of art subsidies. We therefore look back on a festival in which we had a great time with our new... 

The Dodo revives for Holland Festival edition 2011 #HF11

This week the Holland Festival erupts and we are there. We are producing a Dodo Festival Day newspaper with a sizeable team of professional journalists, as we did before for Springdance and The International Choice of the Rotterdam Schouwburg, for example. We follow the festival closely to bring news as it happens. We go to see performances where others... 

Springdance 2011 presents programme. The Dodo is there.

On Thursday 14 April, the Springdance festival 2011 opens with the opening performance Sideways Rain by choreographer Guilherme Botelho and his company Alias in the Stadsschouwburg Utrecht. Springdance 2011 presents innovative and high-profile contemporary dance from around the world. Besides many premieres, the festival has an extensive fringe programme including street performances, lectures, an introduction to contemporary dance for those starting... 

Branden: legendary top theatre to be seen again in Amsterdam #tf2010

The destructive power of war and hatred

Writer Wajdi Mouawad (b. 1968) fled his native Lebanon at the age of nine. At the time, a brutal civil war had been raging there for years. Together with his family, he ended up in Canada via France.

There, he develops into an internationally renowned playwright. His work is now performed all over the world. The Ro Theatre introduced Mouawad to the Netherlands for the first time this theatre season.

Director Alize Zandwijk chose the play Fires and puts on a bold and convincing version. Assisted by a talented cast of actresses and actors. You see the mother Nawal Marwan and her twins Jeanne and Simon. Nawal is dying.

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