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Milo Rau at opening Theatre Festival: 'Maybe we should deliver a little less and listen a little more'

Things need time and distance to become a story. Good, then, that in his 'State of Theatre,' the traditional opening of the theatre season, Rau did not take the floor himself, but handed it over to people who are now in the midst of the confusing time of austerity, coronasteun and political turmoil. Because the 100 international makers he asked for a book entitled "Why Theatre?" could not come because of the pandemic, six Dutch makers were invited. 

'Sender Boulevard': Intimate and grand. A successful exercise in getting closer.

Under the banner 'Sender Boulevard', the organisers of Theatre Festival Boulevard signed up for six weeks of live encounters in 's-Hertogenbosch. More than 40 different projects delivered an extraordinary variety of performances, performances and installations. Based on the theme 'Nader de ander' (Closer to the other), Boulevard more than ever entered into dialogue with makers and audience, which led to an intense dialogue with results.

Life has turned into a B-Movie, and no better location could be imagined than 'Sender Boulevard'

Exterior, day. A deserted street in a southern Dutch town, unusually bright daylight. No sound. A man drives up and parks at a vacant power point. He walks to the entrance of a large, empty, modernist building. He is greeted by a very very old veteran, who tells him that "the wife is in for a moment", "she asked me to go on the... 

Read More "Life has turned into a B-Movie, and no better location could be imagined than 'Sender Boulevard'

Sender Boulevard pauses to remember the Dutch East Indies

'For Indonesian Dutch, 15 August is definitely not liberation day,' explains playwright Bo Tarenskeen. The last day of the alternative Festival Boulevard in Den Bosch, Sender Boulevard, coincides with the commemoration of Japan's surrender on 15 May 1945. The Dutch East Indies, the colony exploited by our country for centuries, had also been liberated from the Japanese, but the end... 

Read More "Sender Boulevard pauses to remember the Dutch East Indies

Vincent Wijlhuizen is working on a coronaproof What You See Festival: 'a very large group of people are now much less visible.' 

Immediately after the lockdown was declared in March 2020, Vincent Wijlhuizen, co-founder (along with Annette van Zwol and Ieme Soes) and director of the What you See Festival, set to work to come up with alternatives for the festival, which takes place in the autumn. 'We made several plans. We already had an ordinary plan, which went to all the funds... 

Read More "Vincent Wijlhuizen is working on a coronaproof What You See Festival: 'a very large group of people are now much less visible.' 

'Sender Boulevard': a small-scale summer programme of theatre and more, from the makers of Boulevard

Under the banner 'Sender Boulevard', 25 performances, performances and installations are popping up in 's-Hertogenbosch this summer, especially in the second week of August. Their shared motto is 'Approach the other'. Because after months of isolation, appropriate distance and avoidance, the desire to get [a little] closer glows. Boulevard celebrates the resilience of makers and audiences in 2020 with a programme... 

Read More "'Sender Boulevard': a small-scale summer programme of theatre and more, from the makers of Boulevard
photo by karin jonker

Minister van Engelshoven visits Brabant performing arts sector

Minister of Education, Culture and Science Ingrid van Engelshoven spoke today at the invitation of Theatre Festival Boulevard with organisations and individual creators from Brabant about the impact of COVID-19. In the presence of the culture aldermen of the big cities and the new deputy for Leisure, Culture and Sport, the impact of the virus on the performing arts sector was mapped out. AND there was... 

Read More "Minister van Engelshoven visits Brabant performing arts sector

Culture Press podcastcorona (21) - Oscar Kocken: 'Not being allowed to perform your work for six months is pretty gross.'

'Yes, of course it was something we already saw coming in every way. That made me mentally prepared. But then when you actually hear it... It's just SO sour. It's every time - I don't blame anyone, to be clear - but every time you get bad news, you try... 

Read More "Culture Press podcastcorona (21) - Oscar Kocken: 'Not being allowed to perform your work for six months is pretty gross.'

In times of Corona, do you really need to build a new theatre with a precorona design? Culture Press Corona podcast in times of Den Bosch (20)

80 million it should cost, and it should hold a lot of people, with three theatres, and it should all happen on the lot now occupied by the Theater aan de Parade in Den Bosch. That has proved so difficult that there has been fuss about it since 2006. Now there is a draft, approved and all, of... 

Read More "In times of Corona, do you really need to build a new theatre with a precorona design? Culture Press Corona podcast in times of Den Bosch (20)

We are nowhere near crazy enough. Why theatre desperately needs a little more Crazy Wisdom.

'We will never be 'the same' enough, we fringe characters: bipolar, borderline, gay, lesbian, indeterminate, narcissistic, autistic, hysterical - and we are all fatally insecure and we all need a hug.' Permanent, seemingly inevitable insecurity is peculiar to the theatre industry. Ramsey Nasr hit that sharply in his speech on receiving his second Louis D'Or. The courage, or sometimes almost masochistic... 

Read More "We are nowhere near crazy enough. Why theatre desperately needs a little more Crazy Wisdom.

'Groningen has an open arts climate'

An artist creates something - but for whom and why? How does the created thing relate to society and what role does that creation want to play in it? Besides all the theatre performances at Noorderzon, there is also the critical question: 'What is actually the point of theatre?' Can art fraternise people? That's not so easy. Take theatre-goers. They are rather alike.... 

Read More "'Groningen has an open arts climate'

Call by Wim Claessen, former director of Theatre Festival Boulevard: 'Are there any directors left who dare to turn the tide?'

This is a letter sent in by Wim Claessen, who founded Boulevard in 1984, and passed the baton to Geert Overdam in 2002, who was succeeded by Viktorien van Hulst in 2014. "It is a disgrace that we are still standing here," spoke Viktorien van Hulst at the opening of Theatre Festival Boulevard at the Theater aan de Parade. "How... 

Read More "Call by Wim Claessen, former director of Theatre Festival Boulevard: 'Are there any directors left who dare to turn the tide?'

Bring on that fair! 7 established facts that make an ever-younger festival Boulevard unique.

Theatre Festival Boulevard is a highlight of the festival summer every year. Because there are no barriers and because it carries the casual atmosphere of the city in every fibre. But it goes even further. Here are my seven learning moments: 1: Boulevard is more accessible than the city itself Some people find it verging on the hysterical, but... 

Read More "Bring on that fair! 7 established facts that make an ever-younger festival Boulevard unique.

Five quarters of an adolescent brain. Jetse Batelaan makes growing pains hilariously palpable at Theatre Festival Boulevard.

When you make theatre for children and young people, you tell stories to children and young people from your adult existence as an adult. You can do that. You can get funding for that. Artemis, previously named the second-best theatre company in the Netherlands here, is such a company. But, because this youth theatre company is led by Jetse Batelaan, Artemis likes to do things differently. Stronger... 

Read More "Five quarters of an adolescent brain. Jetse Batelaan makes growing pains hilariously palpable at Theatre Festival Boulevard.

Impressive Minaret shows at Theatre Festival Boulevard that art survives disasters. (And check out what Miet Warlop pulls off with Dervishes)

Miet Warlop has exciting ideas, and carries them out. Now she is not unique in that. More artists do that. What makes Miet Warlop special is that it invariably leads to really special work. Take her latest creation, to be seen at Theatre Festival Boulevard, 'Ghost Writer and the Broken Hand Brake': she puts three people on stage and... 

Read More "Impressive Minaret shows at Theatre Festival Boulevard that art survives disasters. (And check out what Miet Warlop pulls off with Dervishes)

Why youth is the future and fake art does not lead to real art at Theatre Festival Boulevard.

Bossche Theatre Artemis is, after International Theatre Amsterdam, the best theatre company in the Netherlands. The company owes this to an illustrious past (Pauline Mol!!) and to Jetse Batelaan. This director recently received the prestigious Silver Lion at the Venice Biennale for his disruptive oeuvre. This consists largely of performances in which children take power, without... 

Read More "Why youth is the future and fake art does not lead to real art at Theatre Festival Boulevard.

In search of pleasure and secret spots, you sometimes stumble upon very special things during Festival Boulevard

The central character in theatre-maker Marijn Graven's Lo Lie Taa was there early. At least, so he tells the mirrored floor and the audience in his monologue Lo Lie Taa. As a nine-year-old, he was already madly in love with his mother and not long after, his life was defined by pursuing as many splashy results of his... 

Read More "In search of pleasure and secret spots, you sometimes stumble upon very special things during Festival Boulevard

White wine and black pain at finely diverse Theatre Festival Boulevard

One of the benefits of advancing secularisation is that beautiful buildings are becoming vacant in more and more places. You can do things with those buildings. With art, for example. So this week, Studio Orka from Belgium did something beautiful in the Maria Church in Vught. They turned the empty neo-Romanesque building into, yes, an empty church.... 

Read More "White wine and black pain at finely diverse Theatre Festival Boulevard

Boulevard opens with great ambition. It will be exciting regardless.

The Theater aan de Parade is slowly but surely starting to become the blot of cultural politics in Den Bosch. The outdated theatre has too low ceilings, too much plush, asbestos and past to still be a credit to the Brabant provincial capital. Viktorien van Hulst, director of the now 35-year-old Theatre Festival Boulevard, made a point of saying during her opening speech on 1 August that the... 

Read More "Boulevard opens with great ambition. It will be exciting regardless.

The Netherlands' Flemishest festival. Theatre festival Boulevard sees artists searching for a way forward

'As programmers, we are more often in Ghent than in Amsterdam,' says Viktorien van Hulst, director of Theatre Festival Boulevard. The Bossche arts festival, which this year takes place from 1 to 11 August under the Sint Jan and at unexpected locations around the North Brabant capital, has for years stood out for its close ties with our southern neighbours. 'The Dionysian artists are sitting... 

Read More "The Netherlands' Flemishest festival. Theatre festival Boulevard sees artists searching for a way forward

Shout out! The big fill-in for the new arts plan.

The Council for Culture has just proposed the new Basic Infrastructure (BIS), and it has become a very big, in traditional terms 'prosperous', baby. Since the Council is not allowed to name names, and can only list functions, we have already made a fill-in list here, in which we list (very briefly, because little time and not knowing about everything) which existing cultural... 

Read More "Shout out! The big fill-in for the new arts plan.

Kind of a recovery in the performing arts, but pay particular attention to what's happening in the southern Netherlands

As part of "Hi, Figures!", Statistics Netherlands today released updated figures on the performing arts in the Netherlands. These show a cautious recovery, although the consequences of the 2011 interventions by the VVD and PVV are still painfully visible. The figures show that theatre in particular is struggling. There, the... 

Read More "Kind of a recovery in the performing arts, but pay particular attention to what's happening in the southern Netherlands

Curious: arts sector support institutes turn against plans for new theatre and music sector institutes

There are quite a few petitions floating around these days. The most curious of all petitions was in the digital mailbox today. In it, the existing support institutes in the cultural sector urge the Lower House not to put money into new support institutes. In doing so, clubs such as the Landelijk Kennniscentrum Amateurkunst (LKCA), Cultuur+Ondernemen, and the Boekmanstichting put in a small but... 

Read More "Curious: arts sector support institutes turn against plans for new theatre and music sector institutes

Without memory, our theatre continues to innovate mindlessly, it turns out at the @theatrefestival

Dutch theatre is remembering less and less. This was evident last Friday during two meetings at ITA, the building that once housed the Stadsschouwburg. During Nieuwe Grond, part of the Dutch Theatre Festival, the topic was heritage. One meeting will possibly be remembered by the six attendees: the two guests plus presenter, and their three audience members. The other... 

Read More "Without memory, our theatre continues to innovate mindlessly, it turns out at the @theatrefestival

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